{"id":2884,"date":"2025-01-15T08:00:00","date_gmt":"2025-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=2884"},"modified":"2025-02-07T18:05:28","modified_gmt":"2025-02-07T18:05:28","slug":"cruaute-gloire-sadisme-sang-passion-vampire","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=2884","title":{"rendered":"Article 36-Issue 01 vol 6 January 2025"},"content":{"rendered":"\n<div id=\"section-g058939\" class=\"wp-block-gutentor-e1 section-g058939 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong><strong>Le h\u00e9ros sadien\u00a0: cruel comme un vampire\u00a0?<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-gcaaf61\" class=\"wp-block-gutentor-e1 section-gcaaf61 gutentor-element gutentor-element-advanced-text text-align-center-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong><strong>Meriem Ben Khelifa<\/strong><br>\u00a0Facult\u00e9 des lettres et des sciences humaines de Sousse, Tunisie.<br><a href=\"mailto:benkhelifameryem89@gmail.com\">benkhelifameryem89@gmail.com<\/a><br>https:\/\/orcid.org\/0009-0001-9385-443X<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gb144bb\" class=\"wp-block-gutentor-e0 section-gb144bb gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ab228\" class=\"wp-block-gutentor-e1 section-g6ab228 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature.\u00a0Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. Quelles en sont les principaux points de divergence et de convergence\u00a0?<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g101d01\" class=\"wp-block-gutentor-e0 section-g101d01 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Keywords:<\/strong>  Cruaut\u00e9, gloire,<strong> <\/strong>sadisme, sang, passion, vampire<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/atras-univ-saida.dz\/archive\/index.php\/files\/article\/view\/165\/181\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g-f1j5110\" class=\"wp-block-gutentor-e1 section-g-f1j5110 gutentor-element gutentor-element-advanced-text text-align-left-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h1 class=\"gutentor-text\"><strong>DOI: https:\/\/doi.org\/10.70091\/Atras\/vol06no01.36<br><\/strong><\/h1><\/div><\/div>\n\n\n\n<div id=\"section-g014a7a\" class=\"wp-block-gutentor-e0 section-g014a7a gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong>How to Cite this Paper&nbsp;:<\/strong><\/strong> <\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-6aqqlf6\" class=\"wp-block-gutentor-e0 section-g-6aqqlf6 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><a>Ben Khelifa, M. (2025).<\/a>\u00a0 Le h\u00e9ros sadien\u00a0: cruel comme un vampire\u00a0?\u00a0 <em>ATRAS Revue<\/em>, <em>6<\/em>(1), 553-561<\/p><\/div><\/div>\n\n\n\n<div id=\"section-ga61cc2\" class=\"wp-block-gutentor-e0 section-ga61cc2 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>References<\/strong>:<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g6ce608\" class=\"wp-block-gutentor-e1 section-g6ce608 gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Chevalier, J.,&amp; Gheerbrant, A<em>. <\/em>(1969). <em>Dictionnaire Des Symboles <\/em>(R. Laffont, \u00e9d.). Jupiter.<br>Delon, M. (2000). <em>Le savoir-vivre libertin. <\/em>HACHETTE.<br>Diniz, GD. (2023). Le pain et la bombe : coprophagie et m\u00e9taphore organique chez Sade. <em>Les chantiers de la cr\u00e9ation, 16.<\/em> 2-10. DOI: 10.4000\/lcc.6244<br>Esquerre. A. (2022). <em>Ainsi se meuvent les vampires<\/em>. Fayard.<br>Genette, G. (1991). <em>Fiction et diction<\/em>. Seuil.<br>Lacombe, C. (2021). <em>Dictionnaire Sade<\/em>. L\u2019Harmattan.<br>Louis, S. (2022). <em>Croire aux vampires au si\u00e8cle des Lumi\u00e8res, entre savoir et fiction. <\/em>Classiques Garnier.<br><a>Paradis, C. (2002). L\u2019App\u00e9tit sexuel, Vampirisme et cannibalisme passionn\u00e9s dans la litt\u00e9rature. <em>Qu\u00e9bec fran\u00e7ais, 126<\/em>, 48-51. URL\u00a0: <\/a>https:\/\/id.erudit.org\/iderudit\/55839ac<br><a>Sade. (2015). <em>Histoire de Juliette ou les Prosp\u00e9rit\u00e9s du Vice<\/em>, Les enfers <\/a>d\u2019alliage.<br>A. Sade. (2014). <em>Les crimes de l\u2019amour. <\/em>Gallimard.<br>B. Sade. (2014)<em>.<a> Justine ou les infortunes de la vertu. <\/a><\/em>Gallimard.<br>Sclippa, N. (2021). <em>Philosophie de Sade<\/em>, L\u2019Harmattan.<br>Stocker, <em>B<\/em><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Bram_Stoker\"><em>.<\/em><\/a><em> <\/em>(1997)<em>.\u00a0Dracula, \u00e9dition par Nina Auerbach et David J. Skal, W. W. Norton &amp; Company, coll. \u00a0Norton Critical Editions.<\/em><br><em>Sherpereel, P. (2020). Le sang\u00a0: imaginaires et r\u00e9alit\u00e9s, des exc\u00e8s de la saign\u00e9e \u00e0 la transfusion sanguine, L\u2019Harmattan.<\/em><br><em>Trahan, M. (2009). Les passages oblig\u00e9s de la pathologie : le cas du sadisme. Postures, 11, 115-127.<\/em><\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cruaut\u00e9, gloire, sadisme, sang, passion, vampire<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[599],"tags":[762,763,766,764,765,767],"class_list":["post-2884","post","type-post","status-publish","format-standard","hentry","category-vol-06-n01-2025","tag-cruaute","tag-gloire","tag-passion","tag-sadisme","tag-sang","tag-vampire"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Article 36-Issue 01 vol 6 January 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Cruaut\u00e9, gloire, sadisme, sang, passion, vampire Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. Quelles en sont les principaux points de divergence et de convergence ?\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=2884\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le h\u00e9ros sadien : cruel comme un vampire ?\" \/>\n<meta property=\"og:description\" content=\"Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. 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Quelles en sont les principaux points de divergence et de convergence ?\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 36-Issue 01 vol 6 January 2025\",\"datePublished\":\"2025-01-15T08:00:00+00:00\",\"dateModified\":\"2025-02-07T18:05:28+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884\"},\"wordCount\":493,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"keywords\":[\"Cruaut\u00e9\",\"gloire\",\"passion\",\"sadisme\",\"sang\",\"vampire\"],\"articleSection\":[\"Vol 06 N01 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884\",\"name\":\"Article 36-Issue 01 vol 6 January 2025 - ATRAS journal\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\",\"datePublished\":\"2025-01-15T08:00:00+00:00\",\"dateModified\":\"2025-02-07T18:05:28+00:00\",\"description\":\"Cruaut\u00e9, gloire, sadisme, sang, passion, vampire Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. 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Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. Quelles en sont les principaux points de divergence et de convergence ?","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/atras-univ-saida.dz\/en\/?p=2884","og_locale":"en_US","og_type":"article","og_title":"Le h\u00e9ros sadien : cruel comme un vampire ?","og_description":"Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. Quelles en sont les principaux points de divergence et de convergence ?","og_url":"https:\/\/atras-univ-saida.dz\/en\/?p=2884","og_site_name":"ATRAS journal","article_publisher":"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/","article_published_time":"2025-01-15T08:00:00+00:00","article_modified_time":"2025-02-07T18:05:28+00:00","og_image":[{"width":1000,"height":278,"url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","type":"image\/png"}],"author":"atras","twitter_card":"summary_large_image","twitter_title":"Le h\u00e9ros sadien : cruel comme un vampire ?","twitter_description":"Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. Quelles en sont les principaux points de divergence et de convergence ?","twitter_misc":{"Written by":"atras","Est. reading time":"3 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884#article","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884"},"author":{"name":"atras","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64"},"headline":"Article 36-Issue 01 vol 6 January 2025","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-02-07T18:05:28+00:00","mainEntityOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884"},"wordCount":493,"publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","keywords":["Cruaut\u00e9","gloire","passion","sadisme","sang","vampire"],"articleSection":["Vol 06 N01 2025"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884","url":"https:\/\/atras-univ-saida.dz\/en\/?p=2884","name":"Article 36-Issue 01 vol 6 January 2025 - ATRAS journal","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2884#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-02-07T18:05:28+00:00","description":"Cruaut\u00e9, gloire, sadisme, sang, passion, vampire Poser le mal sous sa forme la plus aigu\u00eb est ce qui constitue d\u00e9sormais une bonne litt\u00e9rature. Ainsi, la subversion devient un leitmotiv de la litt\u00e9rature moderne. Ce pouvoir transgressif de la litt\u00e9rature a \u00e9t\u00e9 initi\u00e9 par le marquis de Sade. Cruaut\u00e9, animosit\u00e9, bestialit\u00e9, crime constituent tous des clich\u00e9s accol\u00e9s au nom de Sade. D\u2019ailleurs, le corpus sadien trouve son prolongement au XIX e si\u00e8cle dans le sens o\u00f9 de nombreux litt\u00e9rateurs continuent l\u2019entreprise philosophique du marquis. La naissance de la litt\u00e9rature vampirique appuie ces propos. Cet article se propose d\u2019analyser le rapprochement entre le h\u00e9ros sadien et le vampire. 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