{"id":3655,"date":"2026-01-15T08:00:00","date_gmt":"2026-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3655"},"modified":"2026-02-14T18:27:01","modified_gmt":"2026-02-14T18:27:01","slug":"article-38-issue-01-vol-7-january-2026","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3655","title":{"rendered":"Article 38 Issue 01 vol 7 January 2026"},"content":{"rendered":"\n

The Sequential Semiotic Approach to Narrative Temporality: A Reading of Temporal Actualization in Tahar Rouainia\u2019s Work<\/strong><\/strong><\/strong><\/strong>
\u0627\u0644\u0645\u0642\u0627\u0631\u0628\u0629 \u0627\u0644\u0633\u064a\u0645\u064a\u0627\u0626\u064a\u0629 \u0627\u0644\u062a\u0639\u0627\u0642\u0628\u064a\u0629 \u0644\u0644\u0632\u0645\u0646 \u0627\u0644\u0633\u0631\u062f\u064a<\/strong> \u0642\u0631\u0627\u0621\u0629 \u0641\u064a  \u062a\u0631\u0647\u064a\u0646 \u0627\u0644\u0632\u0645\u0646 \u0639\u0646\u062f “\u0627\u0644\u0637\u0627\u0647\u0631 \u0631\u0648\u0627\u064a\u0646\u064a\u0629”<\/strong><\/h1><\/div><\/div>\n\n\n\n

\u0645\u062d\u0645\u062f \u062d\u0644\u0641\u0627\u0648\u064a<\/strong>
\u062c\u0627\u0645\u0639\u0629 \u0645\u0635\u0637\u0641\u0649 \u0627\u0633\u0637\u0645\u0628\u0648\u0644\u064a”\u0645\u0639\u0633\u0643\u0631”\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
mohamed.halfaoui@univ-mascara.dz<\/a>
ORCID iD: 0009-0009-1486-9122
\u062d\u0628\u064a\u0628 \u0632\u062d\u0627\u0641<\/strong>
\u062c\u0627\u0645\u0639\u0629 \u0645\u0635\u0637\u0641\u0649 \u0627\u0633\u0637\u0645\u0628\u0648\u0644\u064a”\u0645\u0639\u0633\u0643\u0631”\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
 2<\/sup>habib.zehaf@univ-mascara.dz<\/a><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/h2><\/div><\/div>\n\n\n\n

This article combines both theoretical and practical dimensions to explore sequential semiotics and its application in analyzing narrative temporality within Algerian novelistic discourse, through the work of Tahar Rouainia. Drawing on the concepts developed by semiotician Vladimir Krysinski, the study aims to identify the mechanisms through which time is treated in the narrative structure. Using Waciny Laredj’s novel Drame de la septi\u00e8me nuit apr\u00e8s les mille<\/em> as a case study, the analysis engages with existing critical frameworks while assessing the extent to which sequential semiotics can effectively address the temporal component. Although some critics have questioned the adequacy of this approach and turned instead to other frameworks\u2014such as G\u00e9rard Genette\u2019s theory of temporality or elements of narrative semiotics\u2014these alternatives underscore the diversity of methodologies available for analyzing time in literary texts.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Diachronic, notion of time, semiotics, sequentialism, temporal paradoxe<\/h2><\/div><\/div>\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

How to Cite this Paper :<\/strong><\/strong><\/h2><\/div><\/div>\n\n\n\n

\u062d\u0644\u0641\u0627\u0648\u064a \u0645\u062d\u0645\u062f \u0648  \u0632\u062d\u0627\u0641 \u062d\u0628\u064a\u0628 (2026). \u0627\u0644\u0645\u0642\u0627\u0631\u0628\u0629 \u0627\u0644\u0633\u064a\u0645\u064a\u0627\u0626\u064a\u0629 \u0627\u0644\u062a\u0639\u0627\u0642\u0628\u064a\u0629 \u0644\u0644\u0632\u0645\u0646 \u0627\u0644\u0633\u0631\u062f\u064a\u060c  \u0642\u0631\u0627\u0621\u0629 \u0641\u064a  \u062a\u0631\u0647\u064a\u0646 \u0627\u0644\u0632\u0645\u0646 \u0639\u0646\u062f “\u0627\u0644\u0637\u0627\u0647\u0631 \u0631\u0648\u0627\u064a\u0646\u064a\u0629 . \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 7(1)\u060c 553-563<\/bdo><\/p><\/div><\/div>\n\n\n\n

DOI: 
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol07no01.38<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/h2><\/div><\/div>\n\n\n\n

\u0627\u0644\u0639\u064a\u062f, \u064a\u0645\u0646\u0649 .  (2010). \u062a\u0642\u0646\u064a\u0627\u062a \u0627\u0644\u0633\u0631\u062f \u0627\u0644\u0631\u0648\u0627\u0626\u064a \u0641\u064a \u0638\u0644 \u0627\u0644\u0645\u0646\u0647\u062c \u0627\u0644\u0628\u0646\u064a\u0648\u064a<\/u> \u06371 .<\/em> \u0628\u064a\u0631\u0648\u062a \u0644\u0628\u0646\u0627\u0646: \u062f\u0627\u0631 \u0627\u0644\u0641\u0631\u0627\u0628\u064a.
\u0627\u0644\u0645\u0627\u0644\u0643\u064a, \u0639. \u0627.   (2008.). \u0627\u0633\u062a\u0646\u0637\u0627\u0642 \u0627\u0644\u0646\u0635 \u0627\u0644\u0631\u0648\u0627\u0626\u064a \u0645\u0646 \u0627\u0644\u0633\u0631\u062f\u064a\u0627\u062a \u0648\u0627\u0644\u0633\u064a\u0645\u0627\u0626\u064a\u0627\u062a \u0627\u0644\u0633\u0631\u062f\u064a\u0629 \u0625\u0644\u0649 \u0639\u0644\u0645 \u0627\u0644\u0623\u062c\u0646\u0627\u0633 \u0627\u0644\u0623\u062f\u0628\u064a<\/u>\u0629 \u06371  <\/em>. \u0627\u0644\u0634\u0627\u0631\u0642\u0629: \u062f\u0627\u0626\u0631\u0629 \u0627\u0644\u062b\u0642\u0627\u0641\u0629 \u0648\u0627\u0644\u0627\u0639\u0644\u0627\u0645\u060c.
\u0628\u062d\u0631\u0627\u0648\u064a, \u062d\u0633\u0646  (2009)  \u0628\u0646\u064a\u0629 \u0627\u0644\u0634\u0643\u0644 \u0627\u0644\u0631\u0648\u0627\u0626\u064a(\u0627\u0644\u0641\u0636\u0627\u0621\u060c \u0627\u0644\u0632\u0645\u0646<\/u> \u060c \u0627\u0644\u0634\u062e\u0635\u064a\u0629.<\/em>\u06371   \u0627\u0644\u062f\u0627\u0631 \u0627\u0644\u0628\u064a\u0636\u0627\u0621: \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a.
\u0628\u0648\u062a\u0648\u0631, \u0645\u064a\u0634\u064a\u0644.   (1986). \u0628\u062d\u0648\u062b \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u062c\u062f\u064a\u062f\u0629<\/u>\u060c\u06371    \u062a\u0631: \u0641\u0631\u064a\u062f \u0623\u0646\u0637\u0648\u0646\u064a\u0648\u0633.<\/em> \u0628\u064a\u0631\u0648\u062a \u0644\u0628\u0646\u0627\u0646: \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0639\u062f\u064a\u062f\u0627\u062a.
\u062c\u064a\u0646\u0627\u062a, \u062c    (1992.). \u062d\u062f\u0648\u062f \u0627\u0644\u0633\u0631\u062f \u060c \u062a\u0631 : \u0628\u0646\u0639\u064a\u0633\u0649 \u0628\u0648\u062d\u0645\u0627\u0644\u0629 \u060c\u0637\u0631\u0627\u0626\u0642 \u062a\u062d\u0644\u064a\u0644 \u0627\u0644\u0633\u0631\u062f \u0627\u0644\u0623\u062f\u0628<\/u>\u064a<\/em>. \u06371  . \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0625\u062a\u062d\u0627\u062f \u0643\u062a\u0627\u0628 \u0627\u0644\u0645\u063a\u0631\u0628.
\u062c\u064a\u0646\u064a\u062a, \u062c    (1987). \u062e\u0637\u0627\u0628 \u0627\u0644\u062d\u0643\u0627\u064a\u0629\u060c \u0628\u062d\u062b \u0641\u064a \u0627\u0644\u0645\u0646\u0647<\/u>\u062c<\/em> \u062a\u0631 \u0645. \u0627\u0644\u0623\u0632\u062f\u064a, \u06371   \u0628\u064a\u0631\u0648\u062a: \u0627\u0644\u0645\u062c\u0644\u0633 \u0627\u0644\u0623\u0639\u0644\u0649 \u0644\u0644\u062b\u0642\u0627\u0641\u0629.
\u062e\u0644\u064a\u0641\u0629, \u0645. \u0628. 24 \u062c\u0648\u0627\u0646 1999.   \u0631\u0645\u0644 \u0627\u0644\u0645\u0627\u064a\u0629 \u0627\u0644\u0646\u0634\u064a\u062f \u0627\u0644\u0627\u0646\u062f\u0644\u0633\u064a \u0627\u0644\u0645\u0642\u0645\u0648\u0639. \u0627\u0644\u0645\u0633\u0627\u0631 \u0627\u0644\u0645\u063a\u0631\u0628\u064a \u0627\u0644\u062c\u0632\u0627\u0626\u0631 <\/em>.
\u0631\u0648\u0627\u064a\u0646\u064a\u0629 \u0627\u0644\u0637\u0627\u0647\u0631. (2019).   \u0627\u0644\u062e\u0637\u0627\u0628 \u0627\u0644\u0631\u0648\u0627\u0626\u064a \u0627\u0644\u0645\u063a\u0627\u0631\u0628\u064a \u0627\u0644\u062c\u062f\u064a\u062f\u060c \u062f\u0631\u0627\u0633\u0629 \u0641\u064a \u0622\u0644\u064a\u0627\u062a \u0627\u0644\u0645\u062d\u0643<\/u>\u064a<\/em> \u062f\u0637  : \u0627\u0644\u0648\u0633\u0627\u0645 \u0627\u0644\u0645\u0639\u0631\u0641\u064a \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.\u0627\u0644\u062c\u0632\u0627\u0626\u0631
\u0633\u062d\u0646\u064a\u0646, \u0639. (2018, \u062c\u0648\u064a\u0644\u064a\u0629). \u0627\u0644\u0633\u064a\u0645\u064a\u0627\u0626\u064a\u0627\u062a \u0627\u0644\u062a\u0639\u0627\u0642\u0628\u064a\u0629 \u0648\u062a\u0631\u0647\u064a\u0646 \u062f\u0644\u0627\u0644\u0629 \u0627\u0644\u0632\u0645\u0646 \u0627\u0644\u0631\u0648\u0627\u0626\u064a \u0627\u0644\u0637\u0627\u0647\u0631 \u0631\u0648\u0627\u064a\u0646\u064a\u0629 \u0646\u0645\u0648\u0630\u062c\u0627. \u0645\u062c\u0644\u0629 \u062f\u0631\u0627\u0633\u0627\u062a \u0645\u0639\u0627\u0635\u0631\u0629\u060c\u0645\u062e\u0628\u0631 \u0627\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0627\u0644\u0646\u0642\u062f\u064a\u0629 \u0648\u0627\u0644\u062f\u0628\u064a\u0629 \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629<\/em>.
\u0633\u0644\u064a\u0645\u0629, \u0644.   (2009). \u062a\u0644\u0642\u064a \u0627\u0644\u0633\u0631\u062f \u0641\u064a \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u0645\u063a\u0627\u0631\u0628\u064a.<\/u><\/em>\u06371   \u062f\u0627\u0631 \u0633\u062d\u0631 \u0644\u0644\u0646\u0634\u0631 \u060c \u062a\u0648\u0646\u0633.
\u0646\u0641\u0644\u0629 \u062d\u0633\u0646 \u0623\u062d\u0645\u062f \u0627\u0644\u0639\u0632\u064a. (2011).  \u062a\u0642\u0646\u064a\u0627\u062a \u0627\u0644\u0633\u0631\u062f \u0648\u0622\u0644\u064a\u0627\u062a \u062a\u0634\u0643\u064a\u0644\u0647 \u0627\u0644\u0641\u0646\u064a<\/u><\/em> \u06371    . \u062f\u0627\u0631 \u063a\u064a\u062f\u0627\u0621 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639 \u0627\u0644\u0623\u0631\u062f\u0646.<\/bdo><\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Diachronic, notion of time, semiotics, sequentialism, temporal paradoxe<\/p>\n","protected":false},"author":2,"featured_media":3512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[926],"tags":[1068,1070,1069,1071,1072],"class_list":["post-3655","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-07-n01-2026","tag-diachronic","tag-notion-of-time","tag-semiotics","tag-sequentialism","tag-temporal-paradoxe"],"gutentor_comment":0,"yoast_head":"\nArticle 38 Issue 01 vol 7 January 2026 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Diachronic, notion of time, semiotics, sequentialism, temporal paradoxe\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 38 Issue 01 vol 7 January 2026\" \/>\n<meta property=\"og:description\" content=\"Diachronic, notion of time, semiotics, sequentialism, temporal paradoxe\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-15T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-14T18:27:01+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 38 Issue 01 vol 7 January 2026\" \/>\n<meta name=\"twitter:description\" content=\"Diachronic, notion of time, semiotics, sequentialism, temporal paradoxe\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 38 Issue 01 vol 7 January 2026\",\"datePublished\":\"2026-01-15T08:00:00+00:00\",\"dateModified\":\"2026-02-14T18:27:01+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\"},\"wordCount\":335,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\",\"keywords\":[\"Diachronic\",\"notion of time\",\"semiotics\",\"sequentialism\",\"temporal paradoxe\"],\"articleSection\":[\"Vol 07 N01 2026\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3655\",\"name\":\"Article 38 Issue 01 vol 7 January 2026 - 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