{"id":2882,"date":"2025-01-15T08:00:00","date_gmt":"2025-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=2882"},"modified":"2025-02-07T17:54:46","modified_gmt":"2025-02-07T17:54:46","slug":"atelier-decriture-ecriture-creative-fable-morale-numerique-socioconstructivisme","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=2882","title":{"rendered":"Article 34-Issue 01 vol 6 January 2025"},"content":{"rendered":"\n<div id=\"section-g058939\" class=\"wp-block-gutentor-e1 section-g058939 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>Appropriation auctoriale de la fable en contexte socio-num\u00e9rique<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gcaaf61\" class=\"wp-block-gutentor-e1 section-gcaaf61 gutentor-element gutentor-element-advanced-text text-align-center-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong>Nawal BOUDECHICHE<br>Universit\u00e9 Chadli Bendjedid, El-Tarf, Alg\u00e9rie<br><a href=\"mailto:boudechiche-nawal@univ-eltarf.dz\">boudechiche-nawal@univ-eltarf.dz<\/a><br><a href=\"https:\/\/orcid.org\/0000-0003-2700-7432\">https:\/\/orcid.org\/0000-0003-2700-7432<\/a><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gb144bb\" class=\"wp-block-gutentor-e0 section-gb144bb gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ab228\" class=\"wp-block-gutentor-e1 section-g6ab228 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab\u00a0La cigale et la fourmi\u00a0\u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. Notre \u00e9tude consolide les avanc\u00e9es des travaux conduits en psychologie sociale du langage, \u00e0 l\u2019aune desquels un environnement didactique syntonisant expression narrative, technologie num\u00e9rique et socioconstructivisme favorise la motivation, l\u2019imagination et la cr\u00e9ativit\u00e9 scripturale. Ces donn\u00e9es sollicitent une formation des enseignants \u00e0 un mode didactique op\u00e9ratoire sur la base de la techno-socio-cr\u00e9ativit\u00e9 en didactique de la narration.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g101d01\" class=\"wp-block-gutentor-e0 section-g101d01 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Keywords:<\/strong>  <\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/atras-univ-saida.dz\/archive\/index.php\/files\/article\/view\/163\/179\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g-f1j5110\" class=\"wp-block-gutentor-e1 section-g-f1j5110 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>DOI: https:\/\/doi.org\/10.70091\/Atras\/vol06no01.34<br><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g014a7a\" class=\"wp-block-gutentor-e0 section-g014a7a gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong>How to Cite this Paper&nbsp;:<\/strong><\/strong> <\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-6aqqlf6\" class=\"wp-block-gutentor-e0 section-g-6aqqlf6 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Boudechiche, N. (2025). <strong>\u00a0<\/strong>Appropriation auctoriale de la fable en contexte socio-num\u00e9rique. <em>ATRAS Revue, <\/em>\u00a0<em>6<\/em> (1), 515-533<\/p><\/div><\/div>\n\n\n\n<div id=\"section-ga61cc2\" class=\"wp-block-gutentor-e0 section-ga61cc2 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>References<\/strong>:<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ce608\" class=\"wp-block-gutentor-e1 section-g6ce608 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Becerra D. (2018). L\u2019appropriation\u00a0; un concept \u00e0 revoir dans la didactique des langues-cultures. <em>Synergies Mexique<\/em>, <em>8<\/em>, 27-40<br>Berkani, D. (2024). L\u2019interaction psychosociale entre le Moi et l\u2019Autre dans la collaboration \u00e9l\u00e8ve-\u00e9l\u00e8ve pour le d\u00e9veloppement des comp\u00e9tences r\u00e9dactionnelles en FLE en 3<sup>\u00e8me<\/sup> ann\u00e9e secondaire. <em>Multilinguales 21<\/em>, 55-67.<br><a href=\"http:\/\/journals.openedition.org\/multilinguales\/12452\">http:\/\/journals.openedition.org\/multilinguales\/12452<\/a><br>Beth, A., &amp; Marpeau, E. (2005). <em>Figures de style<\/em>. France\u00a0: Librio M\u00e9mo.<br>Bing, E. (1976). \u2026<em>et je nageai jusqu\u2019\u00e0 la page<\/em>. France\u00a0: Des femmes Antoinette Fouque<br>Bonnardel, N. &amp; Lubart, T. (2019). La cr\u00e9ativit\u00e9 : approches et m\u00e9thodes en psychologie et\u00a0 ergonomie. <em>Revue Interdisciplinaire, Management, Homme &amp; Entreprise<\/em>, <em>37<\/em>, 79-98.<br>Boudechiche, N. (2021). Le fran\u00e7ais par le neuvi\u00e8me art, facteur de d\u00e9veloppement de la compr\u00e9hension et de l\u2019argumentation. <em>Synergies Espagne<\/em>, <em>14<\/em>, 233-247<br><a href=\"https:\/\/gerflint.fr\/Base\/Espagne14\/boudechiche.pdf\">https:\/\/gerflint.fr\/Base\/Espagne14\/boudechiche.pdf<\/a><br>Bucher, D. (2023). <em>La place de l\u2019\u00e9criture cr\u00e9ative en classe de FLE\u00a0: les ateliers de ha\u00efkus, une approche ludique pour enseigner le FLE<\/em>. M\u00e9moire de master. Universit\u00e9 des Antilles.<br>Burnay, N. (2022). <em>Sociologie des \u00e9motions<\/em>. France: De Boeck.<br>Colognesi, S. &amp; Lucchini, S. (2016). Mise \u00e0 l\u2019\u00e9preuve de deux dispositifs pour d\u00e9velopper l\u2019\u00e9criture en milieu scolaire\u00a0: chantier vs atelier. <em>Enfances, 2<\/em>, 193-215.<br>Conseil de l\u2019Europe (2018). <em>Cadre europ\u00e9en commun de r\u00e9f\u00e9rence pour les langues\u00a0: apprendre, enseigner, \u00e9valuer.<\/em> Strasbourg. Conseil de l\u2019Europe.<br>Deaudelin, C., &amp; Nault, T. (2003). <em>Collaborer pour apprendre et faire apprendre\u00a0: la place des outils technologiques.<\/em> Sainte-Foy\u00a0: Presses de l\u2019Universit\u00e9 du Qu\u00e9bec.<br>Deias, D. (2023). La m\u00e9thode de la complexit\u00e9 pour comprendre la pluris\u00e9miocit\u00e9 des discours num\u00e9riques\u00a0: de l\u2019efficacit\u00e9 de Tik Tok. <em>Lhumaine<\/em>,<em> 2<\/em>, 1-19.<br>Delebarre, J. (2024). Le rapport \u00e0 l\u2019\u00e9crit en contexte plurilingue\u00a0: de quelques aspects th\u00e9oriques et m\u00e9thodologiques. Dans M. Bouchar\u00e9chas, I. Fabry, M. Peuzin, R. Comotti, R. Abouwarda &amp; A. Ladreyt (Eds.), <em>Sciences du langage\u00a0: enjeux th\u00e9oriques et pratiques m\u00e9thodologiques <\/em>(pp. 144-155). Grenoble\u00a0: Universit\u00e9 de Grenoble. https:\/\/doi.org\/10.5281\/zenodo.136229<br>Dufays, J.-L. (2023). Innover en didactique de la litt\u00e9rature\u00a0: pourquoi\u00a0? Comment\u00a0? A quelles conditions\u00a0? Avec quels effets\u00a0? Retour sur trente ann\u00e9es d\u2019exp\u00e9riences. <em>Tr\u00e9ma<\/em>, <em>59<\/em>, 34-46.<br>Foucault, J. (2007). <em>Ateliers d\u2019\u00e9criture journ\u00e9e d\u2019\u00e9tude de Lom\u00e9 (Togo<\/em>). Paris L\u2019Harmattan.<br>Huynh, J.-A. (2004). Ecriture d\u2019invention, une pratique innovante\u00a0? <em>Recherches, 40<\/em>, 19-51.<br>Jonnaert, P. (2009). <em>Comp\u00e9tences et socioconstructivisme. Un cadre th\u00e9orique<\/em>. France\u00a0: De Boeck Sup\u00e9rieur.<br>Kiyindou, A. (2011). R\u00e9seaux socionum\u00e9riques et solidarit\u00e9. <em>Herm\u00e8s<\/em>, <em>59<\/em>(1), 117-122. DOI 10.3917\/herm.0117.<br>M\u00e9choulan, E. (2024). Fabuleux diplomate : Le pouvoir des fables de Jean de La Fontaine. <em>Interm\u00e9dialit\u00e9<\/em>, <em>43 <\/em>(1), 6-15. https:\/\/doi.org\/10.7202\/1111668ar<br>Merckl\u00e9, P. (2004). <em>Sociologie des r\u00e9seaux sociaux<\/em>. France\u00a0: La D\u00e9couverte.<br>Lazega, E. (2007). <em>R\u00e9seaux sociaux et structures \u00e9motionnelles<\/em>. France\u00a0: Presses Universitaires de France.<br>Le Goff, F. (2008). R\u00e9flexions sur la r\u00e9criture en \u00e9criture d\u2019invention, <em>Recherches &amp; travaux,<\/em> <em>73<\/em>, 19-34. DOI : https:\/\/doi.org\/10.4000\/recherchestravaux.325<br>Le Goff, F. (2005). R\u00e9\u00e9criture et \u00e9criture d\u2019invention\u00a0: l\u2019exemple de la fable, <em>Pratiques<\/em> : <em>linguistique, litt\u00e9rature, didactique<\/em>, <em>127-128<\/em>. 183-208. <a href=\"https:\/\/doi.org\/10.3406\/prati.2005.2086\">https:\/\/doi.org\/10.3406\/prati.2005.2086<\/a><br>Massei, N.-G. (2024). <em>L\u2019impact de l\u2019\u00e9criture litt\u00e9raire cr\u00e9ative dans la formation des enseignants de FLE\u00a0: une \u00e9tude de cas \u00e0 Rosario, Argentine. <\/em>M\u00e9moire de master. Universit\u00e9 des Antilles.<br>Metawe, D. (2024). La Smart-Fiction\u00a0: une fusion de technologie et d\u2019imagination. Journal of scientific research in arts, <em>25<\/em>(5), 139-167.<br><a href=\"https:\/\/jssa.journals.ekb.eg\/article_365662_f2a15414ec33cad6dd5ea3a38b936a6a.pdf?lang=en\">article_365662_f2a15414ec33cad6dd5ea3a38b936a6a.pdf (ekb.eg)<\/a><br>Morin, E. &amp; Le Moigne, J.-L. (1999). <em>L\u2019intelligence de la complexit\u00e9<\/em>. France\u00a0: L\u2019Harmattan.<br>Ouvrard, L. &amp; Brumelot, C. (2022). <em>Num\u00e9rique et didactique des langues et cultures. Nouvelles pratiques et comp\u00e9tences en d\u00e9veloppement<\/em>. Paris\u00a0: \u00e9ditions des archives contemporaines.<br>Pascal, J.-N. (2023). La fable au si\u00e8cle des lumi\u00e8res. Anthologie des successeurs de la Fontaine, de la Motte a Jauffret. France\u00a0: Classique Garnier<br>Petitjean, A.-M. (2023). L\u2019\u00e9criture cr\u00e9ative est-elle une innovation pour la didactique de la lecture-\u00e9criture? <em>Tr\u00e9ma<\/em>\u00a0[En ligne], <em>59<\/em>, 15-31. https:\/\/doi.org\/10.4000\/trema.8309<br>Petitjean, A.-M. (1982). Du r\u00e9cit oral \u00e0 la fable \u00e9crite\u00a0: la narration en jeu, <em>Pratiques, 34,<\/em> 5-29.<br>Porquier, R. &amp; Py, B. (2008). <em>Apprentissage d\u2019une langue \u00e9trang\u00e8re\u00a0: contextes et discours<\/em>. France: Didier.<br>Purba, J.-P. (2019). <em>La personnification dans les fables de Jean de La Fontaine.<\/em> M\u00e9moire de recherche. Universit\u00e9 Negeri Medan.<br>Restrepo, G. &amp; M. Venet. (2022). <em>Cerveau, d\u00e9veloppement et apprentissage<\/em>. Canada: JFD inc.<br>Reuter, Y., &amp; Delcambre, I. (2002). Images du scripteur et rapports \u00e0 l\u2019\u00e9criture, <em>Pratiques<\/em> : <em>linguistique, litt\u00e9rature, didactique<\/em>, <em>113-114. <\/em>7-28. <a href=\"https:\/\/doi.org\/10.3406\/prati.2002.1942\">https:\/\/doi.org\/10.3406\/prati.2002.1942<\/a><br>Romero, M., Lille B. &amp; Patino, A. (2017). <em>Usages cr\u00e9atifs du num\u00e9rique pour l\u2019apprentissage au XXIe si\u00e8cle<\/em>. Canada : Presses de l\u2019Universit\u00e9 du Qu\u00e9bec<br>Salmon, Ch. (2008). Storytelling. La machine \u00e0 fabriquer des histoires\u00a0 et \u00e0 formater les esprits. Paris : La D\u00e9couverte.<\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atelier d\u2019\u00e9criture, \u00e9criture cr\u00e9ative, fable, morale, num\u00e9rique, socioconstructivisme.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[599],"tags":[750,751,752,753,754,755],"class_list":["post-2882","post","type-post","status-publish","format-standard","hentry","category-vol-06-n01-2025","tag-atelier-decriture","tag-ecriture-creative","tag-fable","tag-morale","tag-numerique","tag-socioconstructivisme"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 34-Issue 01 vol 6 January 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Atelier d\u2019\u00e9criture, \u00e9criture cr\u00e9ative, fable, morale, num\u00e9rique, socioconstructivisme. Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab La cigale et la fourmi \u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. Notre \u00e9tude consolide les avanc\u00e9es des travaux conduits en psychologie sociale du langage, \u00e0 l\u2019aune desquels un environnement didactique syntonisant expression narrative, technologie num\u00e9rique et socioconstructivisme favorise la motivation, l\u2019imagination et la cr\u00e9ativit\u00e9 scripturale. Ces donn\u00e9es sollicitent une formation des enseignants \u00e0 un mode didactique op\u00e9ratoire sur la base de la techno-socio-cr\u00e9ativit\u00e9 en didactique de la narration.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=2882\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Appropriation auctoriale de la fable en contexte socio-num\u00e9rique\" \/>\n<meta property=\"og:description\" content=\"Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab La cigale et la fourmi \u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. Notre \u00e9tude consolide les avanc\u00e9es des travaux conduits en psychologie sociale du langage, \u00e0 l\u2019aune desquels un environnement didactique syntonisant expression narrative, technologie num\u00e9rique et socioconstructivisme favorise la motivation, l\u2019imagination et la cr\u00e9ativit\u00e9 scripturale. Ces donn\u00e9es sollicitent une formation des enseignants \u00e0 un mode didactique op\u00e9ratoire sur la base de la techno-socio-cr\u00e9ativit\u00e9 en didactique de la narration.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=2882\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-15T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-02-07T17:54:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"278\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Appropriation auctoriale de la fable en contexte socio-num\u00e9rique\" \/>\n<meta name=\"twitter:description\" content=\"Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab La cigale et la fourmi \u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. Notre \u00e9tude consolide les avanc\u00e9es des travaux conduits en psychologie sociale du langage, \u00e0 l\u2019aune desquels un environnement didactique syntonisant expression narrative, technologie num\u00e9rique et socioconstructivisme favorise la motivation, l\u2019imagination et la cr\u00e9ativit\u00e9 scripturale. 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Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab La cigale et la fourmi \u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. 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Atemporel, le support litt\u00e9raire est une source inexhaustible d\u2019activit\u00e9s didactiques, parmi lesquelles l\u2019\u00e9criture cr\u00e9ative en contexte collaboratif et num\u00e9rique. Dans ce vivier litt\u00e9raire, la fable, \u00e9tant un court r\u00e9cit \u00e0 port\u00e9e sociocritique, favorise l\u2019expression cr\u00e9ative de n\u00e9o-bacheliers, invit\u00e9s \u00e0 imaginer une autre fin de la fable \u00ab La cigale et la fourmi \u00bb \u00e0 l\u2019\u00e8re de la technologie. Cette appropriation auctoriale a favoris\u00e9 des narrations, o\u00f9 le merveilleux et les r\u00e9seaux sociaux bouleversent la morale de la fable originelle, \u00e0 l\u2019aune des repr\u00e9sentations des \u00e9tudiants de la plus-value de la solidarit\u00e9, au d\u00e9triment de l\u2019improbation et de la p\u00e9nalisation. Notre \u00e9tude consolide les avanc\u00e9es des travaux conduits en psychologie sociale du langage, \u00e0 l\u2019aune desquels un environnement didactique syntonisant expression narrative, technologie num\u00e9rique et socioconstructivisme favorise la motivation, l\u2019imagination et la cr\u00e9ativit\u00e9 scripturale. Ces donn\u00e9es sollicitent une formation des enseignants \u00e0 un mode didactique op\u00e9ratoire sur la base de la techno-socio-cr\u00e9ativit\u00e9 en didactique de la narration.","breadcrumb":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2882#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/atras-univ-saida.dz\/en\/?p=2882"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2882#primaryimage","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","width":1000,"height":278},{"@type":"BreadcrumbList","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2882#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/atras-univ-saida.dz\/en\/"},{"@type":"ListItem","position":2,"name":"Article 34-Issue 01 vol 6 January 2025"}]},{"@type":"WebSite","@id":"https:\/\/atras-univ-saida.dz\/en\/#website","url":"https:\/\/atras-univ-saida.dz\/en\/","name":"ATRAS journal","description":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"alternateName":"ATRAS journal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/atras-univ-saida.dz\/en\/#organization","name":"ATRAS journal","alternateName":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","url":"https:\/\/atras-univ-saida.dz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","width":512,"height":512,"caption":"ATRAS journal"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/"]},{"@type":"Person","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64","name":"atras","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","caption":"atras"},"url":"https:\/\/atras-univ-saida.dz\/en\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2882"}],"version-history":[{"count":2,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2882\/revisions"}],"predecessor-version":[{"id":2943,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2882\/revisions\/2943"}],"wp:attachment":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}