{"id":2729,"date":"2025-01-15T08:00:00","date_gmt":"2025-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=2729"},"modified":"2025-10-06T18:51:06","modified_gmt":"2025-10-06T18:51:06","slug":"anti-racism-black-standup-comedy-humor-techniques-humor-discourse-resistance-racism-stereotypes","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=2729","title":{"rendered":"Article 03 Issue 01 vol 6 January 2025"},"content":{"rendered":"\n<div id=\"section-g058939\" class=\"wp-block-gutentor-e1 section-g058939 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>\u2018Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah<\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gcaaf61\" class=\"wp-block-gutentor-e1 section-gcaaf61 gutentor-element gutentor-element-advanced-text text-align-center-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Mohamed Akram ARABET<br>Fr\u00e9res Mentouri Constantine 1 University, Algeria<\/strong><br><strong>arabetdoctorat@gmail.com<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gb144bb\" class=\"wp-block-gutentor-e0 section-gb144bb gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ab228\" class=\"wp-block-gutentor-e1 section-g6ab228 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">The present article investigates the use of anti-racist humor as a form of resistance. More specifically, it looks into the workings of anti-racism to challenge the held prejudice against black people. The focus is on the linguistic aspect of anti-racist resistance. The study analyses two shows of Trevor Noah, a black standup comedian, in light of the forty-five techniques comedians use. The successful incorporation of many humor techniques in tackling and reversing the sensitive issues of racism and prejudice explains why such a comedy genre is popular among audiences. According to the findings, Noah has indeed incorporated many of those techniques to give his jokes the intended impact on the audience. These techniques, giving prominence to the jokes, can help better understand the racial stereotypes within societies marked by racism thus, leading to more efficient approaches to addressing it.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g101d01\" class=\"wp-block-gutentor-e0 section-g101d01 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Keywords:<\/strong>  Anti-racism, Black Standup Comedy, humor techniques, humor discourse, resistance, racism, stereotypes<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/atras-univ-saida.dz\/archive\/index.php\/files\/article\/view\/132\/304\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g-f1j5110\" class=\"wp-block-gutentor-e1 section-g-f1j5110 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><a href=\"DOI:&nbsp;https:\/\/doi.org\/10.70091\/Atras\/vol06no01.3\">DOI:&nbsp; <\/a><a href=\"https:\/\/doi.org\/10.70091\/Atras\/vol06no01.3\">https:\/\/doi.org\/10.70091\/Atras\/vol06no01.3<\/a><\/strong><br><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g014a7a\" class=\"wp-block-gutentor-e0 section-g014a7a gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong>How to Cite this Paper&nbsp;:<\/strong><\/strong> <\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-6aqqlf6\" class=\"wp-block-gutentor-e0 section-g-6aqqlf6 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Arabet, M. A.(2025). \u2018Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah.Atras Journal, 6(1),46-61<\/p><\/div><\/div>\n\n\n\n<div id=\"section-ga61cc2\" class=\"wp-block-gutentor-e0 section-ga61cc2 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>References<\/strong>:<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ce608\" class=\"wp-block-gutentor-e1 section-g6ce608 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Attardo, S. (1994) <em>Linguistic theories of humor<\/em>. Berlin: Mouton de Gruyter.<br>Berger. A. A. (1987). Humor: An introduction. <em>American Behavioral Scientist, 30<\/em> (6), 6-15. doi: 10.1177\/000276487030003002<br>Berger, A.A. (1998). <em>Anatomy of humor<\/em>. New Brunswick, NJ: Transaction.<br>Berger. A. A. (2011). <em>The art of comedy writing<\/em>. New Jersey: Transaction Publishers.<br>Berger, A. A. (2013). Forty five ways to make \u2018em laugh.&nbsp;<em>Israeli Journal of Humor Research<\/em>,&nbsp;<em>1<\/em>(3), 45-57.<br>Billig, M. (2001). Humour and hatred: The racist jokes of the ku klux klan. <em>Discourse and Society<\/em>, <em>12<\/em> (3), 267, 289.<br>Bonnett. A. (2000). <em>Anti-racism<\/em>. London: Routledge.<br>Bryant, C. (2006) \u2018The Language of Resistance? Czech jokes and joke-telling under&nbsp; nazi occupation, 1943\u201345\u2019, <em>Journal of Contemporary History, 41<\/em>(1), 133\u201351.<br>Camps-Febrer, B. (2013). Political humor as a confrontational tool against the Syrian regime; A study case: Syria, 15th March 2011\u201315th May 2012.<br>Cantwell, R. (1992). <em>Bluegrass breakdown. The making of the old southern sound<\/em>. New York: De Capo Press.<br>Douglas. M. (1975). <em>Implicit meanings<\/em>. London: Routledge &amp; Kegan Paul.<br>Dovidio, J. F., &amp; Gaertner, S. L. (eds.) (1986) <em>Prejudice, discrimination, and racism.<\/em>Orlando, FL: Academic Press.<br>Essed, P. (1991) <em>Understanding everyday racism: An interdisciplinary theory. <\/em>Newbury Park, CA: Sage Publications.<br>Ford, T. E., &amp; Ferguson, M. A. (2004). Social consequences of disparagement humor: A prejudiced norm theory. <em>Personality and Social Psychology Review<\/em>, <em>8 <\/em>(1), 79-94. DOI: 10.1207\/S15327957PSPR0801_4<br>Gilroy, P. (1987). <em>\u2018There ain\u2019t no black in the union jack\u2019: The cultural politics of race and nation<\/em>. London: Unwin Hyman.<br>Gligor. S. (2005). Racism in discourse. <em>Studia Universitatis Petru Maior. Philologia,<\/em> (4), 205-209<br>Katz, P. A., &amp; Taylor, D. A. (eds.) (1988) <em>Eliminating racism: Profiles in controversy. <\/em>New York: Plenum Press.<br>Lintott, S. (2017). Why (not) the philosophy of stand-up comedy? In&nbsp;<em>Aesthetics<\/em>&nbsp;(pp. 362-366). Routledge.<br>Lockyer, S., Mills, B., &amp; Peacock, L. (2011). Analysing stand-up comedy.&nbsp;<em>Comedy Studies<\/em>,&nbsp;<em>2<\/em>(2), 99-100.<br>Malik, S. (2002) <em>Representing black Britain, black and bsian images on television<\/em>. London: Sage.<br>Noah. T. (2013). It\u2019s my culture . Retrieved from <a href=\"https:\/\/www.dailymotion.com\/video\/x5rw31l\">https:\/\/www.dailymotion.com\/video\/x5rw31l<\/a><br>Noah. T. (2015). Lost in translation . Retrieved from <a href=\"https:\/\/www.dailymotion.com\/video\/x6snljt\">https:\/\/www.dailymotion.com\/video\/x6snljt<\/a><br>Omi, M., &amp; Winant, H. (1994) <em>Racial formation in the United States. From the 1960s to the 1990s. <\/em>London: Routledge.<br>Provine, R. R. (2001), <em>Laughter: A scientific investigation. <\/em>New York, NY: Penguin Press.<br>Sotiropoulos, K. (2006). <em>Staging race. Black performers in turn of the century America<\/em>. Cambridge, MA: Harvard University Press.<br>Van Dijk. T. A. (1984). <em>Prejudice in discourse<\/em>. Amsterdam: Benjamins<br>Van Dijk, T. A. (1993). <em>Discourse and racism: The analysis of ethnopolitical discourse<\/em>. Sage Publications.<br>Weaver, S. (2010). The \u2018Other\u2019 laughs back: Humour and resistance in anti-racist comedy.&nbsp;<em>Sociology<\/em>,&nbsp;<em>44<\/em>(1), 31\u201348. doi: 10.1177\/0038038509351624<br>Wellman, D. T. (1993) <em>Portraits of white racism.<\/em>Cambridge, UK: Cambridge University Press.<br>Wodak. R., &amp; Reisigl. M. (1999). Discourse and racism: European perspectives. <em>Annual Review of Anthropology, 28,<\/em> 175-199. Retrieved from <a href=\"http:\/\/www.jstor.org\/stable\/223392\">http:\/\/www.jstor.org\/stable\/223392<\/a><\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Anti-racism, Black Standup Comedy, humor techniques, humor discourse,<br \/>\nresistance, racism, stereotypes<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[599],"tags":[606,607,609,608,611,610,612],"class_list":["post-2729","post","type-post","status-publish","format-standard","hentry","category-vol-06-n01-2025","tag-anti-racism","tag-black-standup-comedy","tag-humor-discourse","tag-humor-techniques","tag-racism","tag-resistance","tag-stereotypes"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 03 Issue 01 vol 6 January 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Anti-racism, Black Standup Comedy, humor techniques, humor discourse, resistance, racism, stereotypes Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah\" \/>\n<meta property=\"og:description\" content=\"Anti-racism, Black Standup Comedy, humor techniques, humor discourse,resistance, racism, stereotypes\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-15T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-06T18:51:06+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/09\/vol-05-n03-2024.png\" \/>\n\t<meta property=\"og:image:width\" content=\"437\" \/>\n\t<meta property=\"og:image:height\" content=\"565\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah\" \/>\n<meta name=\"twitter:description\" content=\"Anti-racism, Black Standup Comedy, humor techniques, humor discourse,resistance, racism, stereotypes\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/09\/vol-05-n03-2024.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 03 Issue 01 vol 6 January 2025\",\"datePublished\":\"2025-01-15T08:00:00+00:00\",\"dateModified\":\"2025-10-06T18:51:06+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\"},\"wordCount\":787,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"keywords\":[\"Anti-racism\",\"Black Standup Comedy\",\"humor discourse\",\"humor techniques\",\"racism\",\"resistance\",\"stereotypes\"],\"articleSection\":[\"Vol 06 N01 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\",\"name\":\"Article 03 Issue 01 vol 6 January 2025 - ATRAS journal\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"datePublished\":\"2025-01-15T08:00:00+00:00\",\"dateModified\":\"2025-10-06T18:51:06+00:00\",\"description\":\"Anti-racism, Black Standup Comedy, humor techniques, humor discourse, resistance, racism, stereotypes Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah\",\"breadcrumb\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/atras-univ-saida.dz\/en\/?p=2729\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"contentUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"width\":1000,\"height\":278},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2729#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/atras-univ-saida.dz\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Article 03 Issue 01 vol 6 January 2025\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#website\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/\",\"name\":\"ATRAS journal\",\"description\":\"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University\",\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"alternateName\":\"ATRAS journal\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\",\"name\":\"ATRAS journal\",\"alternateName\":\"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png\",\"contentUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png\",\"width\":512,\"height\":512,\"caption\":\"ATRAS journal\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\",\"name\":\"atras\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"contentUrl\":\"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g\",\"caption\":\"atras\"},\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?author=2\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Article 03 Issue 01 vol 6 January 2025 - ATRAS journal","description":"Anti-racism, Black Standup Comedy, humor techniques, humor discourse, resistance, racism, stereotypes Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/atras-univ-saida.dz\/en\/?p=2729","og_locale":"en_US","og_type":"article","og_title":"Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah","og_description":"Anti-racism, Black Standup Comedy, humor techniques, humor discourse,resistance, racism, stereotypes","og_url":"https:\/\/atras-univ-saida.dz\/en\/?p=2729","og_site_name":"ATRAS journal","article_publisher":"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/","article_published_time":"2025-01-15T08:00:00+00:00","article_modified_time":"2025-10-06T18:51:06+00:00","og_image":[{"width":437,"height":565,"url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/09\/vol-05-n03-2024.png","type":"image\/png"}],"author":"atras","twitter_card":"summary_large_image","twitter_title":"Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah","twitter_description":"Anti-racism, Black Standup Comedy, humor techniques, humor discourse,resistance, racism, stereotypes","twitter_image":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/09\/vol-05-n03-2024.png","twitter_misc":{"Written by":"atras","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#article","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729"},"author":{"name":"atras","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64"},"headline":"Article 03 Issue 01 vol 6 January 2025","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-10-06T18:51:06+00:00","mainEntityOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729"},"wordCount":787,"publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","keywords":["Anti-racism","Black Standup Comedy","humor discourse","humor techniques","racism","resistance","stereotypes"],"articleSection":["Vol 06 N01 2025"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729","url":"https:\/\/atras-univ-saida.dz\/en\/?p=2729","name":"Article 03 Issue 01 vol 6 January 2025 - ATRAS journal","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-10-06T18:51:06+00:00","description":"Anti-racism, Black Standup Comedy, humor techniques, humor discourse, resistance, racism, stereotypes Put Your Hands in the Air! And Keep Them There\u2019: A Critical Discourse Analysis of Anti-racism in Black Standup Comedy as Illustrated in the Work of Trevor Noah","breadcrumb":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/atras-univ-saida.dz\/en\/?p=2729"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#primaryimage","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","width":1000,"height":278},{"@type":"BreadcrumbList","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2729#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/atras-univ-saida.dz\/en\/"},{"@type":"ListItem","position":2,"name":"Article 03 Issue 01 vol 6 January 2025"}]},{"@type":"WebSite","@id":"https:\/\/atras-univ-saida.dz\/en\/#website","url":"https:\/\/atras-univ-saida.dz\/en\/","name":"ATRAS journal","description":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"alternateName":"ATRAS journal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/atras-univ-saida.dz\/en\/#organization","name":"ATRAS journal","alternateName":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","url":"https:\/\/atras-univ-saida.dz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","width":512,"height":512,"caption":"ATRAS journal"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/"]},{"@type":"Person","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64","name":"atras","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","caption":"atras"},"url":"https:\/\/atras-univ-saida.dz\/en\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2729"}],"version-history":[{"count":6,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2729\/revisions"}],"predecessor-version":[{"id":3384,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2729\/revisions\/3384"}],"wp:attachment":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}