{"id":1239,"date":"2024-01-15T21:00:00","date_gmt":"2024-01-15T21:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1239"},"modified":"2025-02-01T10:13:25","modified_gmt":"2025-02-01T10:13:25","slug":"digital-shakespeare-in-a-post-covid-educational-landscape-context-strategies-and-challenges","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1239","title":{"rendered":"Article 01 Special Issue Vol 05"},"content":{"rendered":"\n<div id=\"section-ga5d406\" class=\"wp-block-gutentor-e1 section-ga5d406 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Title:&nbsp;<strong><strong>Digital Shakespeare in a Post-COVID Educational Landscape Context, Strategies, and Challenges<\/strong><\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gaad259\" class=\"wp-block-gutentor-e1 section-gaad259 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong><strong>Zied Ben Amor<\/strong><\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-ge38ef1\" class=\"wp-block-gutentor-e1 section-ge38ef1 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong>English Department, Faculty of Arts and Humanities of Sousse, University of Sousse (Tunisia)<\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gc79086\" class=\"wp-block-gutentor-e1 section-gc79086 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-ga6409f\" class=\"wp-block-gutentor-e1 section-ga6409f gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">The article reflects on the relationship between blended learning, Shakespearean pedagogy, and the changing post-COVID educational environment. The research provides perspectives on adapting blended learning and advocating for a balanced approach that mixes digital tools and traditional lessons to enhance the teaching of Shakespeare. The analysis addresses the abrupt move towards blended learning in post-COVID educational landscapes, focusing on Tunisia\u2019s adaption and how it affects teaching Shakespeare. The investigation internationally contextualises blended learning in a post-COVID environment and sets the theoretical background prior to the implementation of blended learning. Practical solutions and strategies for using blended learning to teach Shakespeare are suggested. Different digital platforms of annotation, video and graphic editing, gamified learning, and other interactive tools are introduced as solutions to imbed blended teaching for Shakespeare. The paper stresses the value of multimedia tools and promotes group projects, online discussions, and digital timelines. Suggestions for implementing blended digital learning cover assessment methods and suggest that evaluation techniques can be adjusted to conform to the concepts of blended learning, focusing on technologically enabled, dynamic evaluations. The study, then, raises interrogations and enumerates the difficulties associated with digital teaching, such as concerns about inclusion, the need for training teachers and students, and socio-economic disparities. The concluding part defends the importance of reaching a balanced approach with an insistence on the primacy of viva voce instruction in conjunction with digital tools. The success of implementing blended learning for the teaching of Shakespeare is conditioned by the authorities\u2019 willingness to invest in technology, infrastructure, and teacher preparation to provide fair access and promote inclusive learning environments.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-gcd47d5\" class=\"wp-block-gutentor-e1 section-gcd47d5 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Keywords<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g538ac4\" class=\"wp-block-gutentor-e1 section-g538ac4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Blended Learning, Digital Shakespeare, Education in Tunisia, Flipped classrooms, Inclusive Teaching, Teacher Training, Teaching Shakespeare, Post-COVID<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/drive.google.com\/file\/d\/1-ZLViaJbz_Peqyu5nIdh_1V2bBTk5HXZ\/view?usp=drive_link\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g211ef8\" class=\"wp-block-gutentor-e1 section-g211ef8 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>How to Cite this Paper:<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g65159d\" class=\"wp-block-gutentor-e1 section-g65159d gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Ben Amor, Z. (2024). Digital Shakespeare in a Post-COVID Educational Landscape Context, Strategies, and Challenges. In <em>Proceedings of the First Online International Conference of Teaching and Learning in Post-COVID: Reality and Expectations, Saida University, 12-13 December, 2023,<\/em> pp. 7-23<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g26fa49\" class=\"wp-block-gutentor-e1 section-g26fa49 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>References<\/strong><\/strong>:<\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g206ff5\" class=\"wp-block-gutentor-e1 section-g206ff5 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Batac, K. I. T., Baquiran, J. A., &amp; Agaton, C. B. (2021). Qualitative content analysis of teachers\u2019 perceptions and experiences in using blended learning during the COVID-19 pandemic. <em>International Journal of Learning, Teaching and Educational Research<\/em>, <em>20<\/em>(6), 225\u2013243.<br>Ben Amor, Z. (2022). \u2018That ebb and flow by th\u2019 moon\u2019: The Dynamics of Flow Theory and Optimal Experience in William Shakespeare\u2019s <em>King Lear<\/em>. <em>ATRAS, 3<\/em>(2), 39\u201356. Retrieved from<a href=\"https:\/\/www.univ-saida.dz\/lla\/wp-content\/uploads\/sites\/8\/2022\/07\/Zied-BenAmor3.pdf\">https:\/\/www.univ-saida.dz\/lla\/wp-content\/uploads\/sites\/8\/2022\/07\/Zied-BenAmor3.pdf<\/a>.<br>Ben Amor, Z. (2022). From Illness to Meta-selves in William Shakespeare\u2019s <em>Hamlet<\/em> and <em>King Lear<\/em>: New Identities in the Time of Disease. <em>INTERNATIONAL JOURNAL OF EDUCATION &amp; PHILOLOGY, 3<\/em>(2), 56\u201375. 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(2003).&nbsp;<em>The culture of education<\/em>&nbsp;(7<sup>th<\/sup> print). Harvard Univ. Press.<br>Canva. (2023). Available at <a href=\"https:\/\/www.canva.com\/en\/\">https:\/\/www.canva.com\/en\/<\/a>.<br>Friend, C. (Ed.). (2021).&nbsp;<em>Hybrid teaching\u202f: Pedagogy, people, politics<\/em>. Hybrid Pedagogy.<br>Findik-Co\u015fkun\u00e7ay, D., Alki\u015f, N., &amp; \u00d6zkan-Yildirim, S. (2018). A Structural Model for Students\u2019 Adoption of Learning Management Systems: An Empirical Investigation in the Higher Education Context.&nbsp;<em>Journal of Educational Technology &amp; Society<\/em>,&nbsp;<em>21<\/em>(2), 13\u201327. <a href=\"http:\/\/www.jstor.org\/stable\/26388376\">http:\/\/www.jstor.org\/stable\/26388376<\/a><br>Folger Shakespeare Library. (2023). Available at<a href=\"https:\/\/www.folger.edu\/explore\/shakespeares-works\/\"> https:\/\/www.folger.edu\/explore\/shakespeares-works\/<\/a>.<br>Folger Shakespeare Library\u2019s Digital Image. (2023). Available at https:\/\/folgerpedia.folger.edu\/Digital_image_collection.<br>Fosnot, C. T. (Ed.). (2005).&nbsp;<em>Constructivism\u202f: Theory, perspectives, and practice<\/em>&nbsp;(2<sup>nd<\/sup> ed). Teachers College Press.<br>Galindo-Dominguez, H. (2021). Flipped Classroom in the Educational System: Trend or Effective Pedagogical Model Compared to Other Methodologies?&nbsp;<em>Educational Technology &amp; Society<\/em>,&nbsp;<em>24<\/em>(3), 44\u201360. https:\/\/www.jstor.org\/stable\/27032855<br>Gardner, J. (2012).&nbsp;<em>Assessment and learning<\/em>. SAGE Publications Ltd. <a href=\"https:\/\/doi.org\/10.4135\/9781446250808\">https:\/\/doi.org\/10.4135\/9781446250808<\/a><br>Garrison, D. R., &amp; Vaughan, N. D. (2008).&nbsp;<em>Blended learning in higher education\u202f: Framework, principles, and guidelines<\/em>&nbsp;(1st ed). Jossey-Bass.<br>Globe Theatre. (2023). Available at<a href=\"https:\/\/www.shakespearesglobe.com\/\"> https:\/\/www.shakespearesglobe.com\/<\/a>.<br>Google Classroom. (2023). Available at<a href=\"https:\/\/edu.google.com\/workspace-for-education\/classroom\/\">https:\/\/edu.google.com\/workspace-for-education\/classroom\/<\/a>.<br>Google Forms. (2023). Available at:\/\/www.google.com\/forms\/about\/.<br>Guide de l&#8217;enseignant. (2023). Retrieved from <a href=\"https:\/\/www.uvt.rnu.tn\/documents\/espace-com\/Moodle-enseignant.pdf\">https:\/\/www.uvt.rnu.tn\/documents\/espace-com\/Moodle-enseignant.pdf<\/a><br>Hypothesis. (2023). Available at<a href=\"https:\/\/web.hypothes.is\/\">https:\/\/web.hypothes.is\/<\/a>.<br>Kahoot. (2023). Available at<a href=\"https:\/\/kahoot.com\/\">https:\/\/kahoot.com\/<\/a><br>Krathwohl, D. R. (1974).&nbsp;<em>Taxonomy of educational objectives\u202f: The classification of educational goals.<\/em>&nbsp;(B. S. Bloom, Ed.). David McKay Company.<br>L\u00e5g, T. &amp; Gr\u00f8m, R. (2019). Does the flipped classroom improve student learning and satisfaction? A Systematic review and meta-analysis. <em>AERA Open, 5<\/em>(3), 1-17.<br>Marzano, R. J. (2003).&nbsp;<em>What works in schools\u202f: Translating research into action<\/em>. Association for Supervision and Curriculum Development.<br>Moodle. (2023). Available at<a href=\"https:\/\/moodle.org\/\">https:\/\/moodle.org\/<\/a>.<br>Moszkowicz, D., Duboc, H., Dubertret, C., Roux, D., &amp;Bretagnol, F. (2020). <em>Daily medical education for confined students during coronavirus disease 2019 pandemic: A simple videoconference solution.<\/em> Clinical A.<br>No Fear Shakespeare. (2023). Available at<a href=\"https:\/\/www.sparknotes.com\/shakespeare\/\"> https:\/\/www.sparknotes.com\/shakespeare\/<\/a>.<br>Padlet. (2023). Available at https:\/\/padlet.com\/.<br>Pelech, J., &amp; Pieper, G. W. (2010).&nbsp;<em>The comprehensive Handbook of constructivist teaching\u202f: From theory to practice<\/em>. 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J., Thompson, A., &amp; Shakespeare, W. (2016).&nbsp;<em>Othello<\/em>&nbsp;(Rev ed.). Bloomsbury Arden Shakespeare.<br>The British Library Shakespeare in Quarto (2023). Available at<a href=\"https:\/\/www.bl.uk\/treasures\/shakespeare\/prtshakelinks.html\">https:\/\/www.bl.uk\/treasures\/shakespeare\/prtshakelinks.html<\/a><br>The Royal Shakespeare Company. (2023). Available at<a href=\"https:\/\/www.rsc.org.uk\/\"> https:\/\/www.rsc.org.uk\/<\/a>.<br>Timeline JS. (2023). Available at https:\/\/timeline.knightlab.com\/.<br>UVT. (2023). Available at https:\/\/ent.uvt.rnu.tn\/index.html<br>Vygotskij, L. S., &amp; Cole, M. (1981).&nbsp;<em>Mind in society\u202f: The development of higher psychological processes<\/em>&nbsp;(Nachdr.). Harvard Univ. Press.<br>Wright, J. L. (1976). Learning objectives and the teaching of English.&nbsp;<em>The English Journal<\/em>,&nbsp;<em>65<\/em>(4), 32.-36<a href=\"https:\/\/doi.org\/10.2307\/815179\"> https:\/\/doi.org\/10.2307\/815179<\/a>.<\/p><\/div><\/div>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Blended Learning, Digital Shakespeare, Education in Tunisia, Flipped classrooms, Inclusive Teaching, Teacher Training, Teaching Shakespeare, Post-COVID<\/p>\n","protected":false},"author":2,"featured_media":1215,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[66],"tags":[67,68,69,70,71,72,73],"class_list":["post-1239","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-5-special-2024","tag-blended-learning","tag-digital-shakespeare","tag-education-in-tunisia","tag-flipped-classrooms","tag-inclusive-teaching","tag-teacher-training","tag-teaching-shakespeare"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - 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