{"id":1849,"date":"2024-07-15T09:00:00","date_gmt":"2024-07-15T09:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1849"},"modified":"2025-02-01T09:52:01","modified_gmt":"2025-02-01T09:52:01","slug":"marvel-in-the-algerian-folk-tale-the-tale-of-djamila-and-the-ogre","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1849","title":{"rendered":"Article 07 Issue 02 VOL 5 July 2024"},"content":{"rendered":"\n<div id=\"section-gcb7eb7\" class=\"wp-block-gutentor-e1 section-gcb7eb7 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Title:<\/strong> <strong><strong>Marvel in the Algerian Folk Tale: \u2018The Tale of &nbsp;Djamila and the Ogre\u2019<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g314766\" class=\"wp-block-gutentor-e1 section-g314766 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong>Sabrina &nbsp;BOUGOUFA <br>Echahid Cheick Larbi Tbessi University&nbsp; \u2013 Tebessa- Algeria<br><\/strong><\/strong><\/strong><br><\/p><\/div><\/div>\n\n\n\n<div id=\"section-ge812a3\" class=\"wp-block-gutentor-e1 section-ge812a3 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g880d89\" class=\"wp-block-gutentor-e1 section-g880d89 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">The concept of Marvel has emerged as a significant term in contemporary discourse, leading to considerable debate due to its intersection with other related concepts. It is essential to highlight the close relationship between the term Marvel and folk literature, given the distinctive nature of folk literature characterized by its incorporation of Marvel in its characters, settings, and themes. This study aims to delve into the notion of the folk tale and subsequently identify instances of marvel in a tale drawn from Algerian heritage, through the analysis of a specific model entitled <em>The Tale of Djamila and the Ogre<\/em><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g24384c\" class=\"wp-block-gutentor-e1 section-g24384c gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gd81024\" class=\"wp-block-gutentor-e1 section-gd81024 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Folk tale, Marvel, <em>The Tale of Djamila and the Ogre<\/em>, place Ogre<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/drive.google.com\/file\/d\/14QnKzcoHDjiskLFxS9zgZLKtqCVhpxGt\/view?usp=sharing\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g0056f2\" class=\"wp-block-gutentor-e1 section-g0056f2 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>How to Cite this Paper:<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gaab36a\" class=\"wp-block-gutentor-e1 section-gaab36a gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Bougoufa, S. (2024). Marvel in the Algerian Folk Tale: \u2018The Tale of Djamila and the Ogre\u2019. <em>Atras Journal, 5<\/em>(2),90-100<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-pgl53m3\" class=\"wp-block-gutentor-e1 section-g-pgl53m3 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>DOI:&nbsp;<br><a href=\"https:\/\/doi.org\/10.70091\/Atras\/vol05no2.7\">https:\/\/doi.org\/10.70091\/Atras\/vol05no2.7<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g19c13a\" class=\"wp-block-gutentor-e1 section-g19c13a gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>References<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g31b7d0\" class=\"wp-block-gutentor-e1 section-g31b7d0 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">ibn Ahmad al-Azhar\u012b, A. (n.d). <em>Tahdhib al-Lughah.<\/em> Cairo, Egypt: Egyptian House for Translation and Publishing.<br>Al-Faysal, S. (1995). <em>The Structure of Syrian Arabic Novel.<\/em> Damascus, Syria: Arab Writers Union Publications.<br>al-Nadim, I. (n.d). <em>Al-Fihrist.<\/em> Beirut, Lebanon: Dar Sader.<br>Ammar, B. (2021, 02 22). (researcher, Interviewer)<br>Bachelard, G. (1998). <em>The Aesthetics of Space, translated by Ghaleb Helsa.<\/em> Beirut, Lebanon: University Institutions for Studies.<br>Boumezou, M. (2010). <em>Narrative Text Analysis: Techniques and Concepts.<\/em> Algeria: Al-Ikhtilaf Publications.<br>Gharaa, H. M. (1997). <em>Folktale Literature.<\/em> Egypt: Egyptian International Company.<br>Hafez, S. (1986). <em>Intertextuality and Literary References.<\/em> cario: Oyun Al-Maqalat Magazine .<br>Ibn Manzur. (1956). <em>Lisan al-Arab<\/em> (Vol. 5). Beirut: Dar Sader.<br>Ibrahim, N. (n.d). <em>Forms of Expression in Folk Literature.<\/em> Egypt: Dar Ghareeb Publishing.<br>Martad, A. (1989). <em>Mythology Among the Arabs (A Study of a Collection of Ancient Arab Myths and Beliefs).<\/em> Algeria: National Book Foundation.<br>Mashhur, H. (1989). <em>The Ogre Between Prophetic Hadith and Folklore.<\/em> Saudi Arabia: Dar Ibn Al-Qayyim.<br>Qarari, A. (2010). <em>Popular Literature Approaches and Studies.<\/em> Algeria: Dar Al-Kitab Al-Hadith.<br>Yali, M. (1999). <em>Folk Stories in Morocco: A Morphological Study.<\/em> Morocco: Al-Madaris Publishing Company.<br>Zaytouni, L. (2002). <em>Dictionary of Novel Criticism Terms.<\/em> Lebanon: Dar Lebanon.<\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Folk tale, Marvel, The Tale of Djamila and the Ogre, place Ogre<\/p>\n","protected":false},"author":2,"featured_media":1282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273],"tags":[305,306,307],"class_list":["post-1849","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-05-n02-2024","tag-folk-tale","tag-marvel","tag-the-tale-of-djamila-and-the-ogre"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 07 Issue 02 VOL 5 July 2024 - ATRAS journal 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