{"id":1133,"date":"2024-01-15T21:00:00","date_gmt":"2024-01-15T21:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1133"},"modified":"2025-02-01T10:09:53","modified_gmt":"2025-02-01T10:09:53","slug":"article-01-issue-1-january-2024","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1133","title":{"rendered":"Article 01 Issue 01 vol 5 January 2024"},"content":{"rendered":"\n

Title: Rhythm as a Counter-cultural Political Instrument of Empowerment in James Brown\u2019s \u2018Say it Loud, I\u2018m Black and I\u2019m Proud\u2019<\/strong><\/h1><\/div><\/div>\n\n\n\n

Kalthoum BELWEFI<\/strong><\/p><\/div><\/div>\n\n\n\n

English Department, Faculty of Arts and Humanities of Sfax, University of Sfax, Tunisia<\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

Like other art forms, the tensely-rhythmical genre of funk music has often been touted as a powerful weapon to counter race-based regimes and carry overt political messages during the tension-filled period of the civil rights movement in America. More particularly, at the end of the 1950s and the beginning of 1960s, funk music, which evolved from Rhythm and Blues, jazz and soul music, inspired the African American community to break free from the fetters of institutional racial segregation and give voice to the downtrodden black race. Funk music is typified by its powerfully-rhythmical tones which echo much dynamism and energy. The song\u2019s strong bass lines, drumbeats, syncopated beats and the recurrent refrain all along the song: \u201cSay it Loud, I\u2019m Black and Proud\u201d create rhythmic patterns that awaken black consciousness and emphasize black pride. Accordingly, that rhythm is a carrier of power is the quintessence of the present paper. It is a medium of expression that conveys life-changing thoughts. In this song, rhythm is featured as an effective strategy to re-construct the new Black identity and chart a new life wherein racial equity prevails. Brown\u2019s rhythm-driven patterns are a prelude to a new life African Americans have long been waiting for.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> rhythm, funk music, blacks, pride, empowerment, culture<\/p><\/div><\/div>\n\n\n

\n
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Belwefi, K. (2024). Rhythm as a Counter-cultural Political Instrument of Empowerment in James Brown\u2019s \u2018Say it Loud, I\u2018m Black and I\u2019m Proud\u2019. Atras Journal, 5(1), 7-16<\/p><\/div><\/div>\n\n\n\n

DOI: 
https:\/\/doi.org\/10.70091\/Atras\/vol5no1.1<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

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Brown, J. (1968). \u201cSay it Loud, I\u2019m Black and I\u2019m Proud\u201d. A Soulful Christmas.
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Morant, K. M. (2011). Language in Action: Funk music as the critical voice of a post\u2013civil
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Price Emmett, G., III (Ed.). (2010). The Encyclopedia of African American music [2
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Stewart, A. (2013). Make it funky: Fela kuti, James brown and the Invention of
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Stewart, A. (2000). \u201c’Funky Drummer’: New Orleans, James Brown and the Rhythmic
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Stewart, J. B. (2005). \u201cMessage in the Music: Political Commentary in Black Popular Music
from Rhythm and Blues to Early Hip Hop\u201d. The Journal of African American
History, 90 (3), 196\u2013225. https:\/\/doi.org\/10.1086\/jaahv90n3p196<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

rhythm, funk music, blacks, pride, empowerment, culture<\/p>\n","protected":false},"author":2,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[64,65,62,63,61],"class_list":["post-1133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-05-n01-2024","tag-blacks","tag-empowerment","tag-funk-music","tag-pride","tag-rhythm"],"gutentor_comment":0,"yoast_head":"\nArticle 01 Issue 01 vol 5 January 2024 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"rhythm, funk music, blacks, pride, empowerment, culture\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=1133\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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