{"id":3693,"date":"2026-01-15T08:00:00","date_gmt":"2026-01-15T08:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3693"},"modified":"2026-02-14T21:40:51","modified_gmt":"2026-02-14T21:40:51","slug":"article-45-issue-01-vol-7-january-2026","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3693","title":{"rendered":"Article 45 Issue 01 vol 7 January 2026"},"content":{"rendered":"\n

The Fragmentation of the Self between the Desert Wilderness and the Conflict of Cultural Patterns in Henna Valle<\/em> by Jamila Talabawi<\/strong><\/strong><\/strong><\/strong>
\u062a\u0634\u0638\u064a \u0627\u0644\u0630\u0651\u0627\u062a \u0628\u064a\u0646 \u062a\u064a\u0647 \u0627\u0644\u0635\u062d\u0631\u0627\u0621 \u0648\u0635\u0631\u0627\u0639 \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 (\u0648\u0627\u062f\u064a \u0627\u0644\u062d\u0646\u0627\u0621) \u0644\u0640 (\u062c\u0645\u064a\u0644\u0629 \u0637\u0644\u0628\u0627\u0648\u064a)<\/strong><\/h1><\/div><\/div>\n\n\n\n

\u0631\u0634\u064a\u062f\u0629 \u0643\u0644\u0627\u0639<\/strong>
\u062c\u0627\u0645\u0639\u0629 \u0642\u0633\u0646\u0637\u064a\u0646\u0629 1 \u0627\u0644\u0625\u062e\u0648\u0629 \u0645\u0646\u062a\u0648\u0631\u064a\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631
rachidaklaa@yahoo.fr<\/a>
https:\/\/orcid.org\/0009-0006-1609-2052<\/strong><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/h2><\/div><\/div>\n\n\n\n

The desert carried a sentimental dimension in many Algerian novels, serving as a refuge for the novelist to express his worries. This study reveals the many symbols that abound in the writer’s self at the levels of reality and memory in one Algerian work of fiction. Through research titled: The fragmentation of the self between the desert wilderness and the conflict of cultural patterns in the novel, Wadi Al-Henna, by Jamila Talabawi. This study aims to investigate the cultural patterns in this novel, focusing on the dimensions of the self and its passion for the desert, and on the secrets of communication between them. This study relied on a descriptive approach, analyzing texts to interrogate their multiple formats and identify the hidden contents they contain that the writer chose to point out symbolically. The research yielded several results, the most important of which are: Jamila Talabawi demonstrated the desert’s, that marginalized space, ability to break the prevailing pattern and crowd out the center\/city\u2014revealing the world of zawiyas, their Sufi dimensions, and their societal role by demonstrating their practical impact on the social and religious life of the town of Timi, and the status of women in it. The control of customs and many outdated ideas in Timawi society, pushing the female self to rebel against society\/the male self.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Cultural patterns, fragmentation, desert, novel, Jamila Talabawi, Wadi Al-Henna<\/h2><\/div><\/div>\n\n\n
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How to Cite this Paper :<\/strong><\/strong><\/h2><\/div><\/div>\n\n\n\n

\u0643\u0644\u0627\u0639 \u0631\u0634\u064a\u062f\u0629.(2026). \u062a\u0634\u0638\u064a \u0627\u0644\u0630\u0651\u0627\u062a \u0628\u064a\u0646 \u062a\u064a\u0647 \u0627\u0644\u0635\u062d\u0631\u0627\u0621 \u0648\u0635\u0631\u0627\u0639 \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 (\u0648\u0627\u062f\u064a \u0627\u0644\u062d\u0646\u0627\u0621) \u0644\u0640 (\u062c\u0645\u064a\u0644\u0629 \u0637\u0644\u0628\u0627\u0648\u064a). \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c <\/em>7(1)\u060c 647-664<\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol07no01.45<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/h2><\/div><\/div>\n\n\n\n

\u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u0646\u0647\u0649 \u062d\u0645\u062f\u064a \u0623\u062d\u0645\u062f\u060c (2018)\u060c “\u0627\u0644\u062a\u062c\u0630\u0631 \u0641\u064a \u0627\u0644\u0634\u0639\u0631 \u0627\u0644\u062c\u0627\u0647\u0644\u064a \u0628\u064a\u0646 \u0627\u0644\u0646\u0633\u0642 \u0648\u0627\u0644\u0646\u0633\u0642 \u0627\u0644\u0645\u0636\u0627\u062f”\u060c \u0645\u062c\u0644\u0629 \u0633\u064a\u0627\u0642\u0627\u062a: 3 (1)\u060c \u0642\u0633\u0645 \u0627\u0644\u0644\u063a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u062c\u0627\u0645\u0639\u0629 \u0627\u0644\u0625\u0633\u0643\u0646\u062f\u0631\u064a\u0629.   
\u0627\u0628\u0646 \u0645\u0646\u0638\u0648\u0631 \u062c\u0645\u0627\u0644 \u0627\u0644\u062f\u064a\u0646 \u0645\u062d\u0645\u062f \u0628\u0646 \u0645\u0643\u0631\u0645 (\u062f \u062a)\u060c \u0644\u0633\u0627\u0646 \u0627\u0644\u0639\u0631\u0628\u060c \u06373\u060c \u062f\u0627\u0631 \u0635\u0627\u062f\u0631\u060c \u0628\u064a\u0631\u0648\u062a \u0644\u0628\u0646\u0627\u0646\u060c \u062c 10\u060c \u0641\u0635\u0644 \u0627\u0644\u0646\u0648\u0646.
 \u062a\u062d\u0631\u064a\u0634\u064a \u0645\u062d\u0645\u062f (2007)\u060c \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0648\u0627\u0644\u0642\u0635\u0629 \u0648\u0627\u0644\u0645\u0633\u0631\u062d \u0642\u0631\u0627\u0621\u0629 \u0641\u064a \u0627\u0644\u0645\u0643\u0648\u0646\u0627\u062a \u0627\u0644\u0641\u0646\u064a\u0629 \u0648\u0627\u0644\u062c\u0645\u0627\u0644\u064a\u0629 \u0648\u0627\u0644\u0633\u0631\u062f\u064a\u0629\u060c \u0637 1\u060c \u062f\u0627\u0631 \u062f\u062d\u0644\u0628 \u0644\u0644\u0646\u0634\u0631\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631.
 \u0637\u0644\u0628\u0627\u0648\u064a \u062c\u0645\u064a\u0644\u0629\u060c (2018)\u060c \u0648\u0627\u062f\u064a \u0627\u0644\u062d\u0646\u0627\u0621\u060c  \u0637 1\u060c \u062f\u0627\u0631 \u0645\u064a\u0645 \u0644\u0644\u0646\u0634\u0631\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631.
 \u0639\u0644\u064a\u0645\u0627\u062a \u064a\u0648\u0633\u0641\u060c (2004)\u060c \u062c\u0645\u0627\u0644\u064a\u0627\u062a \u0627\u0644\u062a\u062d\u0644\u064a\u0644 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0634\u0639\u0631 \u0627\u0644\u062c\u0627\u0647\u0644\u064a \u0646\u0645\u0648\u062c\u0627\u060c \u06371\u060c \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0646\u0634\u0631\u060c \u062f\u0627\u0631 \u0627\u0644\u0641\u0627\u0631\u0633 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639\u060c \u0639\u0645\u0627\u0646 \u0627\u0644\u0623\u0631\u062f\u0646.
\u0627\u0644\u063a\u0627\u0645\u0631\u064a \u0645\u062d\u0645\u062f \u062d\u0633\u0646\u060c (2010)\u060c \u0627\u0644\u0645\u062f\u062e\u0644 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0641\u064a \u062f\u0631\u0627\u0633\u0629 \u0627\u0644\u0634\u062e\u0635\u064a\u0629\u060c \u062f \u0637\u060c \u0627\u0644\u0645\u0643\u062a\u0628 \u0627\u0644\u062c\u0627\u0645\u0639\u064a \u0627\u0644\u062d\u062f\u064a\u062b\u060c \u0627\u0644\u0625\u0633\u0643\u0646\u062f\u0631\u064a\u0629.
 \u0627\u0644\u063a\u062f\u0627\u0645\u064a \u0639\u0628\u062f \u0627\u0644\u0644\u0647\u060c (2005)\u060c \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0642\u0631\u0627\u0621\u0629 \u0641\u064a \u0627\u0644\u0623\u0646\u0633\u0627\u0642 \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629\u060c \u0637 5\u060c \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a\u060c \u0627\u0644\u062f\u0627\u0631 \u0627\u0644\u0628\u064a\u0636\u0627\u0621 \u0627\u0644\u0645\u0645\u0644\u0643\u0629 \u0627\u0644\u0645\u063a\u0631\u0628\u064a\u0629.
\u0627\u0644\u0641\u0631\u0627\u0647\u064a\u062f\u064a \u0627\u0644\u062e\u0644\u064a\u0644 \u0628\u0646 \u0623\u062d\u0645\u062f\u060c (\u062f \u062a)\u060c \u0627\u0644\u0639\u064a\u0646\u060c \u062a\u062d \u0645\u0647\u062f\u064a \u0627\u0644\u0645\u062e\u0632\u0648\u0645\u064a \u0648\u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u0627\u0644\u0633\u0645\u0631\u0627\u0626\u064a\u060c \u06371\u060c \u062f\u0627\u0631 \u0648\u0645\u0643\u062a\u0628\u0629 \u0627\u0644\u0647\u0644\u0627\u0644\u060c \u062c 5. 
\u0627\u0644\u0643\u0627\u0641\u064a \u0625\u0633\u0645\u0627\u0639\u064a\u0644 \u0639\u0628\u062f \u0627\u0644\u0641\u062a\u0627\u062d\u060c (\u062f \u062a)\u060c \u0645\u0639\u062c\u0645 \u0645\u0635\u0637\u0644\u062d\u0627\u062a \u0627\u0644\u0639\u0648\u0644\u0645\u0629 -\u0645\u0635\u0637\u0644\u062d\u0627\u062a \u0633\u064a\u0627\u0633\u064a\u0629 \u0648\u0627\u0642\u062a\u0635\u0627\u062f\u064a\u0629 \u0648\u0627\u062c\u062a\u0645\u0627\u0639\u064a\u0629 \u0648\u0646\u0641\u0633\u064a\u0629 \u0648\u0625\u0639\u0644\u0627\u0645\u064a\u0629- \u060c \u062f\u0648\u0646 \u0645\u0639\u0644\u0648\u0645\u0627\u062a.
\u0643\u0631\u064a\u0632\u0648\u064a\u0644 \u0625\u064a\u062f\u062a\u060c (1993)\u060c \u0639\u0635\u0631 \u0627\u0644\u0628\u0646\u064a\u0648\u064a\u0629\u060c \u062a\u0631 \u062c\u0627\u0628\u0631 \u0639\u0635\u0641\u0648\u0631\u060c \u06371\u060c \u062f\u0627\u0631 \u0633\u0639\u0627\u062f \u0627\u0644\u0635\u0628\u0627\u062d\u060c \u0627\u0644\u0643\u0648\u064a\u062a.
 \u0627\u0644\u0645\u0648\u0633\u0648\u064a \u0645\u062d\u0633\u0646 \u062c\u0627\u0633\u0645\u060c (2005)\u060c \u0627\u0644\u0646\u0638\u0631\u064a\u0629 \u0648\u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a\u060c \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0646\u0634\u0631\u060c \u0628\u064a\u0631\u0648\u062a.
\u0648\u0627\u0635\u0644 \u0639\u0635\u0627\u0645 \u060c (2013)\u060c \u0641\u064a \u062a\u062d\u0644\u064a\u0644 \u0627\u0644\u062e\u0637\u0627\u0628 \u0627\u0644\u0634\u0639\u0631\u064a \u062f\u0631\u0627\u0633\u0629 \u0633\u064a\u0645\u064a\u0627\u0626\u064a\u0629\u060c \u0637 1\u060c \u062f\u0627\u0631 \u0627\u0644\u062a\u0646\u0648\u064a\u0631\u060c \u0627\u0644\u062c\u0632\u0627\u0626\u0631.<\/bdo><\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Cultural patterns, fragmentation, desert, novel, Jamila Talabawi, Wadi Al-Henna<\/p>\n","protected":false},"author":2,"featured_media":3512,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[926],"tags":[1099,959,1100,1101,374,1102],"class_list":["post-3693","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-vol-07-n01-2026","tag-cultural-patterns","tag-desert","tag-fragmentation","tag-jamila-talabawi","tag-novel","tag-wadi-al-henna"],"gutentor_comment":0,"yoast_head":"\nArticle 45 Issue 01 vol 7 January 2026 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Cultural patterns, fragmentation, desert, novel, Jamila Talabawi, Wadi Al-Henna\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3693\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 45 Issue 01 vol 7 January 2026\" \/>\n<meta property=\"og:description\" content=\"Cultural patterns, fragmentation, desert, novel, Jamila Talabawi, Wadi Al-Henna\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3693\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-01-15T08:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-14T21:40:51+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n\t<meta property=\"og:image:width\" content=\"200\" \/>\n\t<meta property=\"og:image:height\" content=\"200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 45 Issue 01 vol 7 January 2026\" \/>\n<meta name=\"twitter:description\" content=\"Cultural patterns, fragmentation, desert, novel, Jamila Talabawi, Wadi Al-Henna\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2026\/01\/article-200x200-1.png\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 45 Issue 01 vol 7 January 2026\",\"datePublished\":\"2026-01-15T08:00:00+00:00\",\"dateModified\":\"2026-02-14T21:40:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693\"},\"wordCount\":391,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2026\\\/01\\\/article-200x200-1.png\",\"keywords\":[\"Cultural patterns\",\"desert\",\"fragmentation\",\"Jamila Talabawi\",\"Novel\",\"Wadi Al-Henna\"],\"articleSection\":[\"Vol 07 N01 2026\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3693\",\"name\":\"Article 45 Issue 01 vol 7 January 2026 - 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