{"id":1460,"date":"2022-07-31T21:00:00","date_gmt":"2022-07-31T21:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1460"},"modified":"2025-02-01T15:52:21","modified_gmt":"2025-02-01T15:52:21","slug":"politicizing-the-soil-a-study-on-indigenous-land-rights-activism-and-art-in-canada","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1460","title":{"rendered":"Article 06 Issue 02 VOL 3 January 2022"},"content":{"rendered":"\n

Title: Politicizing the Soil: A Study on Indigenous Land Rights, Activism and Art in Canada<\/strong><\/h1><\/div><\/div>\n\n\n\n

Debkanya Banerjee<\/strong>
Department of Comparative Literature
Jadavpur University, Kolkata, India<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong>:<\/h1><\/div><\/div>\n\n\n\n

This paper attempts to analyse the nature of Indigenous land rights in Canada and how they survived and changed after the British Crown acquired sovereignty over the land. Though this analysis is historical it shall remain incomplete without understanding its present state and the role of the United Nations in safeguarding the rights of the Aboriginal people. This paper will elaborate on the concept of reconciliation and its various forms. The second section of this paper will thoroughly explore the incidents of the Oka Crisis. I will bring to the forefront the background information that led to the crisis, how it affected the Indigenous people and the role of contemporary media in framing the events. Lee Maracle\u2019s novel Bobbi Lee: Indian Rebel<\/em> and Beth Cuthand\u2019s poem Post-Oka Kinda Woman<\/em> will show how the Oka Crisis reassesses the conventional role of women in any kind of activism. The third section of this paper will emphasize films and visual arts that were inspired by the events at Oka. A comparative study of Alanis Obomsawin\u2019s film Kanehsatake:270 Years of Resistance<\/em>, Tracey Deer\u2019s film BEANS<\/em>, and Thomas Deer\u2019s illustrations shall foreground the relevance of the Oka Crisis today and why it should be considered a landmark political issue in the history of Indigenous land rights movement in Canada. The paper will conclude by engaging in a discussion on the current socio-political relationship of the Indigenous people with the Canadian Government and identify the loopholes in the current governmental reconciliatory approach.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n

Films, illustrations, Indigenous Activism, Land rights, Oka Crisis, Reconciliation<\/p><\/div><\/div>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

How to Cite this Paper:<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n

Banerjee, D. (2022). Politicizing the Soil: A Study on Indigenous Land Rights, Activism and Art in Canada. Atras Journal, 3<\/em>(2), 78-89<\/p><\/div><\/div>\n\n\n\n

References<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n

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Deer, T. (2020). BEANS. Film Script. Mongrel Media.<\/em> Retrieved from https:\/\/s3.amazonaws.com\/cdn.filmtrackonline.com\/mongrelmedia\/starcm_vault_root\/media%2Fpublicwebassets%2FBEANS+Final+Mongrel+Press+Kit+with+Awards_%7Ba7b05499-dfeb-ea11-a9c9-0edcbcd33718%7D.pdf<\/a>
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Metraux, J. (2021). How the Media Framed the Oka Crisis as Terrorism?<\/em> JSTOR Daily,  Arts and Culture. Available at https:\/\/daily.jstor.org\/how-the-media-framed-the-oka-crisis-as-terrorism\/<\/a>
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Mohawk warrior staring down a Canadian soldier during the 1990 Oka Crisis in Quebec. (2010). Flickr.  Available at https:\/\/www.flickr.com\/photos\/51477498@N04<\/a>
    on Human Rights and Democracy<\/em>. New York: Routledge.
      Press.
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Wiebelhaus-Brahm, Eric. (2010). Truth Commissions and Transitional Societies: The Impact<\/em><\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Films, illustrations, Indigenous Activism, Land rights, Oka Crisis, Reconciliation<\/p>\n","protected":false},"author":2,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187],"tags":[220,219,222,221,223],"class_list":["post-1460","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-03-n02-2022","tag-films","tag-illustrations","tag-indigenous-activism","tag-land-rights","tag-oka-crisis"],"gutentor_comment":0,"yoast_head":"\nArticle 06 Issue 02 VOL 3 January 2022 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Films, illustrations, Indigenous Activism, Land rights, Oka Crisis, Reconciliation Films, illustrations, Indigenous Activism, Land rights, Oka Crisis, Reconciliation\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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