{"id":3670,"date":"2026-01-15T08:00:00","date_gmt":"2026-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3670"},"modified":"2026-02-14T18:43:34","modified_gmt":"2026-02-14T18:43:34","slug":"article-41-issue-01-vol-7-january-2026","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3670","title":{"rendered":"Article 41 Issue 01 vol 7 January 2026"},"content":{"rendered":"\n

Heritage and the Social Environment in the Orientalist Art Formation in Algeria<\/strong><\/strong><\/strong><\/strong>
\u0627\u0644\u062a\u064f\u0631\u0627\u062b \u0648\u0627\u0644\u0628\u0650\u064a\u0626\u0629 \u0627\u0644\u0625\u062c\u062a\u0645\u0627\u0639\u064a\u0629 \u0641\u064a \u0627\u0644\u062a\u064e\u0634\u0643\u064a\u0644 \u0627\u0644\u0641\u0646\u0651\u064a \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642\u064a \u0628\u0627\u0644\u062c\u0632\u0627\u0626\u0631<\/strong><\/h1><\/div><\/div>\n\n\n\n

\u062d\u0645\u0632\u0647 \u062a\u0631\u064a\u0643\u064a<\/strong><\/strong><\/strong>
<\/sup>\u0643\u0644\u064a\u0629 \u0627\u0644\u0641\u0646\u0648\u0646 \u0648\u0627\u0644\u062b\u0642\u0627\u0641\u0629\u060c \u062c\u0627\u0645\u0639\u0629 \u0642\u0633\u0646\u0637\u064a\u0646\u0629 3\u060c \u0635\u0627\u0644\u062d \u0628\u0648\u0628\u0646\u064a\u062f\u0631\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
hamza.triki@univ-constantine3.dz<\/a><\/strong><\/strong>
Orcid:<\/strong> https:\/\/orcid.org\/my-orcid?orcid=0000-0002-2745-4147<\/a><\/strong><\/strong>
\u062e\u0627\u0644\u062f \u0633\u0639\u0633\u0639
\u0643\u0644\u064a\u0629 \u0627\u0644\u0641\u0646\u0648\u0646 \u0648\u0627\u0644\u062b\u0642\u0627\u0641\u0629\u060c \u062c\u0627\u0645\u0639\u0629 \u0642\u0633\u0646\u0637\u064a\u0646\u0629 3\/ \u0635\u0627\u0644\u062d \u0628\u0648\u0628\u0646\u064a\u062f\u0631\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
Orcid:<\/strong> https:\/\/orcid.org\/my-orcid?orcid=0000-0002-0794-3584<\/a><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/h2><\/div><\/div>\n\n\n\n

This research critically analyzes Orientalist artistic formation in Algeria, focusing on the influence of Heritage and the social environment as formative elements shaping this art. The study details how Orientalist artists drew inspiration for their subjects from Algerian reality, depicting aspects of daily life and the social environment, such as markets and customs, and documenting elements of material Heritage, including Islamic architecture and landscapes. However, the research argues that this inspiration was not neutral documentation but was altered by the Orientalist perspective and the colonial context. The analysis reveals that the resulting visual discourse, including its visual elements (such as color, composition, and light), carried complex interpretive dimensions, in which apparent documentation blended with stereotypes, particularly in the representation of women, and with exotic fantasy. The research concludes that this art, despite its problematic ideology, contributed to a specific visual narrative of Algerian cultural history, presenting an archive that requires ongoing critical reading to uncover its layers of meaning and understand the dynamics of cultural representation during the colonial era<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Algeria, cultural representation, Heritage, Orientalist art, social environment<\/h2><\/div><\/div>\n\n\n
\n
\"\"<\/a><\/figure>\n<\/div>\n\n\n

How to Cite this Paper :<\/strong><\/strong><\/h2><\/div><\/div>\n\n\n\n

\u00a0\u062a\u0631\u064a\u0643\u064a <\/sup>\u062d\u0645\u0632\u0629 \u0648 \u0633\u0639\u0633\u0639 \u00a0<\/sup>\u062e\u0627\u0644\u062f. <\/strong>(2026). \u0627\u0644\u062a\u0631\u0627\u062b \u0648\u0627\u0644\u0628\u064a\u0626\u0629 \u0627\u0644\u0627\u062c\u062a\u0645\u0627\u0639\u064a\u0629 \u0641\u064a \u0627\u0644\u062a\u0634\u0643\u064a\u0644 \u0627\u0644\u0641\u0646\u0651\u064a \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642\u064a \u0628\u0627\u0644\u062c\u0632\u0627\u0626\u0631. \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 7<\/em>(1)\u060c 594-605<\/bdo><\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol07no01.41<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/h2><\/div><\/div>\n\n\n\n

Chenntouf, T. (2004). Etudes d’histoire de l’Alg\u00e9rie : (18e-19e si\u00e8cles .<\/em> Alg\u00e9rie: Office des publications universitaires.<\/p><\/div><\/div>\n\n\n\n

Chenntouf, T. (2004). Etudes d’histoire de l’Alg\u00e9rie : (18e-19e si\u00e8cles .<\/em> Alg\u00e9rie: Office des publications universitaires.
\u0627\u0627\u0644\u0635\u0627\u062f\u0642\u00a0 \u0628\u062e\u0648\u0634. (2002). \u0627\u0644\u062a\u062f\u0644\u064a\u0633 \u0639\u0644\u0649 \u0627\u0644\u062c\u0645\u0627\u0644.<\/em> \u0627\u0644\u062c\u0632\u0627\u0626\u0631: \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0648\u0637\u0646\u064a\u0629 \u0644\u0644\u0627\u062a\u0635\u0627\u0644 \u0648\u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u0625\u0634\u0647\u0627\u0631\u060c.
\u062d\u0633\u0646 \u0623\u062d\u0645\u062f \u0645\u062d\u0645\u062f \u062e\u0644\u064a\u0641\u0629. (1997). \u0622\u062b\u0627\u0631 \u0627\u0644\u0641\u0643\u0631 \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642\u064a \u0641\u064a \u0627\u0644\u0645\u062c\u062a\u0645\u0639\u0627\u062a \u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a\u0629<\/em> (\u0627\u0644\u0645\u062c\u0644\u062f 01). \u0645\u0635\u0631: \u0639\u064a\u0646 \u0644\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0628\u062d\u0648\u062b \u0627\u0644\u0625\u0646\u0633\u0627\u0646\u064a\u0629 \u0648 \u0627\u0644\u0627\u062c\u062a\u0645\u0627\u0639\u064a\u0629.
\u0639\u0628\u062f \u0627\u0644\u0631\u062d\u0645\u0646 \u0645\u0638\u0647\u0631 \u0627\u0644\u0647\u0644\u0648\u0634. (2018). \u0627\u0644\u0634\u0631\u0642 \u0645\u0644\u062d\u0645\u0629 \u0627\u0644\u0639\u0634\u0642 \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642\u064a.<\/em> \u0627\u0644\u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0627\u0644\u0633\u0639\u0648\u062f\u064a\u0629: \u0643\u062a\u0627\u0628 \u0627\u0644\u0645\u062c\u0644\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 270.
\u0639\u0644\u064a \u0627\u0644\u062a\u0648\u0645\u064a. (2018\/2019). \u0638\u0627\u0647\u0631\u0629 \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642 \u0641\u064a \u0627\u0644\u0641\u0646 \u0627\u0644\u062a\u0634\u0643\u064a\u0644\u064a \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a. \u0631\u0633\u0627\u0644\u0629 \u062f\u0643\u062a\u0648\u0631\u0627\u0647)<\/em> . \u0648\u0647\u0631\u0627\u0646: \u0642\u0633\u0645 \u0627\u0644\u0641\u0646\u0648\u0646\u060c \u0643\u0644\u064a\u0629 \u0627\u0644\u0622\u062f\u0627\u0628 \u0648\u0627\u0644\u0641\u0646\u0648\u0646\u060c \u062c\u0627\u0645\u0639\u0629 \u0648\u0647\u0631\u0627\u0646.
\u0639\u0644\u064a \u062d\u0645\u0644\u0627\u0648\u064a. (15 \u062c\u0648\u0627\u0646, 1998). \u0645\u0648\u0627\u0642\u0639 \u0648\u0645\u0639\u0627\u0644\u0645 \u0623\u062b\u0631\u064a\u0629 \u0645\u0646 \u0627\u0644\u062c\u0646\u0648\u0628 \u0627\u0644\u0634\u0631\u0642\u064a \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a (\u0645\u0646\u0637\u0642\u0629 \u0648\u0631\u0642\u0644\u0629 \u0648\u0648\u0627\u062f\u064a \u0631\u064a\u063a). \u0645\u062c\u0644\u0629 \u0628\u062d\u0648\u062b<\/em> \u060c 01<\/em>\u060c \u0627\u0644\u0635\u0641\u062d\u0627\u062a 57-77.
\u0639\u0644\u064a \u062e\u0644\u0627\u0635\u064a. (2007). \u0642\u0635\u0628\u0629 \u0645\u062f\u064a\u0646\u0629 \u0627\u0644\u062c\u0632\u0627\u0626\u0631 (\u0627\u0644\u0645\u062c\u0644\u062f 01). \u0627\u0644\u062c\u0632\u0627\u0626\u0631: \u062f\u0627\u0631 \u0627\u0644\u062d\u0636\u0627\u0631\u0629 \u0644\u0644\u0637\u0628\u0627\u0639\u0629 \u0648 \u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0643\u0631\u064a\u0645 \u0645\u0642\u0646\u0648\u0634. (07 \u062c\u0648\u0627\u0646, 2021). \u0627\u0644\u0634\u0631\u0642 \u0641\u064a \u0646\u0638\u0631 \u0627\u0644\u063a\u0631\u0628 \u0627\u0647\u062a\u0645\u0627\u0645 \u0627\u0644\u0641\u0646\u0627\u0646\u064a\u0646 \u0648\u0627\u0644\u0645\u0633\u062a\u0634\u0631\u0642\u064a\u0646 \u0627\u0644\u0641\u0631\u0646\u0633\u064a\u064a\u0646 \u0628\u0627\u0644\u062c\u0632\u0627\u0626\u0631 \u0623\u0646\u0645\u0648\u0630\u062c\u0627. \u0645\u062c\u0644\u0629 \u0627\u0644\u0628\u0627\u062d\u062b \u0641\u064a \u0627\u0644\u0639\u0644\u0648\u0645 \u0627\u0644\u0627\u0646\u0633\u0627\u0646\u064a\u0629 \u0648\u0627\u0644\u0627\u062c\u062a\u0645\u0627\u0639\u064a\u0629<\/em> \u060c \u0627\u0644\u0635\u0641\u062d\u0627\u062a 435-451.
\u0644\u064a\u0644\u0649 \u0639\u0644\u064a \u0625\u0628\u0631\u0627\u0647\u064a\u0645\u060c. (2008). \u0627\u0644\u0641\u0646 \u0627\u0644\u0645\u0639\u0645\u0627\u0631\u064a \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a\u060c \u0633\u0644\u0633\u0644\u0629 \u0627\u0644\u0641\u0646 \u0648\u0627\u0644\u062b\u0642\u0627\u0641\u0629.<\/em> \u062c\u0645\u0647\u0648\u0631\u064a\u0629 \u0645\u0635\u0631 \u0627\u0644\u0639\u0631\u0628\u064a\u0629: \u0627\u0644\u0634\u0631\u0643\u0629 \u0627\u0644\u0648\u0637\u0646\u064a\u0629 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0645\u062d\u0645\u062f \u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u0627\u0644\u0641\u064a\u0648\u0645\u064a. (1993). \u0627\u0644\u0627\u0633\u062a\u0634\u0631\u0627\u0642 \u0631\u0633\u0627\u0644\u0629 \u0627\u0633\u062a\u0639\u0645\u0627\u0631 \u062a\u0637\u0648\u0631 \u0627\u0644\u0635\u0631\u0627\u0639 \u0627\u0644\u063a\u0631\u0628\u064a \u0645\u0639 \u0627\u0644\u0625\u0633\u0644\u0627\u0645.<\/em> \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u062f\u0627\u0631 \u0627\u0644\u0641\u0643\u0631 \u0627\u0644\u0639\u0631\u0628\u064a.
\u0645\u062d\u0645\u062f \u0627\u0644\u0637\u064a\u0628 \u0639\u0642\u0627\u0628. (2002). \u0644\u0645\u062d\u0627\u062a \u0639\u0646 \u0627\u0644\u0639\u0645\u0627\u0631\u0629 \u0648 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a\u0629 \u0641\u064a \u0627\u0644\u062c\u0632\u0627\u0626\u0631 .<\/em> \u0645\u0635\u0631: \u0645\u0643\u062a\u0628\u0629 \u0632\u0647\u0631\u0627\u0621 \u0627\u0644\u0634\u0631\u0642.<\/bdo><\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Algeria, cultural representation, Heritage, Orientalist art, social environment<\/p>\n","protected":false},"author":2,"featured_media":3512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[926],"tags":[517,382,1082,1083,1084],"class_list":["post-3670","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-07-n01-2026","tag-algeria","tag-cultural-representation","tag-heritage","tag-orientalist-art","tag-social-environment"],"gutentor_comment":0,"yoast_head":"\nArticle 41 Issue 01 vol 7 January 2026 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Algeria, cultural representation, Heritage, Orientalist art, social environment\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 41 Issue 01 vol 7 January 2026\" \/>\n<meta property=\"og:description\" content=\"Algeria, cultural representation, Heritage, Orientalist art, social environment\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-15T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-14T18:43:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 41 Issue 01 vol 7 January 2026\" \/>\n<meta name=\"twitter:description\" content=\"Algeria, cultural representation, Heritage, Orientalist art, social environment\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670#article\",\"isPartOf\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#\/schema\/person\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 41 Issue 01 vol 7 January 2026\",\"datePublished\":\"2026-01-15T08:00:00+00:00\",\"dateModified\":\"2026-02-14T18:43:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\"},\"wordCount\":370,\"publisher\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/#organization\"},\"image\":{\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670#primaryimage\"},\"thumbnailUrl\":\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\",\"keywords\":[\"Algeria\",\"cultural representation\",\"Heritage\",\"Orientalist art\",\"social environment\"],\"articleSection\":[\"Vol 07 N01 2026\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\",\"url\":\"https:\/\/atras-univ-saida.dz\/en\/?p=3670\",\"name\":\"Article 41 Issue 01 vol 7 January 2026 - 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