{"id":3481,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3481"},"modified":"2025-12-14T18:26:02","modified_gmt":"2025-12-14T18:26:02","slug":"article-18-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3481","title":{"rendered":"Article 18 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n<div id=\"section-geb5931\" class=\"wp-block-gutentor-e1 section-geb5931 gutentor-element gutentor-element-advanced-text text-align-center-desktop text-align-center-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><h2 class=\"gutentor-text\"><strong>Title: <\/strong> <strong>The New Gutenberg Revolution: Literature and Readership after Artificial Intelligence<\/strong><\/h2><\/div><\/div>\n\n\n\n<div id=\"section-gac8230\" class=\"wp-block-gutentor-e1 section-gac8230 gutentor-element gutentor-element-advanced-text text-align-center-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Mustafa \u00d6za\u011fa\u00e7<br>\u0130stanbul, T\u00fcrkiye\u00a0<br><a href=\"mailto:Marwan7assan@alexu.edu.eg\">mustafa.ozagac@istanbul.edu.tr<\/a><br><a href=\"https:\/\/orcid.org\/0000-0001-8249-3096\">https:\/\/orcid.org\/0000-0001-8249-3096<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g656699\" class=\"wp-block-gutentor-e0 section-g656699 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g92b167\" class=\"wp-block-gutentor-e1 section-g92b167 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">This article explores how Artificial Intelligence (AI) is reshaping the relationship between literature and readers, proposing the concept of a \u201cNew Gutenberg Revolution.\u201d Building upon a presentation delivered at the Complutense University of Madrid in 2024, the study examines the trajectory from digital literary applications\u2014such as the 2012 <em>Explore Shakespeare<\/em> app\u2014to the current possibilities introduced by AI-supported literary experiences. Through comparative readings between Shakespeare and classical Turkish literature (particularly Fuz\u00fbl\u00ee\u2019s <em>Layla and Majnun<\/em>), the article highlights how AI facilitates creative interaction with texts across cultures. It suggests that AI not only enhances intertextual engagement but also redefines the reader\u2019s role from passive consumer to active co-creator. The theoretical framework draws on the works of Felski, Ranci\u00e8re, Deleuze, and Damrosch to argue for a rhizomatic, user-centered approach to reading in the post-digital era. This study asserts that AI may play a disruptive and democratizing role in literature\u2014similar to that of the printing press\u2014by expanding both access and interpretive agency.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g33472e\" class=\"wp-block-gutentor-e0 section-g33472e gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>Keywords:<\/strong>  Artificial Intelligence and Literature, Digital Reading, Comparative Literature, Reader Response Theory, Rhizomatic Reading, New Gutenberg Revolution<\/p><\/div><\/div>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><a href=\"https:\/\/atras-univ-saida.dz\/archive\/index.php\/files\/article\/view\/213\/254\"><img loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"278\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" alt=\"\" class=\"wp-image-1136\" style=\"width:183px;height:auto\" srcset=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png 1000w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-300x83.png 300w, https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2-768x214.png 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n\n\n<div id=\"section-g03e6f3\" class=\"wp-block-gutentor-e0 section-g03e6f3 gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong><strong>How to Cite this Paper&nbsp;:<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-g0ad6aa\" class=\"wp-block-gutentor-e1 section-g0ad6aa gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">\u00d6za\u011fa\u00e7, M. (2025). The New Gutenberg Revolution: Literature and Readership after Artificial Intelligence.\u00a0 <em>Atras Journal<\/em>,\u00a0 <em>6<\/em> (2), 285-298.<\/p><\/div><\/div>\n\n\n\n<div id=\"section-g-xxoep8i\" class=\"wp-block-gutentor-e1 section-g-xxoep8i gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>DOI:\u00a0<br><a href=\"https:\/\/doi.org\/10.70091\/Atras\/vol06no01.1\"><\/a><a href=\"https:\/\/doi.org\/10.70091\/Atras\/vol06no02.18\">https:\/\/doi.org\/10.70091\/Atras\/vol06no02.18<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n<div id=\"section-gab90ba\" class=\"wp-block-gutentor-e0 section-gab90ba gutentor-element gutentor-element-advanced-text\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\"><strong>References<\/strong>:<\/p><\/div><\/div>\n\n\n\n<div id=\"section-gd112da\" class=\"wp-block-gutentor-e1 section-gd112da gutentor-element gutentor-element-advanced-text text-align-justify-desktop text-align-justify-tablet text-align-justify-mobile\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Damrosch, D. (2018). <em>How to read world literature<\/em>. Wiley\u202fBlackwell.<br>Felski, R. (2008). <em>Uses of literature<\/em>. Blackwell\u202fPublishing.<br>Folger Shakespeare Library. (n.d.). <em>Shakespeare\u2019s plays, Sonnets and Poems from The Folger Shakespeare<\/em>. Retrieved from <a href=\"https:\/\/folger.edu\/explore\/shakespeares-works\/all-works\">https:\/\/folger.edu\/explore\/shakespeares-works\/all-works<\/a><br>Fuzul\u00ee. (2004). <em>Leyl\u00e2 ve Mecn\u00fbn<\/em> (prepared by M.\u202fN. Do\u011fan). Yap\u0131 Kredi Yay\u0131nlar\u0131.<br>Hamilton, R. (2025). Artificially funny: Collaborative play at the intersection of AI, literature and humour. In W. Slocombe &amp; G. Liveley (Eds.), <em>The Routledge handbook of AI and literature<\/em> (pp.\u202f347\u2013357). Routledge.<br>Hu, Y. (2023). Literature in the age of artificial intelligence: A preliminary study on the big language model AI. In <em>Proceedings of the 2023 9th International Conference on Humanities and Social Science Research (ICHSSR 2023)<\/em> (pp.\u202f228). https:\/\/doi.org\/10.2991\/978-2-38476-092-3_228<br>King, S. (2011). <em>11\/22\/63<\/em>. Scribner.<br>Landow, G.\u202fP. (2007). Comparative literature from text to hypertext, or what do electronic media have to offer the discipline? In A. Sanz &amp; D. Romero (Eds.), <em>Literatures in the digital era: Theory and praxis<\/em> (pp.\u202f23\u201340). Cambridge Scholars Publishing.<br>Lucy, N. (1997). Concept creation. In <em>Postmodern literary theory: An introduction<\/em> (pp.\u202f184\u2013203). Blackwell\u202fPublishers.<br>Puchner, M. (2018). <em>The written world: The power of stories to shape people, history, civilization<\/em>. Granta\u202fBooks.<br>Ranci\u00e8re, J. (1991). <em>The ignorant schoolmaster: Five lessons in intellectual emancipation<\/em> (K.\u202fRoss, Trans.). Stanford University Press.<br>Spiro, R.\u202fJ. (2011). The new Gutenberg revolution: Radical new learning, thinking, teaching, and training with technology\u2026 Bringing the future near. <em>Educational Technology, 51<\/em>(5), 62\u201363.<br>Stanton, A. (2023). <em>Benny the Blue Whale: A ChatGPT fantasy in chaos<\/em>. One\u202fWorld.<br>The Guardian. (2012, October\u202f31). Do Shakespeare plays smell as sweet when released as iPad apps? Retrieved from <a href=\"https:\/\/www.theguardian.com\/culture\/appsblog\/2012\/oct\/31\/shakespeare-ipad-apps\">https:\/\/www.theguardian.com\/culture\/appsblog\/2012\/oct\/31\/shakespeare-ipad-apps<\/a><\/p><\/div><\/div>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"145\" height=\"50\" src=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2025\/01\/image.png\" alt=\"\" class=\"wp-image-2538\" style=\"width:119px;height:auto\"\/><\/figure>\n\n\n\n<div id=\"section-g-6264hl4\" class=\"wp-block-gutentor-e1 section-g-6264hl4 gutentor-element gutentor-element-advanced-text text-align-justify-desktop\"><div class=\"gutentor-text-wrap\"><p class=\"gutentor-text\">Copyright for all articles published in&nbsp;<strong>ATRAS&nbsp;<\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles.&nbsp;<strong>ATRAS&nbsp;<\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in&nbsp;<strong>ATRAS&nbsp;<\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Artificial Intelligence and Literature, Digital Reading, Comparative Literature, Reader Response Theory, Rhizomatic Reading, New Gutenberg Revolution<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[917,920,918,922,919,921],"class_list":["post-3481","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-artificial-intelligence-and-literature","tag-comparative-literature","tag-digital-reading","tag-new-gutenberg-revolution","tag-reader-response-theory","tag-rhizomatic-reading"],"gutentor_comment":0,"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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