{"id":1723,"date":"2020-07-31T21:00:00","date_gmt":"2020-07-31T21:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1723"},"modified":"2025-02-01T16:08:56","modified_gmt":"2025-02-01T16:08:56","slug":"polyphonie-et-mecanismes-de-lecriture-polycentrique-dans-loeuvre-dassia-djebar","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1723","title":{"rendered":"Article 01 Issue 01 VOL 02 July 2020"},"content":{"rendered":"\n<div id=\"section-g8e24a0\" class=\"wp-block-gutentor-e1 section-g8e24a0 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Title:&nbsp;<strong><strong><strong><strong>Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR<\/strong><\/strong><\/strong><\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g9d68b1\" class=\"wp-block-gutentor-e1 section-g9d68b1 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Nawal BENGAFFOUR<br>Ecole normale sup\u00e9rieure de Bouzar\u00e9ah <br>\u00abMoubarak Ben Mohamed Ibrahim<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g5ce450\" class=\"wp-block-gutentor-e1 section-g5ce450 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gf9794a\" class=\"wp-block-gutentor-e1 section-gf9794a gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Our analysis proposes to highlight the links existing between the enunciative polyphony and the mechanisms of polycentric writing in novel of Assia Djebar. The Woman without burial. By drawing the portrait of the narrator and female characters, we noticed that the labyrinthine fictions use to show the nature of the story dialogue since each voice gives birth to text even if it tends to develop in reverse of the enunciative instance.&nbsp;<br>Our studies of textual micro-sequences converge in the direction of polycentric writing its multidimensional branching and variable aims to demonstrate the interactive and convergences reflected in the writing considered here as a polycentric process around in which several grids of narratological and semiotic readings are crossed that we could analyze in a broader perspective particularly in poetic construction. <\/p><\/div><\/div>\n\n\n\n<div id=\"section-gf76208\" class=\"wp-block-gutentor-e1 section-gf76208 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g701e46\" class=\"wp-block-gutentor-e1 section-g701e46 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance &#8211; Text.<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/drive.google.com\/file\/d\/1WElYINkxE6PP62fxkOvNNeR9ESxhXWz4\/view?usp=drive_link\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-gaa18a9\" class=\"wp-block-gutentor-e1 section-gaa18a9 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>How to Cite this Paper:<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gd68cdd\" class=\"wp-block-gutentor-e1 section-gd68cdd gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Bengaffour, N. (2020). Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR. <em>Atras Journal, 01<\/em>(2), 06-18<\/p><\/div><\/div>\n\n\n\n<div id=\"section-gda1e72\" class=\"wp-block-gutentor-e1 section-gda1e72 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>References<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g8c783f\" class=\"wp-block-gutentor-e1 section-g8c783f gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Authier-Revuz Jacqueline.(1982).H\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 montr\u00e9e et h\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9 constitutive&nbsp;: \u00e9l\u00e9ments pour une approche de l\u2019autre dans le discours, Ed, DRLAV.&nbsp;<br>Calle-Gruber, Mireille. (2006).Assia Djebar, Association pour la diffusion de la pens\u00e9e fran\u00e7aise (ADPF) \u2013 CULTURESFRANCE.<br>Voir Charaudeau P. &amp;Maingueneau D. (2002).Dictionnaire de l&#8217;analyse du discours, Paris, Le Seuil.<br>Michel Foucault (1971).L\u2019Ordre du discours, Paris Gallimard.<br>Fl\u00f8ttum, K. (2004).\u00celots textuels dans Le temps retrouv\u00e9 de Marcel Proust, dans : Lopez-Mu\u00f1os, J.-M., S. Marnette&amp; L. Rosier (\u00e9ds.)<br>Lise Gauvin (1996).L&#8217;\u00e9crivain et ses langues, in Litt\u00e9rature, n\u00b0101, &#8211; Revue trimestrielle, territoires des langues : entretien avec Assia Djebar, Edition Larousse.<br>DahoudaKanate et S\u00e9lon K. Gbanou. (2008). M\u00e9moires et identit\u00e9s dans les litt\u00e9ratures francophones, Paris, l\u2019Harmattan.&nbsp;<br>Pierre Loubier. (1998).Le Po\u00e8te au labyrinthe. ville, errance, \u00e9criture. ENS Editions,&nbsp;<br>Kristeva, Julia. (1970). Le texte du roman, approche s\u00e9miologique d\u2019une structure discursive, la Hague, Mouton Publishers.<br>Maury-Rouan Claire, Vion Robert et Bertrand Roxane. (2007).Voix de discours et positions du sujet, Dimensions \u00e9nonciative et prosodique, Voicesembedded in discourse and footing. an enunciative and prosodicapproach.&nbsp;<br>Moles, Abraham et Rohmer, Elisabeth. (1982).Labyrinthes du v\u00e9cu. L\u2019espace&nbsp;: mati\u00e8re d\u2019actions. Paris&nbsp;: Librairie des M\u00e9ridiens.&nbsp;<br>Morini Agn\u00e8s. (2004).Identit\u00e9,&nbsp;langages(s) et modes de pens\u00e9e (\u00c9tudes r\u00e9unies&nbsp;et pr\u00e9sent\u00e9es), CERCLI (centre d\u2019\u00c9tudes et de Recherche sur la Civilisation&nbsp;et la Litt\u00e9rature&nbsp;Italienne.&nbsp;Publications&nbsp;de l &#8216;Universit\u00e9 de Saint-\u00c9tienne.&nbsp;<br>Solnit, Rebecca. (2002). L\u2019Art de marcher, Paris&nbsp;: actes Sud.<br>Vion Robert. (2005).H\u00e9t\u00e9rog\u00e9n\u00e9it\u00e9s \u00e9nonciatives et types de s\u00e9quence textuelle, S\u00e9quentialit\u00e9, interactivit\u00e9 et instabilit\u00e9 \u00e9nonciative (Sequentiality, interactivity and enunciative instability).in Les Cahiers de prax\u00e9matique,Sous la direction de Laure Gardelle, Caroline Rossi et Laurence Vincent-Durroux.<br>Zarader, Jean-Pierre. (2002).Le Vocabulaire des philosophes, philosophie contemporaine (XXe \u00ab&nbsp;si\u00e8cle). Paris&nbsp;: Ellipses Marketing.<\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance &#8211; Text.<\/p>\n","protected":false},"author":2,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[241],"tags":[261],"class_list":["post-1723","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-01-n02-2020","tag-polyphony-polyphonic-writing-story-voice-enunciatively-instance-text"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 01 Issue 01 VOL 02 July 2020 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR\" \/>\n<meta property=\"og:description\" content=\"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2020-07-31T21:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-01T16:08:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR\" \/>\n<meta name=\"twitter:description\" content=\"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 01 Issue 01 VOL 02 July 2020\",\"datePublished\":\"2020-07-31T21:00:00+00:00\",\"dateModified\":\"2025-02-01T16:08:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\"},\"wordCount\":627,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\",\"keywords\":[\"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.\"],\"articleSection\":[\"Vol 01 N02 2020\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\",\"name\":\"Article 01 Issue 01 VOL 02 July 2020 - ATRAS journal\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\",\"datePublished\":\"2020-07-31T21:00:00+00:00\",\"dateModified\":\"2025-02-01T16:08:56+00:00\",\"description\":\"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.\",\"breadcrumb\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/atras-univ-saida.dz\/en\/?p=1723\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\",\"contentUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png\",\"width\":300,\"height\":300,\"caption\":\"created by mebarki merouane ATRAS journal\"},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1723#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/atras-univ-saida.dz\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Article 01 Issue 01 VOL 02 July 2020\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#website\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/\",\"name\":\"ATRAS journal\",\"description\":\"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University\",\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"alternateName\":\"ATRAS journal\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\",\"name\":\"ATRAS journal\",\"alternateName\":\"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png\",\"contentUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png\",\"width\":512,\"height\":512,\"caption\":\"ATRAS journal\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\",\"name\":\"atras\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"caption\":\"atras\"},\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Article 01 Issue 01 VOL 02 July 2020 - ATRAS journal","description":"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/atras-univ-saida.dz\/en\/?p=1723","og_locale":"en_US","og_type":"article","og_title":"Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR","og_description":"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.","og_url":"https:\/\/atras-univ-saida.dz\/en\/?p=1723","og_site_name":"ATRAS journal","article_publisher":"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/","article_published_time":"2020-07-31T21:00:00+00:00","article_modified_time":"2025-02-01T16:08:56+00:00","og_image":[{"width":300,"height":300,"url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","type":"image\/png"}],"author":"atras","twitter_card":"summary_large_image","twitter_title":"Polyphonie et m\u00e9canismes de l\u2019\u00e9criture polycentrique dans l\u2019\u0153uvre d\u2019Assia DJEBAR","twitter_description":"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.","twitter_image":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","twitter_misc":{"Written by":"atras","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#article","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723"},"author":{"name":"atras","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64"},"headline":"Article 01 Issue 01 VOL 02 July 2020","datePublished":"2020-07-31T21:00:00+00:00","dateModified":"2025-02-01T16:08:56+00:00","mainEntityOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723"},"wordCount":627,"publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","keywords":["Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text."],"articleSection":["Vol 01 N02 2020"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723","url":"https:\/\/atras-univ-saida.dz\/en\/?p=1723","name":"Article 01 Issue 01 VOL 02 July 2020 - ATRAS journal","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","datePublished":"2020-07-31T21:00:00+00:00","dateModified":"2025-02-01T16:08:56+00:00","description":"Polyphony- Polyphonic writing \u2013 Story- Voice-Enunciatively instance - Text.","breadcrumb":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/atras-univ-saida.dz\/en\/?p=1723"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#primaryimage","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-02-300x300-1.png","width":300,"height":300,"caption":"created by mebarki merouane ATRAS journal"},{"@type":"BreadcrumbList","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=1723#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/atras-univ-saida.dz\/en\/"},{"@type":"ListItem","position":2,"name":"Article 01 Issue 01 VOL 02 July 2020"}]},{"@type":"WebSite","@id":"https:\/\/atras-univ-saida.dz\/en\/#website","url":"https:\/\/atras-univ-saida.dz\/en\/","name":"ATRAS journal","description":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"alternateName":"ATRAS journal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/atras-univ-saida.dz\/en\/#organization","name":"ATRAS journal","alternateName":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","url":"https:\/\/atras-univ-saida.dz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","width":512,"height":512,"caption":"ATRAS journal"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/"]},{"@type":"Person","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64","name":"atras","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","caption":"atras"},"url":"https:\/\/atras-univ-saida.dz\/en\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/1723","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1723"}],"version-history":[{"count":3,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/1723\/revisions"}],"predecessor-version":[{"id":2708,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/1723\/revisions\/2708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/media\/1282"}],"wp:attachment":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1723"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1723"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1723"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}