{"id":2886,"date":"2025-01-15T08:00:00","date_gmt":"2025-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=2886"},"modified":"2025-02-07T18:26:58","modified_gmt":"2025-02-07T18:26:58","slug":"pattern-culture-novel-mysticism-vision","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=2886","title":{"rendered":"Article 38-Issue 01 vol 6 January 2025"},"content":{"rendered":"\n

The Cultural Patterns in the Tarhan Novel by Abdullah Krum<\/strong><\/strong>
\u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645 \u0645\u0642\u0627\u0631\u0628\u0629 \u062a\u062d\u0644\u064a\u0644\u064a\u0629<\/strong><\/h1><\/div><\/div>\n\n\n\n

Brahmi Abdelmoutaleb <\/strong>
University of chadli ben Jdid, eltarf, Algeria
\u00a0a.brahmi@univ-eltarf.dz<\/a>
Harkat khaoula<\/strong>
University of batna 1, Algeria
khaoula.harkat@univ-batna.dz<\/a><\/strong><\/strong>
\u0628\u0631\u0627\u0647\u0645\u064a \u0639\u0628\u062f \u0627\u0644\u0645\u0637\u0644\u0628<\/strong>
\u062c\u0627\u0645\u0639\u0629 \u0627\u0644\u0634\u0627\u0630\u0644\u064a \u0628\u0646 \u062c\u062f\u064a\u062f \u0627\u0644\u0637\u0627\u0631\u0641\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
0009-0005-1253-6181
\u062d\u0631\u0643\u0627\u062a \u062e\u0648\u0644\u0629 <\/strong>
\u062c\u0627\u0645\u0639\u0629 \u0628\u0627\u062a\u0646\u0629 1\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
0009-0004-5129-2215 <\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

The novel is considered a literary, rhetorical, and pictorial genre through which the writer seeks to spread a vision of the world through imagination and topics that haunt a person and that relate to his life, relationships, history, and future. About him (the cultural patterns in the Tarhan novel by Abdullah Karroum), through research and invocation of the mechanisms of cultural criticism. Was cultural criticism able to read the fictional discourse in a standard way? What are the formats formed for the structure of the semantic novel?
\u062a\u0639\u062a\u0628\u0631 \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u062c\u0646\u0633\u0627 \u0623\u062f\u0628\u064a\u0627 \u0628\u0644\u0627\u063a\u064a\u0627 \u062a\u0635\u0648\u064a\u0631\u064a\u0627 \u064a\u0633\u0639\u0649 \u0627\u0644\u0643\u0627\u062a\u0628 \u0645\u0646 \u062e\u0644\u0627\u0644\u0647 \u0625\u0644\u0649 \u0628\u062b \u0631\u0624\u064a\u0629 \u0644\u0644\u0639\u0627\u0644\u0645 \u0645\u0646 \u062e\u0644\u0627\u0644 \u0627\u0644\u062a\u062e\u064a\u064a\u0644 \u0648\u0627\u0644\u0645\u0648\u0636\u0648\u0639\u0627\u062a \u0627\u0644\u062a\u064a \u062a\u0624\u0631\u0642 \u0627\u0644\u0625\u0646\u0633\u0627\u0646 \u0648\u0627\u0644\u062a\u064a \u062a\u062a\u0635\u0644 \u0628\u062d\u064a\u0627\u062a\u0647 \u0648\u0639\u0644\u0627\u0642\u0627\u062a\u0647 \u0648\u062a\u0627\u0631\u064a\u062e\u064a\u0647 \u0648\u0645\u0633\u062a\u0642\u0628\u0644\u0647\u060c \u0641\u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u064a\u0648\u0645 \u062c\u0646\u0633 \u0645\u0641\u062a\u0648\u062d \u062a\u062d\u0645\u0644 \u0641\u064a \u062a\u0634\u0643\u064a\u0644\u0627\u062a\u0647\u0627 \u0627\u0644\u062f\u0644\u0627\u0644\u064a\u0629 \u0627\u0644\u0639\u062f\u064a\u062f \u0645\u0646 \u0627\u0644\u062a\u0623\u0648\u064a\u0644\u0627\u062a \u0648\u0627\u0644\u0642\u0631\u0627\u0621\u0627\u062a \u0648\u0627\u0644\u062a\u064a \u062a\u062a\u0648\u0627\u0631\u0649 \u0648\u0631\u0627\u0621 \u0627\u0644\u0644\u063a\u0629 \u0648\u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0648\u0647\u0648 \u0645\u0627 \u062a\u0633\u0639\u0649 \u0627\u0644\u062f\u0631\u0627\u0633\u0629 \u0627\u0644\u0643\u0634\u0641 \u0639\u0646\u0647 (\u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645)\u060c \u0645\u0646 \u062e\u0644\u0627\u0644 \u0627\u0644\u0628\u062d\u062b \u0648\u0627\u0633\u062a\u062f\u0639\u0627\u0621 \u0622\u0644\u064a\u0627\u062a \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u060c \u0648\u062a\u0631\u0648\u0645 \u0627\u0644\u0645\u0642\u0627\u0631\u0628\u0629 \u0627\u0644\u0646\u0642\u062f \u062b\u0642\u0627\u0641\u064a\u0629 \u0627\u0644\u0627\u062c\u0627\u0628\u0629 \u0639\u0646 \u062a\u0633\u0627\u0624\u0644\u0627\u062a \u062c\u0630\u0631\u064a\u0629 \u0648\u0639\u0645\u064a\u0642\u0629 \u0641\u064a \u0627\u0644\u0645\u062a\u0646 \u0648\u0644\u0644\u0627\u062c\u0627\u0628\u0629 \u0639\u0646\u0647\u0627 \u062c\u0627\u0621\u062a \u0635\u064a\u063a\u0629 \u0627\u0644\u062a\u0633\u0627\u0624\u0644\u0627\u062a \u0643\u0627\u0644\u0622\u062a\u064a \u0643\u064a\u0641 \u062a\u0645\u062b\u0644\u062a \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646\u061f \u0625\u0644\u0649 \u0623\u064a \u0645\u062f\u0649 \u062a\u0645\u0643\u0646 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u00a0 \u0645\u0646 \u0642\u0631\u0627\u0621\u0629 \u0627\u0644\u062e\u0637\u0627\u0628 \u0627\u0644\u0631\u0648\u0627\u0626\u064a \u0628\u0634\u0643\u0644 \u062a\u0623\u0648\u064a\u0644\u064a\u061f \u0645\u0627\u0647\u064a \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u0645\u0634\u0643\u0644\u0629 \u0644\u0628\u0646\u064a\u0629 \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u062f\u0644\u0627\u0644\u064a\u0629\u061f<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Pattern, culture, novel,\u00a0 mysticism, vision . \u0646\u0633\u0642\u060c \u062b\u0642\u0627\u0641\u0629\u060c \u0631\u0648\u0627\u064a\u0629\u060c \u062a\u0635\u0648\u0641\u060c \u0631\u0624\u064a\u0629.
<\/p><\/div><\/div>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

DOI: https:\/\/doi.org\/10.70091\/Atras\/vol06no01.38
<\/strong><\/h1><\/div><\/div>\n\n\n\n

How to Cite this Paper :<\/strong><\/strong> <\/p><\/div><\/div>\n\n\n\n

\u0639\u0628\u062f \u0627\u0644\u0645\u0637\u0644\u0628 \u0628\u0631\u0627\u0647\u0645\u064a\u060c \u062e\u0648\u0644\u0629 \u062d\u0631\u0643\u0627\u062a.(2025) . \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0635\u062d\u0631\u0627\u0648\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645 \u0646\u0645\u0648\u0630\u062c\u0627.\u00a0\u00a0 \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 6<\/em>(1)\u060c 574-585<\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

\u0625\u0628\u0631\u0627\u0647\u064a\u0645\u060c \u0639\u0628\u062f \u0627\u0644\u0644\u0647.(2002). \u00a0\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0627\u0644\u063a\u0630\u0627\u0645\u064a \u0648\u0627\u0644\u0645\u0645\u0627\u0631\u0633\u0629 \u0627\u0644\u0646\u0642\u062f\u064a\u0629 \u0648\u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629. \u06371.\u00a0 \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0646\u0634\u0631. \u0644\u0628\u0646\u0627\u0646.
\u0623\u064a\u0632\u0627\u0628\u0631\u062c\u0631\u060c \u0622\u0631\u062b\u0631.(2003).\u00a0\u00a0 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u062a\u0645\u0647\u064a\u062f \u0645\u0628\u062f\u0626\u064a \u0644\u0644\u0645\u0641\u0627\u0647\u064a\u0645 \u0627\u0644\u0631\u0626\u064a\u0633\u064a\u0629. \u062a\u0631: \u0648\u0641\u0627\u0621 \u0627\u0628\u0631\u0627\u0647\u064a\u0645 \u0648\u0631\u0645\u0636\u0627\u0646 \u0628\u0633\u0637\u0627\u0648\u064a\u0633\u0649. \u06371.\u00a0\u00a0 \u0627\u0644\u0645\u062c\u0644\u0633 \u0627\u0644\u0623\u0639\u0644\u0649 \u0644\u0644\u062b\u0642\u0627\u0641\u0629. \u0627\u0644\u0642\u0627\u0647\u0631\u0629.
\u0628\u062f\u0631 \u064a\u0648\u0633\u0641\u060c \u0634\u0648\u0642\u064a.(2017).\u00a0 \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0648\u0627\u0644\u064a\u0627\u062a \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a (\u0642\u0631\u0627\u0621\u0627\u062a \u062a\u0637\u0628\u064a\u0642\u064a\u0629). (\u062f\u0637).\u00a0 \u0648\u0643\u0627\u0644\u0629 \u0627\u0644\u0635\u062d\u0627\u0641\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0646\u0627\u0634\u0631\u0648\u0646. \u0645\u0635\u0631.
\u0628\u0631\u0627\u0647\u0645\u064a\u060c \u0639\u0628\u062f \u0627\u0644\u0645\u0637\u0644\u0628 \u0648\u0631\u0628\u0639\u0627\u0646\u064a\u060c \u0648\u0631\u062f\u0629. (2023). “\u0627\u0644\u0633\u0631\u062f \u0648\u0627\u0631\u062a\u062d\u0627\u0644\u0627\u062a \u0627\u0644\u0645\u0639\u0646\u0649 \u0645\u0642\u0627\u0631\u0628\u0629 \u0633\u064a\u0645\u064a\u0627\u0626\u064a\u0629 \u062a\u0623\u0648\u064a\u0644\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645”. \u0645\u062c\u0644\u0629 \u0627\u0644\u0622\u062f\u0627\u0628 \u0648\u0627\u0644\u0639\u0644\u0648\u0645 \u0627\u0644\u0625\u0646\u0633\u0627\u0646\u064a\u0629: 16 (2):189-206
\u0628\u0631\u0627\u0647\u0645\u064a\u060c \u0639\u0628\u062f \u0627\u0644\u0645\u0637\u0644\u0628 \u0648\u0631\u0628\u0639\u0627\u0646\u064a\u060c \u0648\u0631\u062f\u0629. (2023).” \u0634\u0639\u0631\u064a\u0629 \u0627\u0644\u0639\u062a\u0628\u0627\u062a \u0641\u064a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645 \u0645\u0642\u0627\u0631\u0628\u0629 \u062a\u062d\u0644\u064a\u0644\u0629”. \u0645\u062c\u0644\u0629 \u0627\u0644\u0646\u0635:10 (1):116-128.
\u062c\u064a\u0644\u060c \u062f\u0648\u0644\u0648\u0632.(1987).\u00a0 \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0648\u0627\u0644\u0633\u0644\u0637\u0629 \u0645\u062f\u062e\u0644 \u0644\u0642\u0631\u0627\u0621\u0629 \u0641\u0648\u0643\u0648. \u062a\u0631: \u0633\u0627\u0644\u0645 \u064a\u0641\u0648\u062a. \u06371.\u00a0 \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a. \u0627\u0644\u0645\u063a\u0631\u0628.
\u062d\u0646\u0641\u0627\u0648\u064a\u060c \u0628\u0639\u0644\u064a.(2007).\u00a0 \u0645\u062f\u062e\u0644 \u0627\u0644\u0649 \u0646\u0638\u0631\u064a\u0629 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0645\u0642\u0627\u0631\u0646. \u06371.\u00a0 \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0627\u0644\u0627\u062e\u062a\u0644\u0627\u0641. \u0627\u0644\u062c\u0632\u0627\u0626\u0631.
\u0627\u0644\u062e\u0644\u064a\u0644\u060c \u0633\u0645\u064a\u0631.(2012).\u00a0 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0645\u0646 \u0627\u0644\u0646\u0635 \u0627\u0644\u0623\u062f\u0628\u064a \u0627\u0644\u0649 \u0627\u0644\u062e\u0637\u0627\u0628. \u06371.\u00a0 \u062f\u0627\u0631 \u0627\u0644\u062c\u0648\u0627\u0647\u0631\u064a. \u0628\u063a\u062f\u0627\u062f. \u0627\u0644\u0639\u0631\u0627\u0642.
\u0635\u0627\u0644\u062d\u064a \u060c \u062d\u0633\u064a\u0646\u0629 \u0648 \u0642\u0639\u0631 \u0627\u0644\u0645\u062b\u0631\u062f\u060c \u0646\u0639\u064a\u0645. (2023). ” \u0627\u0644\u0635\u062d\u0631\u0627\u0621 \u0641\u064a \u0627\u0644\u0639\u062a\u0628\u0627\u062a \u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0637\u0631\u062d\u0627\u0646 \u0644\u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0643\u0631\u0648\u0645 \u0623\u0646\u0645\u0648\u0630\u062c\u0627 \u0642\u0631\u0627\u0621\u0629 \u0633\u064a\u0645\u0627\u0626\u064a\u0629”. \u0645\u062c\u0644\u0629 \u0627\u0644\u0642\u0627\u0631\u0626: 6 (02): 227-240.
\u0639\u0645\u0631\u060c \u0639\u0628\u062f \u0627\u0644\u0639\u0644\u064a \u0639\u0644\u0627\u0645.(2005).\u00a0 \u0627\u0644\u0623\u0646\u0627 \u0648\u0627\u0644\u0622\u062e\u0631 \u0627\u0644\u0634\u062e\u0635\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0627\u0644\u0634\u062e\u0635\u064a\u0629 \u0627\u0644\u0625\u0633\u0631\u0627\u0626\u0644\u064a\u0629 \u0641\u064a \u0627\u0644\u0641\u0643\u0631 \u0627\u0644\u0625\u0633\u0631\u0627\u0626\u0644\u064a \u0627\u0644\u0645\u0639\u0627\u0635\u0631. \u06371.\u00a0 \u062f\u0627\u0631 \u0627\u0644\u0639\u0644\u0648\u0645 \u0644\u0644\u0646\u0634\u0631. \u0645\u0635\u0631.
\u0627\u0644\u063a\u0630\u0627\u0645\u064a\u060c \u0639\u0628\u062f \u0627\u0644\u0644\u0647.(2005).\u00a0 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0642\u0631\u0627\u0621\u0629 \u0641\u064a \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629. \u06372.\u00a0 \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a. \u0627\u0644\u0645\u063a\u0631\u0628.
\u0643\u0631\u0648\u0645\u060c \u0639\u0628\u062f \u0627\u0644\u0644\u0647.(2022). \u00a0\u0627\u0644\u0637\u0631\u062d\u0627\u0646. \u06371.\u00a0\u00a0 \u062f\u0627\u0631 \u062e\u064a\u0627\u0644 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639. \u0627\u0644\u062c\u0632\u0627\u0626\u0631.
\u00a0\u0645\u062d\u0645\u0648\u062f \u0639\u0644\u064a\u0645\u0627\u062a\u060c \u064a\u0648\u0633\u0641.(2015).\u00a0 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u0646\u0633\u0642\u064a \u062a\u0645\u062b\u0644\u0627\u062a \u0627\u0644\u0646\u0633\u0642 \u0641\u064a \u0627\u0644\u0634\u0639\u0631 \u0627\u0644\u062c\u0627\u0647\u0644\u064a. \u06371.\u00a0 \u0627\u0644\u0627\u0647\u0644\u064a\u0629 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639. \u0627\u0644\u0623\u0631\u062f\u0646.
\u0627\u0644\u0645\u0635\u0628\u0627\u062d\u064a\u060c \u0639\u0628\u062f \u0627\u0644\u0631\u0632\u0627\u0642.(2014).\u00a0 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0645\u0646 \u0627\u0644\u0646\u0633\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0625\u0644\u0649 \u0627\u0644\u0631\u0624\u064a\u0627 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629. \u06371.\u00a0 \u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0631\u062d\u0627\u0628 \u0627\u0644\u062d\u062f\u064a\u062b\u0629. \u0644\u0628\u0646\u0627\u0646.
\u0646\u0627\u0635\u0631\u060c \u0623\u062d\u0645\u062f \u0645\u0648\u0633\u0649.(2014).\u00a0 \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u062a\u0634\u0643\u064a\u0644 \u0635\u0648\u0631\u0629 \u0627\u0644\u0645\u0631\u0623\u0629 \u0627\u0644\u0646\u0633\u0627\u0626\u064a\u0629 \u0627\u0644\u0633\u0639\u0648\u062f\u064a\u0629. \u06371.\u00a0 \u0627\u0644\u0627\u0646\u062a\u0634\u0627\u0631 \u0627\u0644\u0639\u0631\u0628\u064a. \u0628\u064a\u0631\u0648\u062a. \u0644\u0628\u0646\u0627\u0646.
\u0646\u062c\u0645\u064a\u060c \u062d\u0633\u0646.(2000). \u00a0\u0634\u0639\u0631\u064a\u0629 \u0627\u0644\u0641\u0636\u0627\u0621 \u0627\u0644\u0645\u062a\u062e\u064a\u0644 \u0648\u0627\u0644\u0647\u0648\u064a\u0629 \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629. \u06371.\u00a0 \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a. \u0627\u0644\u0645\u063a\u0631\u0628.<\/bdo><\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Pattern, culture, novel,\u00a0 mysticism, vision<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[599],"tags":[107,772,374,771,773],"class_list":["post-2886","post","type-post","status-publish","format-standard","hentry","category-vol-06-n01-2025","tag-culture","tag-mysticism","tag-novel","tag-pattern","tag-vision"],"gutentor_comment":0,"yoast_head":"\nArticle 38-Issue 01 vol 6 January 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Pattern, culture, novel,\u00a0 mysticism, vision The novel is considered a literary, rhetorical, and pictorial genre through which the writer seeks to spread a vision of the world through imagination and topics that haunt a person and that relate to his life, relationships, history, and future. 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What are the formats formed for the structure of the semantic novel?","twitter_misc":{"Written by":"atras","Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#article","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886"},"author":{"name":"atras","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64"},"headline":"Article 38-Issue 01 vol 6 January 2025","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-02-07T18:26:58+00:00","mainEntityOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886"},"wordCount":252,"publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","keywords":["Culture","mysticism","Novel","Pattern","vision"],"articleSection":["Vol 06 N01 2025"],"inLanguage":"en-US"},{"@type":"WebPage","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886","url":"https:\/\/atras-univ-saida.dz\/en\/?p=2886","name":"Article 38-Issue 01 vol 6 January 2025 - ATRAS journal","isPartOf":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#primaryimage"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#primaryimage"},"thumbnailUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","datePublished":"2025-01-15T08:00:00+00:00","dateModified":"2025-02-07T18:26:58+00:00","description":"Pattern, culture, novel,\u00a0 mysticism, vision The novel is considered a literary, rhetorical, and pictorial genre through which the writer seeks to spread a vision of the world through imagination and topics that haunt a person and that relate to his life, relationships, history, and future. About him (the cultural patterns in the Tarhan novel by Abdullah Karroum), through research and invocation of the mechanisms of cultural criticism. Was cultural criticism able to read the fictional discourse in a standard way? What are the formats formed for the structure of the semantic novel?","breadcrumb":{"@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/atras-univ-saida.dz\/en\/?p=2886"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#primaryimage","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png","width":1000,"height":278},{"@type":"BreadcrumbList","@id":"https:\/\/atras-univ-saida.dz\/en\/?p=2886#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/atras-univ-saida.dz\/en\/"},{"@type":"ListItem","position":2,"name":"Article 38-Issue 01 vol 6 January 2025"}]},{"@type":"WebSite","@id":"https:\/\/atras-univ-saida.dz\/en\/#website","url":"https:\/\/atras-univ-saida.dz\/en\/","name":"ATRAS journal","description":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","publisher":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#organization"},"alternateName":"ATRAS journal","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/atras-univ-saida.dz\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/atras-univ-saida.dz\/en\/#organization","name":"ATRAS journal","alternateName":"ATRAS is a double-blind, peer-reviewed, and multidisciplinary journal issued by the Faculty of Letters, Languages, and Arts, Saida University","url":"https:\/\/atras-univ-saida.dz\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/","url":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","contentUrl":"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/05\/logo-512x512-1.png","width":512,"height":512,"caption":"ATRAS journal"},"image":{"@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/"]},{"@type":"Person","@id":"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64","name":"atras","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/607d3e9ced6ad1403645c0d9854f1d33abaeefbd7fecc154ab8216f3dd005418?s=96&d=mm&r=g","caption":"atras"},"url":"https:\/\/atras-univ-saida.dz\/en\/?author=2"}]}},"_links":{"self":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2886","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2886"}],"version-history":[{"count":3,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2886\/revisions"}],"predecessor-version":[{"id":2966,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=\/wp\/v2\/posts\/2886\/revisions\/2966"}],"wp:attachment":[{"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2886"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2886"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/atras-univ-saida.dz\/en\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2886"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}