{"id":3469,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3469"},"modified":"2025-12-14T17:41:16","modified_gmt":"2025-12-14T17:41:16","slug":"article-14-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3469","title":{"rendered":"Article 14 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: <\/strong> Syntactic Coordination in Chimamanda Ngozi Adichie\u2019s Purple Hibiscus<\/em><\/strong><\/h2><\/div><\/div>\n\n\n\n

Innocent Nasuk Dajang
University of Jos, Nigeria
dajangi@unijos.edu.ng<\/a>
\u00a0https:\/\/orcid.org\/0000-0002-3636-9462<\/a><\/strong>

Pamela Pam
University of Jos, Nigeria
pampa@unijos.edu.ng<\/a>
https:\/\/orcid.org\/0009-0008-4236-3738<\/a><\/strong>

Abubakar Ahmed Toro
University of Jos, Nigeria
abubakarahmedtoro1@gmail.com
\u00a0https:\/\/orcid.org\/<\/a>0009-0001-5281-7691<\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

This paper explores the syntactic and stylistic use of coordination in Chimamanda Ngozi Adichie\u2019s Purple Hibiscus<\/em> (2003), focusing on three major types: syndetic, asyndetic, and polysyndetic coordination. Coordination, a syntactic process linking grammatical units of equal rank, is a significant tool in literary texts for achieving cohesion, emphasis, and emotional resonance. Drawing from Systemic Functional Linguistics and Generative Grammar, this study examines how Adichie employs coordination to enhance her storytelling, convey characters’ emotions, and underscore key themes such as repression, freedom, and cultural transitions. Using a qualitative descriptive approach, excerpts from the novel are analysed, with attention to dialogues, descriptive passages, and climactic scenes. The analysis reveals that syntactic coordination, marked by the use of conjunctions like and, but, and or, dominates the text, creating narrative coherence and mimicking natural speech patterns. Asyndetic coordination, characterised by the omission of conjunctions, is strategically used to accelerate pacing or heighten tension. Polysyndetic coordination, where conjunctions are repeated for emphasis, appears less frequently but intensifies emotional weight. The findings demonstrate that Adichie\u2019s use of coordination is not merely functional but deeply tied to her narrative style and thematic concerns. Syndetic coordination often portrays unity, asyndetic coordination reflects fragmentation, and polysyndetic coordination underscores extreme emotions. By weaving these syntactic elements into her prose, Adichie creates a dynamic and immersive reading experience, solidifying her position as a masterful storyteller in contemporary Nigerian literature.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Conjunction, Coordination, Literature, Syntactic, Systemic Functional Linguistics<\/p><\/div><\/div>\n\n\n

\n
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Dajang, I. N. et al.\u00a0 (2025). Syntactic Coordination in Chimamanda Ngozi Adichie\u2019s Purple Hibiscus<\/em>.\u00a0 Atras Journal<\/em>,\u00a0 6<\/em> (2), 220-229.<\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.14<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

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Nigerian Journal of Language and Literature, 11<\/em>(4), 201-215.<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Conjunction, Coordination, Literature, Syntactic, Systemic Functional Linguistics<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[904,906,113,905,907],"class_list":["post-3469","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-conjunction","tag-coordination","tag-literature","tag-syntactic","tag-systemic-functional-linguistics"],"gutentor_comment":0,"yoast_head":"\nArticle 14 Issue 02 vol 6 July 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Conjunction, Coordination, Literature, Syntactic, Systemic Functional Linguistics\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3469\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 14 Issue 02 vol 6 July 2025 - 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