{"id":1910,"date":"2024-07-15T20:00:00","date_gmt":"2024-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1910"},"modified":"2025-02-01T09:54:18","modified_gmt":"2025-02-01T09:54:18","slug":"article-19-issue-02-vol-5-july-2024","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1910","title":{"rendered":"Article 19 Issue 02 VOL 5 July 2024"},"content":{"rendered":"\n

Title:<\/strong> Deciphering the Ontology of Racial Cultural Politics in Black Super Heroes Comic Narratives<\/strong><\/p><\/div><\/div>\n\n\n\n

Sarkar Priyanko
Sidho-KanhoBirsha University, India<\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n

The origin of the superheroes genre in popular graphic narratives medium provides a new hindsight to the genre of children’s literature. However, with the introduction of black racial politics in the superheroes genre there arose a cultural shift to the conception of superheroes with the advent of DC and Marvel comic book universes black superheroes gained a popular place in the new comic books medium which provided spaces for creativity critique as a celebration in resulting in new ways of understanding the world and their place within it. Besides it reflects how black superheroes struggle to maintain their own racial and cultural identity against the white(imperialist) capitalist policy of assimilation and marginalization<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n

Black superheroes, DC and Marvel comic book universes, white capitalist society, marginalization<\/p><\/div><\/div>\n\n\n

\n
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How to Cite this Paper:<\/strong><\/h1><\/div><\/div>\n\n\n\n

Sarkar, P. (2024). Deciphering the Ontology of Racial Cultural Politics in Black Super Heroes Comic Narratives. ATRAS Journal<\/em>, 5<\/em> (2), 250-255.<\/p><\/div><\/div>\n\n\n\n

DOI: 
https:\/\/doi.org\/10.70091\/Atras\/vol05no2.19<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong><\/h1><\/div><\/div>\n\n\n\n

Bukac, Z.(2019). Hypermasculinity and infantilization of black superheroes: Analysis of Luke Cage and Rage origin stories. Reci Journal,<\/em> 11<\/em>(1), pp. 69-81. http:\/\/dx.doi.org\/10.5937\/reci1912069B<\/a>
Bulmer, M., & Solomos,. J. (1999). Ethnic and racial studies<\/em>. Routledge.
Carney, S. (2005). The Function of the Superhero of the Present Time. Iowa Journal of Cultural Studies<\/em>. 6<\/em>(1), 100-117. http:\/\/dx.doi.org\/10.17077\/2168-569X.1127<\/a>
Coogan, P. (2004). Superhero: The secret origin of a Genre<\/em>. Plakship publishing.
Cochran, D. (2017). Canvases of representation Addressing the cultural politics of black male superhero identity in graphic narratives,<\/em> (Unpublished Master\u2019s thesis). Illinois State University<\/a>. eScholarship. https:\/\/ir.library.illinoisstate.edu\/etd\/731<\/a>
Cornell, P. (2011). Superman the Black Ring<\/em>. Action Comics 1938-2011. United Kingdom: DC Comics.
Fanon, F. (2008). Black Skin White Mask.<\/em> Pluto Press
Gravaler, C. (2015). On the Origin of Superheros: From the Big Bang to Action Comics Number 1.<\/em> University of Owa Press
Scott, A. S. (2011). Comics and Conflict: War and Patriotically Themed Comics in American Cultural History From World War Through the Iraq War, <\/em>(Unpublished Master\u2019s of Thesis). Loyola University Chicago<\/a>. eScholarship. http:\/\/ecommons.luc.edu\/luc_diss\/74<\/a>
Worchester, K. (2008). Arguing Comics: Literary Masters On a Popular Medium<\/em>. University Press of Mississippi.<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Black superheroes, DC and Marvel comic book universes, white capitalist society, marginalization<\/p>\n","protected":false},"author":2,"featured_media":1281,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273],"tags":[345,344,346],"class_list":["post-1910","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-05-n02-2024","tag-black-superheroes","tag-dc-and-marvel-comic-book-universes","tag-white-capitalist-society"],"gutentor_comment":0,"yoast_head":"\nArticle 19 Issue 02 VOL 5 July 2024 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Black superheroes, DC and Marvel comic book universes, white capitalist society, marginalization\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=1910\" \/>\n<meta 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