{"id":1963,"date":"2024-07-15T08:00:00","date_gmt":"2024-07-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=1963"},"modified":"2025-02-01T09:56:29","modified_gmt":"2025-02-01T09:56:29","slug":"the-fences-and-tissues-in-counter-representation-how-to-suckle-from-the-wolf-without-biting-you-by-amara-lakhous-as-a-case-study","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=1963","title":{"rendered":"Article 27 Issue 02 VOL 5 July 2024"},"content":{"rendered":"\n

Title:<\/strong> The Fences and Tissues in Counter-Representation:  How to Suckle from the Wolf Without Biting You <\/em>by Amara Lakhous as a Case Study<\/strong><\/p><\/div><\/div>\n\n\n\n

\u0641\u062a\u064a\u062d\u0629 \u0639\u0627\u0634\u0648\u0631\u064a
 <\/span><\/span><\/span><\/span> \u062c\u0627\u0645\u0639\u0629 \u0627\u0644\u0634\u0627\u0630\u0644\u064a \u0628\u0646 \u062c\u062f\u064a\u062f(\u0627\u0644\u062c\u0632\u0627\u0626\u0631)<\/span><\/span><\/span><\/span> <\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/h1><\/div><\/div>\n\n\n\n

Our research paper seeks to investigate how the fences of representation work and expose the savage wolf latent in the Western man, by investigating the tissues of the narrative that resist it in prolonging cultural racism and calling for a humane cultural equation, so the novel How to Suckle from the Wolf Without Biting<\/em> you by Amara Lakhous along with intellectual studies was a legitimate defense mechanism to limit the forms of domination and end the myth of representation and guardianship, we chose the cultural critical approach as a mechanism to investigate the Western cultural patterns and how they work In the worlds of truth\/reality and fiction\/narrative, by posing questions related to the question of the ego and the fate of the self, and at the same time they are questions that reread the other in terms of exposing its arguments centered on this self, which seeks through its counter-cultural discourse to smash these arguments, hence it is an issue that tries to extrapolate how these implicit cultural fences that surround the boundaries of the counter-cultural representational discourse appear, to see how far this discourse was able to weave an argument condemning this biased, racist cultural representation?<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong><\/h1><\/div><\/div>\n\n\n\n

Amara Lakhous\u2019 How to Suckle from the Wolf Without Biting<\/em>, cultural representation, counter-cultural representation, narratives of resistance<\/p><\/div><\/div>\n\n\n

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How to Cite this Paper:<\/strong><\/h1><\/div><\/div>\n\n\n\n

\u0639\u0627\u0634\u0648\u0631\u064a \u0641\u062a\u064a\u062d\u0629. (2024). \u0623\u0633\u064a\u062c\u0629 \u0627\u0644\u062a\u0645\u062b\u064a\u0644 \u0648 \u0623\u0646\u0633\u062c\u0629 \u0627\u0644\u062a\u0645\u062b\u064a\u0644 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0645\u0636\u0627\u062f- \u0642\u0631\u0627\u0621\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 ‘\u0643\u064a\u0641 \u062a\u0631\u0636\u0639 \u0645\u0646 \u0627\u0644\u0630\u0626\u0628\u0629 \u062f\u0648\u0646 \u0623\u0646 \u062a\u0639\u0636\u0643\u061f \u0644\u0640\u0639\u0645\u0627\u0631\u0629 \u0644\u062e\u0648\u0635. \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 5<\/em>(2)\u060c 354-362<\/p><\/div><\/div>\n\n\n\n

DOI: 
https:\/\/doi.org\/10.70091\/Atras\/vol05no2.27<\/a><\/strong><\/strong><\/p>\n\n\n\n

References<\/strong><\/h1><\/div><\/div>\n\n\n\n

\u0625\u062f\u0631\u064a\u0633 \u0627\u0644\u062e\u0636\u0631\u0627\u0648\u064a\u060c (2012). \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0623\u0633\u0626\u0644\u0629 \u0645\u0627 \u0628\u0639\u062f \u0627\u0644\u0627\u0633\u062a\u0639\u0645\u0627\u0631\u060c \u06371\u060c \u062f\u0627\u0631 \u0631\u0624\u064a\u0629 \u0644\u0644\u0646\u0634\u0631.
\u062a\u064a\u0631\u064a \u0647\u0646\u062a\u0634\u060c (2006). \u0627\u0644\u0634\u0631\u0642 \u0627\u0644\u062e\u064a\u0627\u0644\u064a \u0648\u0631\u0624\u064a\u0629 \u0627\u0644\u0622\u062e\u0631\u060c \u06371\u060c \u062f\u0627\u0631 \u0627\u0644\u0645\u062f\u0649 \u0644\u0644\u0637\u0628\u0627\u0639\u0629 \u0648\u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u062c\u0648\u0646 \u0645\u0627\u0643\u0644\u0648\u064a\u062f\u060c (2020). \u0646\u0638\u0631\u064a\u0629 \u0645\u0627 \u0628\u0639\u062f \u0627\u0644\u0627\u0633\u062a\u0639\u0645\u0627\u0631 \u0648\u0627\u0644\u0631\u0648\u064a\u0629\u060c \u06371\u060c \u0645\u0624\u0633\u0633\u0629 \u0628\u064a\u0627\u0646 \u0644\u0644\u062a\u0631\u062c\u0645\u0629 \u0648\u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
 \u0633\u0639\u064a\u062f \u0625\u062f\u0648\u0627\u0631\u062f\u060c (2004). \u0627\u0644\u062b\u0642\u0627\u0641\u0629 \u0648\u0627\u0644\u0627\u0645\u0628\u0631\u064a\u0627\u0644\u064a\u0629\u060c \u06374\u060c \u062f\u0627\u0631 \u0627\u0644\u0622\u062f\u0627\u0628
\u0633\u0639\u064a\u062f \u0625\u062f\u0648\u0627\u0631\u062f\u060c (2006). \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642: \u0627\u0644\u0645\u0641\u0627\u0647\u064a\u0645 \u0627\u0644\u063a\u0631\u0628\u064a\u0629 \u0644\u0644\u0634\u0631\u0642\u060c \u06371\u060c \u062f\u0627\u0631 \u0631\u0624\u064a\u0629 \u0644\u0644\u0646\u0634\u0631.
\u0633\u0639\u064a\u062f \u0625\u062f\u0648\u0627\u0631\u062f\u060c (2008). \u0627\u0644\u0633\u0644\u0637\u0629 \u0648\u0627\u0644\u0633\u064a\u0627\u0633\u0629 \u0648\u0627\u0644\u062b\u0642\u0627\u0641\u0629\u060c \u06371\u060c \u062f\u0627\u0631 \u0627\u0644\u0622\u062f\u0627\u0628.
\u0639\u0645\u0627\u0631\u0629 \u0644\u062e\u0648\u0635\u060c (2006). \u0643\u064a\u0641 \u062a\u0631\u0636\u0639 \u0645\u0646 \u0627\u0644\u0630\u0626\u0628\u0629 \u062f\u0648\u0646 \u0623\u0646 \u062a\u0639\u0636\u0643\u061f\u060c \u06372\u060c \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0627\u0644\u0627\u062e\u062a\u0644\u0627\u0641.
\u0645\u062d\u0645\u062f \u0628\u0648\u0639\u0632\u0629\u060c (2014). \u0633\u0631\u062f\u064a\u0627\u062a \u062b\u0642\u0627\u0641\u064a\u0629: \u0645\u0646 \u0633\u064a\u0627\u0633\u0627\u062a \u0627\u0644\u0647\u0648\u064a\u0629 \u0625\u0644\u0649 \u0633\u064a\u0627\u0633\u0627\u062a \u0627\u0644\u0627\u062e\u062a\u0644\u0627\u0641\u060c \u06371\u060c \u062f\u0627\u0631 \u0627\u0644\u0623\u0645\u0627\u0646.
\u0647\u0648\u0645\u064a.\u0643. \u0628\u0627\u0628\u0627\u060c (2006). \u0645\u0648\u0642\u0639 \u0627\u0644\u062b\u0642\u0627\u0641\u0629\u060c \u06371\u060c \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a.<\/p><\/div><\/div>\n\n\n\n

Hamdi, I.(2021). Contre- discours sociopolitique dans le roman de Mourad Djrnel \u00ab Les Sens Interdits \u00bb. Revue ATRAS, 2<\/em>(2), 26-31.<\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Amara Lakhous\u2019 How to Suckle from the Wolf Without Biting, cultural representation, counter-cultural representation, narratives of resistance<\/p>\n","protected":false},"author":2,"featured_media":1281,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[273],"tags":[381,383,382,384],"class_list":["post-1963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-05-n02-2024","tag-amara-lakhous-how-to-suckle-from-the-wolf-without-biting","tag-counter-cultural-representation","tag-cultural-representation","tag-narratives-of-resistance"],"gutentor_comment":0,"yoast_head":"\nArticle 27 Issue 02 VOL 5 July 2024 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Amara Lakhous\u2019 How to Suckle from the Wolf Without Biting, cultural representation, counter-cultural representation, narratives of resistance\" \/>\n<meta name=\"robots\" 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