{"id":3544,"date":"2026-01-15T20:00:00","date_gmt":"2026-01-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3544"},"modified":"2026-01-30T19:51:26","modified_gmt":"2026-01-30T19:51:26","slug":"article-12-issue-01-vol-7-january-2026","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3544","title":{"rendered":"Article 12 Issue 01 vol 7 January 2026"},"content":{"rendered":"\n

Abjection on Ice: The Unique Representation of Abjection in Frozen<\/strong><\/strong><\/strong><\/h1><\/div><\/div>\n\n\n\n

Shanubhog Kushala<\/strong>
Independent Scholar, India
kshanubhog@gmail.com<\/a>
ORCID ID: 0009-0003-5006-1741<\/strong><\/strong>
<\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

Feminist film scholars have extensively explored the theme of abjection, primarily within the context of horror movies. Barbara Creed argues that abjection is prevalent in horror films because it evokes fear in the subject within the symbolic order by reminding them of their connection to the maternal, and, by extension, their fragility in the paternal symbolic order. These reminders, embodied in abject forms, are ultimately defeated by a patriarchal hero, who symbolizes the normative order, thus alleviating the anxiety generated by the film. This has led many scholars to contend that abjection, despite being a feminist tool of study, serves to justify the patriarchy’s disdain for abject bodies that deviate from the symbolic norm. This paper aims to examine the animated film Frozen<\/em> through the lens of abjection theory, illustrating a shift in these trends and demonstrating that abjection is not confined to the horror genre. Elsa, the protagonist of Frozen<\/em>, is queer-coded and embodies numerous abject elements. Initially feared, she is ultimately integrated into the symbolic order. This study will analyze Elsa’s portrayal to highlight a unique representation of abjection and explore the depiction of abject bodies and women in contemporary popular media.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Abjection, female castratrice, Feminism, feminist analysis, Psychoanalysis<\/p><\/div><\/div>\n\n\n

\n
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Kushala, S. (2026). Abjection on Ice: The Unique Representation of Abjection in Frozen.\u00a0 Atras Journal<\/em>,\u00a0 7<\/em>(1), 184-198<\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol07no01.12<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

Alp, A. (2021). From Snow White to Moana: The evolution of Disney princesses<\/em>, The Stanford Daily<\/em>.\u00a0 https:\/\/stanforddaily.com\/2021\/08\/12\/the-evolution-of-disney-princesses\/
Arnold, L., Seidl, M., & Deloney, A. (2015). Hegemony, gender stereotypes and Disney: A content analysis of Frozen and Snow White. Concordia Journal of Communication Research, 2, Article 1. <\/em>https:\/\/digitalcommons.csp.edu\/comjournal\/vol2\/iss1\/1\/.
Brown, A. (2021). Hook, Ursula, and Elsa: Disney and Queer-coding from the 1950s to the 2010s. The Macksey Journal<\/em>, 2, Article 43<\/em>.
Creed, B. (1993). The monstrous-feminine: Film, feminism, psychoanalysis<\/em>. London: Routledge.
Frozen<\/em>, Jennifer L. (dir.) (2013). USA: Disney
Kowalski, C., & Bhalla, R. (2018). Viewing the Disney<\/em> Movie Frozen through a Psychodynamic Lens. Journal of Medical Humanities<\/em>, 39<\/em>(2), 145\u2013150. https:\/\/doi.org\/10.1007\/s10912-015-9363-3
Kristeva, J. (1982). Powers of horror: An essay on abjection<\/em>. New York: Columbia University Press.
Patel, J. (2015). The quirky princess and the ice-olated queen: An analysis of Disney’s Frozen<\/em>, ScholarWorks@UARK<\/em>. https:\/\/scholarworks.uark.edu\/commuht\/1\/
Streiff, M. & Dundes, L. (2017). Frozen in Time: How Disney Gender-Types Its Most Powerful Princess. Social Sciences,\u00a06(2), 38<\/em>. https:\/\/doi.org\/10.3390\/socsci6020038
Veera, S. (2023). The big, the bad, and the queer: Analyzing the queer-coded villain in selected Disney films. Emerging Scholars<\/em>, 2<\/em>, 62\u2013181.
<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Abjection, female castratrice, Feminism, feminist analysis, Psychoanalysis<\/p>\n","protected":false},"author":2,"featured_media":3512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[926],"tags":[],"class_list":["post-3544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-07-n01-2026"],"gutentor_comment":0,"yoast_head":"\nArticle 12 Issue 01 vol 7 January 2026 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Abjection, female castratrice, Feminism, feminist analysis, Psychoanalysis\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3544\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 12 Issue 01 vol 7 January 2026\" \/>\n<meta property=\"og:description\" content=\"Abjection, female castratrice, Feminism, feminist analysis, Psychoanalysis\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3544\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-30T19:51:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 12 Issue 01 vol 7 January 2026\" \/>\n<meta name=\"twitter:description\" content=\"Abjection, female castratrice, Feminism, feminist analysis, Psychoanalysis\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 12 Issue 01 vol 7 January 2026\",\"datePublished\":\"2026-01-15T20:00:00+00:00\",\"dateModified\":\"2026-01-30T19:51:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544\"},\"wordCount\":544,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/article-200x200-1.png\",\"articleSection\":[\"Vol 07 N01 2026\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3544\",\"name\":\"Article 12 Issue 01 vol 7 January 2026 - 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