{"id":1891,"date":"2024-07-15T20:00:00","date_gmt":"2024-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1891"},"modified":"2025-02-01T09:53:16","modified_gmt":"2025-02-01T09:53:16","slug":"interrogating-the-algerian-folkloric-identity-in-khadras-what-the-day-owes-the-night","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1891","title":{"rendered":"Article 13 Issue 02 VOL 5 July 2024"},"content":{"rendered":"\n<div id=\"section-g0fbe15\" class=\"wp-block-gutentor-e1 section-g0fbe15 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Title:<\/strong> <strong>Interrogating the Algerian Folkloric Identity in Khadra\u2019s <em>What the Day Owes the Night<\/em><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g21b5aa\" class=\"wp-block-gutentor-e1 section-g21b5aa gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong>Hidaya ATTAR ZENNAKI <br>LLC Lab, Abou<br>Bakr Belkaid University, Tlemcen, Algeria<\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g64e7d2\" class=\"wp-block-gutentor-e1 section-g64e7d2 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-center-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong>Ilhem SERIR MORTAD<br>Abou Bakr<br>Belkaid University, Tlemcen, Algeria<\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gd6fb3f\" class=\"wp-block-gutentor-e1 section-gd6fb3f gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-ge59fad\" class=\"wp-block-gutentor-e1 section-ge59fad gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">This paper is an attempt to explore Folkloric material in Yasmina Khadra\u2019s <em>What the Day Owes the Night<\/em>, to reconsider folklore, not as a remnant of the past, but as an artistic vehicle to locate cultural belonging. It examines the different elements by which folklore shapes individual and collective identity in colonial Algerian literature. The novel of Yasmina Khadra represents material and spiritual folk constituents of the Algerian national and cultural identity during the French colonization, mainly the moral struggle of the protagonist between his Algerian cultural heritage and the French-acquired culture. The novel is rich in cultural, artistic, and folkloric elements of the Algerian individual and collective identity. It also exhibits the contrast between the local, and everyday French habits, causing a chasm between the two cultures the protagonist is struggling to bear and fill. This research indicates that the protagonist&#8217;s internal conflict reflects the larger struggle that nearly all Algerians went through during French colonization by imposing the colonial culture on their own. Research findings demonstrate that folklore is a popular material that springs out from recurrent situations of everyday life. Khadra\u2019s <em>What the Day Owes the Night <\/em>expresses verbal art as academic parlance to encounter identity issues. Khadra effectively captures the essence of Algerian society and its diverse cultural fabric through vivid descriptions and storytelling, shedding light on the intricate nature of identity in a colonized nation.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g4ecd2a\" class=\"wp-block-gutentor-e1 section-g4ecd2a gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g742a1d\" class=\"wp-block-gutentor-e1 section-g742a1d gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Algerian folklore, popular culture, folkloric identity, French, <em>What the Day Owes the Night<\/em><\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/drive.google.com\/file\/d\/1EOBtaQ4B2tN-fEAD7odG422PlnlcoSFg\/view?usp=sharing\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-gb9e72f\" class=\"wp-block-gutentor-e1 section-gb9e72f gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>How to Cite this Paper:<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gd41814\" class=\"wp-block-gutentor-e1 section-gd41814 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Attar Zennaki, H., &amp; Serir-Mortad, I. (2024). Interrogating the Algerian Folkloric Identity in Khadra\u2019s What the Day Owes the Night. <em>ATRAS Journal, 5<\/em>(2), 166-179.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-ryp6r1i\" class=\"wp-block-gutentor-e1 section-g-ryp6r1i gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>DOI:&nbsp;<br><a href=\"https:\/\/doi.org\/10.70091\/Atras\/vol05no2.13\">https:\/\/doi.org\/10.70091\/Atras\/vol05no2.13<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g1ea191\" class=\"wp-block-gutentor-e1 section-g1ea191 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-left-tablet text-align-left-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>References<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g0f0cd5\" class=\"wp-block-gutentor-e1 section-g0f0cd5 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Ben Amos, D. (2020). <em>Folklore Concepts; Histories and Critiques<\/em>. USA: Indiana University Press.<br>Hall, S. (1990). Cultural Identity and Diaspora. In Rutherford, J. (ed.), <em>Identity, Community, Culture, Difference <\/em>(pp. 222\u2013237). London: Lawrence &amp; Wishart.<br>Khadra, Y. (2011). <em>What the Day Owes the Night <\/em>(F. Wynne, trans.). London: Vintage Books.<br>Senoussi, M., &amp; Serir Mortad, I. (2019). Plotting the Unspeakable in Khadra\u2019s Wolf Dreams. <em>Critique: Studies in Contemporary Fiction, 60<\/em>(4), 501-5013. Routledge: Taylor and Francis group.<br>Smith, J. (2019). <em>The Book of Forbidden Knowledge: Black Magic, Superstition, Charms, and Divination<\/em>. USA: Amazon Digital Services.<br>Storey, J. (2014). <em>From popular culture to everyday life<\/em>. Routledge.<br>Sysoyev, P. V. (2001). <em>Individual&#8217;s Cultural Identity in the Context of Dialogue of Cultures<\/em>. Russia: The Tambov State University Press.<br>Thompson, S. (1996). Definitions of Folklore. <em>Journal of Folklore Research, 33<\/em>(3), 255-264. USA: Indiana University Press.<br>Weedon, C. (2004). <em>Identity and Culture: Narratives of Difference and Belonging<\/em>. New York: Open University Press.<br>Weeks, J. (1990). <em>The Value of Difference<\/em>. In J. Rutherford (ed.) <em>Identity, Community, Culture, Difference <\/em>(pp. 88-100). London: Lawrence and Wishart.<br>Woodward, K. (1997). <em>Identity and Difference<\/em>. California: Sage Publications Ltd.<br>Xue, M. M. (2022). <em>Folklore<\/em>. In Encyclopedia of Violence, Peace, and Conflict. Academic Press.<\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273],"tags":[317,319,320,318],"class_list":["post-1891","post","type-post","status-publish","format-standard","hentry","category-vol-05-n02-2024","tag-algerian-folklore","tag-folkloric-identity","tag-french","tag-popular-culture"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 13 Issue 02 VOL 5 July 2024 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Title: Interrogating the Algerian Folkloric Identity in Khadra\u2019s What the Day Owes the Night Hidaya ATTAR ZENNAKI LLC Lab, AbouBakr Belkaid University,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Interrogating the Algerian Folkloric Identity in Khadra\u2019s What the Day Owes the Night\" \/>\n<meta property=\"og:description\" content=\"Algerian folklore, popular culture, folkloric identity, French, What the Day Owes the Night\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2024-07-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-01T09:53:16+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-01-300x300-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"300\" \/>\n\t<meta property=\"og:image:height\" content=\"300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Interrogating the Algerian Folkloric Identity in Khadra\u2019s What the Day Owes the Night\" \/>\n<meta name=\"twitter:description\" content=\"Algerian folklore, popular culture, folkloric identity, French, What the Day Owes the Night\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/plume-article-01-300x300-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 13 Issue 02 VOL 5 July 2024\",\"datePublished\":\"2024-07-15T20:00:00+00:00\",\"dateModified\":\"2025-02-01T09:53:16+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\"},\"wordCount\":605,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"keywords\":[\"Algerian folklore\",\"folkloric identity\",\"French\",\"popular culture\"],\"articleSection\":[\"Vol 05 N02 2024\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=1891\",\"name\":\"Article 13 Issue 02 VOL 5 July 2024 - 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