{"id":2888,"date":"2025-01-15T08:00:00","date_gmt":"2025-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=2888"},"modified":"2025-02-07T18:48:59","modified_gmt":"2025-02-07T18:48:59","slug":"figure-implicit-metaphor-imagination-structure-trope-rhetoric","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=2888","title":{"rendered":"Article 40-Issue 01 vol 6 January 2025"},"content":{"rendered":"\n

The Figurative Structure of the Implicit Metaphor and its Problem with Rhetoric Scholars<\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n

\u0627\u0644\u0628\u0646\u064a\u0629 \u0627\u0644\u062a\u0635\u0648\u064a\u0631\u064a\u0629 \u0644\u0644\u0627\u0633\u062a\u0639\u0627\u0631\u0629 \u0627\u0644\u0645\u0643\u0646\u064a\u0629 \u0648\u0625\u0634\u0643\u0627\u0644\u064a\u062a\u0647\u0627 \u0639\u0646\u062f \u0627\u0644\u0628\u0644\u0627\u063a\u064a\u064a\u0646<\/bdo><\/strong><\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n

CHAIB Yahia<\/strong>
University of Saida, Dr Moulay Tahar, Algeria
yahia.chaib@univ-saida.dz<\/a>
https:\/\/orcid.org\/0000-0001-5388-9243<\/a><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

This research talks about the difference between Rhetoric scholars in the concept of implicit metaphor. It tries to analyze each concept alone and identifies the elements that contribute to its pictorial structure, such as the imagination that accompanies it. This research also deals with the phenomenon of plurality in figurative analysis, between implicit metaphor and other images. Hence, it aims to clarify other analyses of the implicit metaphor and limit the analyses that accompany it, to be a present tool in rhetorical analysis. The study relies on the descriptive-analytical method and some simple representations<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Figure, implicit metaphor, imagination, structure, trope, rhetoric<\/p><\/div><\/div>\n\n\n

\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

DOI: https:\/\/doi.org\/10.70091\/Atras\/vol06no01.40
<\/strong><\/h1><\/div><\/div>\n\n\n\n

How to Cite this Paper :<\/strong><\/strong> <\/p><\/div><\/div>\n\n\n\n

\u0634\u0639\u064a\u0628 \u064a\u062d\u064a\u0649 .(2025) . \u0627\u0644\u0628\u0646\u064a\u0629 \u0627\u0644\u062a\u0635\u0648\u064a\u0631\u064a\u0629 \u0644\u0644\u0627\u0633\u062a\u0639\u0627\u0631\u0629 \u0627\u0644\u0645\u0643\u0646\u064a\u0629 \u0648\u0625\u0634\u0643\u0627\u0644\u064a\u062a\u0647\u0627 \u0639\u0646\u062f \u0627\u0644\u0628\u0644\u0627\u063a\u064a\u064a\u0646. \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 6<\/em>(1)\u060c 602-614<\/bdo><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

\u0627\u0644\u0642\u0631\u0622\u0646 \u0627\u0644\u0643\u0631\u064a\u0645.
\u0627\u0644\u062a\u0641\u062a\u0627\u0632\u0627\u0646\u064a\u060c \u0633\u0639\u062f \u0627\u0644\u062f\u064a\u0646. (1992). \u0645\u062e\u062a\u0635\u0631 \u0627\u0644\u0633\u0639\u062f \u0639\u0644\u0649 \u062a\u0644\u062e\u064a\u0635 \u0627\u0644\u0645\u0641\u062a\u0627\u062d\u060c \u0645\u0646 \u0643\u062a\u0627\u0628 \u0634\u0631\u0648\u062d \u0627\u0644\u062a\u0644\u062e\u064a\u0635\u060c \u06374. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0647\u0627\u062f\u064a.
\u0627\u0644\u062f\u0633\u0648\u0642\u064a\u060c \u0645\u062d\u0645\u062f \u0628\u0646 \u0623\u062d\u0645\u062f \u0628\u0646 \u0639\u0631\u0641\u0629. (1992). \u062d\u0627\u0634\u064a\u0629 \u0627\u0644\u062f\u0633\u0648\u0642\u064a \u0639\u0644\u0649 \u0634\u0631\u062d \u0627\u0644\u0633\u0639\u062f\u060c \u0645\u0646 \u0643\u062a\u0627\u0628 \u0634\u0631\u0648\u062d \u0627\u0644\u062a\u0644\u062e\u064a\u0635\u060c \u06374. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0647\u0627\u062f\u064a.
\u0627\u0644\u0632\u0645\u062e\u0634\u0631\u064a\u060c \u0645\u062d\u0645\u0648\u062f \u0628\u0646 \u0639\u0645\u0631. (1986). \u0627\u0644\u0643\u0634\u064e\u0651\u0627\u0641 \u0639\u0646 \u062d\u0642\u0627\u0626\u0642 \u063a\u0648\u0627\u0645\u0636 \u0627\u0644\u062a\u0646\u0632\u064a\u0644\u060c \u0623\u0631\u0628\u0639\u0629 \u0623\u062c\u0632\u0627\u0621\u060c \u06373. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0643\u062a\u0627\u0628 \u0627\u0644\u0639\u0631\u0628\u064a.
\u0627\u0644\u0633\u0628\u0643\u064a\u060c \u0628\u0647\u0627\u0621 \u0627\u0644\u062f\u064a\u0646. (1992). \u0639\u0631\u0648\u0633 \u0627\u0644\u0623\u0641\u0631\u0627\u062d \u0641\u064a \u0634\u0631\u062d \u062a\u0644\u062e\u064a\u0635 \u0627\u0644\u0645\u0641\u062a\u0627\u062d\u060c \u0645\u0646 \u0643\u062a\u0627\u0628 \u0634\u0631\u0648\u062d \u0627\u0644\u062a\u0644\u062e\u064a\u0635\u060c \u06374. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0647\u0627\u062f\u064a.
\u0627\u0644\u0633\u0643\u0627\u0643\u064a\u060c \u0623\u0628\u0648 \u064a\u0639\u0642\u0648\u0628 \u064a\u0648\u0633\u0641. (1987). \u0645\u0641\u062a\u0627\u062d \u0627\u0644\u0639\u0644\u0648\u0645\u060c \u0636\u0628\u0637\u0647 \u0648\u0639\u0644\u0651\u0642 \u0639\u0644\u064a\u0647: \u0646\u0639\u064a\u0645 \u0632\u0631\u0632\u0648\u0631\u060c \u06372. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0643\u062a\u0628 \u0627\u0644\u0639\u0644\u0645\u064a\u0629.
\u0627\u0644\u0634\u0639\u0631\u0627\u0621 \u0627\u0644\u0647\u0630\u0644\u064a\u0648\u0646. (1965). \u062f\u064a\u0648\u0627\u0646 \u0627\u0644\u0647\u0630\u0644\u064a\u064a\u0646\u060c \u062a\u0631\u062a\u064a\u0628 \u0648\u062a\u0639\u0644\u064a\u0642: \u0645\u062d\u0645\u064e\u0651\u062f \u0645\u062d\u0645\u0648\u062f \u0627\u0644\u0634\u0646\u0642\u064a\u0637\u064a\u060c \u062f\u0637. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u0627\u0644\u062f\u0627\u0631 \u0627\u0644\u0642\u0648\u0645\u064a\u0629 \u0644\u0644\u0637\u0628\u0627\u0639\u0629 \u0648\u0627\u0644\u0646\u0634\u0631.
\u0627\u0644\u0642\u0632\u0648\u064a\u0646\u064a\u060c \u0627\u0644\u062e\u0637\u064a\u0628. (2003). \u0627\u0644\u0625\u064a\u0636\u0627\u062d \u0641\u064a \u0639\u0644\u0648\u0645 \u0627\u0644\u0628\u0644\u0627\u063a\u0629 – \u0627\u0644\u0645\u0639\u0627\u0646\u064a \u0648\u0627\u0644\u0628\u064a\u0627\u0646 \u0648\u0627\u0644\u0628\u062f\u064a\u0639\u060c \u0648\u0636\u0639 \u062d\u0648\u0627\u0634\u064a\u0647 \u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u0634\u0645\u0633 \u0627\u0644\u062f\u064a\u0646\u060c \u06371. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0643\u062a\u0628 \u0627\u0644\u0639\u0644\u0645\u064a\u0629.
\u0642\u0644\u0642\u064a\u0644\u0629\u060c \u0639\u0628\u062f\u0647 \u0639\u0628\u062f \u0627\u0644\u0639\u0632\u064a\u0632. (1992). \u0627\u0644\u0628\u0644\u0627\u063a\u0629 \u0627\u0644\u0627\u0635\u0637\u0644\u0627\u062d\u064a\u0629\u060c \u06373. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u062f\u0627\u0631 \u0627\u0644\u0641\u0643\u0631 \u0627\u0644\u0639\u0631\u0628\u064a.
\u0645\u062d\u0645\u062f \u063a\u0627\u0644\u064a\u0645. (1987). \u0627\u0644\u062a\u0648\u0644\u064a\u062f \u0627\u0644\u062f\u0644\u0627\u0644\u064a \u0641\u064a \u0627\u0644\u0628\u0644\u0627\u063a\u0629 \u0648\u0627\u0644\u0645\u0639\u062c\u0645\u060c \u06371. \u0627\u0644\u0645\u063a\u0631\u0628: \u062f\u0627\u0631 \u062a\u0648\u0628\u0642\u0627\u0644 \u0644\u0644\u0646\u0634\u0631.
\u0645\u0635\u0644\u0648\u062d\u060c \u0633\u0639\u062f. (2003). \u0641\u064a \u0627\u0644\u0628\u0644\u0627\u063a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0627\u0644\u0623\u0633\u0644\u0648\u0628\u064a\u0627\u062a \u0627\u0644\u0644\u0633\u0627\u0646\u064a\u0629 – \u0622\u0641\u0627\u0642 \u062c\u062f\u064a\u062f\u0629\u060c \u06371. \u0627\u0644\u0643\u0648\u064a\u062a: \u0645\u062c\u0644\u0633 \u0627\u0644\u0646\u0634\u0631 \u0627\u0644\u0639\u0644\u0645\u064a\u060c \u062c\u0627\u0645\u0639\u0629 \u0627\u0644\u0643\u0648\u064a\u062a.
\u0645\u0637\u0644\u0648\u0628\u060c \u0623\u062d\u0645\u062f. (1983). \u0645\u0639\u062c\u0645 \u0627\u0644\u0645\u0635\u0637\u0644\u062d\u0627\u062a \u0627\u0644\u0628\u0644\u0627\u063a\u064a\u0629 \u0648\u062a\u0637\u0648\u064f\u0651\u0631\u0647\u0627\u060c \u062f\u0637. \u0627\u0644\u0639\u0631\u0627\u0642: \u0645\u0637\u0628\u0639\u0629 \u0627\u0644\u0645\u062c\u0645\u0639 \u0627\u0644\u0639\u0644\u0645\u064a \u0627\u0644\u0639\u0631\u0627\u0642\u064a.
\u0627\u0644\u0645\u063a\u0631\u0628\u064a\u060c \u0627\u0628\u0646 \u064a\u0639\u0642\u0648\u0628. (1992). \u0645\u0648\u0627\u0647\u0628 \u0627\u0644\u0641\u062a\u0627\u062d \u0641\u064a \u0634\u0631\u062d \u062a\u0644\u062e\u064a\u0635 \u0627\u0644\u0645\u0641\u062a\u0627\u062d\u060c \u0645\u0646 \u0643\u062a\u0627\u0628 \u0634\u0631\u0648\u062d \u0627\u0644\u062a\u0644\u062e\u064a\u0635\u060c \u06374. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u0647\u0627\u062f\u064a.<\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Figure, implicit metaphor, imagination, structure, trope, rhetoric<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[599],"tags":[778,780,779,783,781,782],"class_list":["post-2888","post","type-post","status-publish","format-standard","hentry","category-vol-06-n01-2025","tag-figure","tag-imagination","tag-implicit-metaphor","tag-rhetoric","tag-structure","tag-trope"],"gutentor_comment":0,"yoast_head":"\nArticle 40-Issue 01 vol 6 January 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Figure, implicit metaphor, imagination, structure, trope, rhetoric This research talks about the difference between Rhetoric scholars in the concept of implicit metaphor. It tries to analyze each concept alone and identifies the elements that contribute to its pictorial structure, such as the imagination that accompanies it. This research also deals with the phenomenon of plurality in figurative analysis, between implicit metaphor and other images. Hence, it aims to clarify other analyses of the implicit metaphor and limit the analyses that accompany it, to be a present tool in rhetorical analysis. The study relies on the descriptive-analytical method and some simple representations\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=2888\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Figurative Structure of the Implicit Metaphor and its Problem with Rhetoric Scholars\" \/>\n<meta property=\"og:description\" content=\"This research talks about the difference between Rhetoric scholars in the concept of implicit metaphor. 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It tries to analyze each concept alone and identifies the elements that contribute to its pictorial structure, such as the imagination that accompanies it. This research also deals with the phenomenon of plurality in figurative analysis, between implicit metaphor and other images. Hence, it aims to clarify other analyses of the implicit metaphor and limit the analyses that accompany it, to be a present tool in rhetorical analysis. 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