Réflexions autour de la solitude (pathologique) dans deux textes d’Eugène Ionesco : Ce formidable bordel ! et Le Solitaire
DOI:
https://doi.org/10.70091/Atras/vol06no01.37Keywords:
Crise, Ionesco, personnage, solitude, pèreAbstract
Eugène Ionesco est un auteur apprécié pour son théâtre, qui lui a permis d’occuper une place de choix dans la galerie des grands dramaturges de la littérature universelle. Les thématiques autour desquelles il construit ses pièces sont le tragique de l’existence, la difficulté de communiquer, l’écoulement du temps, le monde envahi par les objets et la solitude. Ce formidable bordel ! et Le Solitaire ne figurent pas parmi les œuvres de premier plan de l’auteur. Le Solitaire (1973), son seul roman, est fondé sur la même trame que Ce formidable bordel ! (1973), pièce de théâtre écrite et publiée après le roman. Même s’ils proposent le même sujet, ces deux textes se distinguent par quelques éléments, telles l’échelle d’argent ou l’illusion du jardin édénique. Conçu comme une étude thématique où nous adoptons une démarche appliquée, notre article est divisé en trois parties : une introduction théorique sur le thème de la solitude chez trois philosophes importants (Montaigne, Nietzsche et Cioran), le thème de la solitude chez Eugène Ionesco et l’analyse des textes.
Downloads
Published
Issue
Section
License
Copyright (c) 2025 ATRAS journal
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Licensing Framework
ATRAS utilizes the Creative Commons Attribution-NoCommercial 4.0 International License, which permits others to remix, tweak, and build upon the work non-commercially, as long as the original work is properly cited. All the journal’s content is under Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4-0).
Importantly, the intellectual property rights of the submitted papers remain with the contributors. ATRAS, published by Saida University, Dr Moulay Tahar, Algeria, does not collaborate with any private publishing companies to promote its publications. This policy is in place to prevent deceptive publishing practices. Furthermore, ATRAS strictly prohibits the commercial use or marketing of its published material.
Authors retain the right to reproduce and distribute their articles in any format, without prior authorization, with the proper acknowledgement of the first publication.
Authors are encouraged to self-archive their articles online (in institutional repositories, personal websites, etc.). Any such posting must include an appropriate citation and a link to the journal’s website.
Copyright Holder
Researchers who publish their manuscripts in ATRAS agree to the following:
Copyright and Licensing:
Author (s) retain unrestricted copyrights and publishing rights of their works, which are made available under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 (CC BY-NC 4.0), permitting others to:
SHARE: Copy and redistribute the materials in any format and medium.
ADAPT: Remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as he follows the license terms, which are:
ATTRIBUTION: Proper credit must be given, with a link to the license, and any modifications noted. This should not imply endorsement by the licensor.
NONCOMMERCIAL: The material cannot be used for commercial purposes.
Additional Agreements: Researchers can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published versions of the work (e.g., post it in an institutional repository or publish it in a book) with acknowledgement of its initial publication in ATRAS.
Online Sharing: Authors are permitted and encouraged to share their works online (e.g., in institutional repositories or on their websites) prior to and during the submission process, promoting productive exchanges and increasing citations.
