{"id":3753,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3753"},"modified":"2026-03-05T20:56:15","modified_gmt":"2026-03-05T20:56:15","slug":"article-30-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3753","title":{"rendered":"Article 30 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: <\/strong> L’humour au service de la subversion et la revendication f\u00e9ministe dans 53cm de Bessora<\/strong><\/h2><\/div><\/div>\n\n\n\n

Feriel LAMRI
Universit\u00e9 Mohamed Khider-Biskra
Feriel.lamri@univ-biskra.dz<\/a>
0000-0002-7965-559X
Aziza BENZID
Universit\u00e9 Mohamed Khider-Biskra
a.benzid@univ-biskra.dz<\/a>\u00a0
0000-0003-3129-1907<\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

Cet article examine l\u2019humour subversif et f\u00e9ministe dans le roman 53 cm<\/em> de Bessora, en analysant la mani\u00e8re dont l\u2019auteure d\u00e9ploie des strat\u00e9gies humoristiques pour d\u00e9construire les normes de genre, de race et de pouvoir dans un cadre litt\u00e9raire. L\u2019objectif principal consiste \u00e0 \u00e9tudier les m\u00e9canismes de cet humour structur\u00e9 autour d\u2019un langage inventif, de titres provocateurs et de tournures transgressives pour interroger les rapports de pouvoir et red\u00e9finir les fronti\u00e8res li\u00e9es au genre. La m\u00e9thodologie repose sur une analyse textuelle d\u00e9taill\u00e9e combinant la th\u00e9orie f\u00e9ministe intersectionnelle, en particulier l\u2019analyse des oppressions crois\u00e9es (sexe, race, classe), ainsi que la d\u00e9construction derridienne, qui permet de questionner l\u2019instabilit\u00e9 des cat\u00e9gories identitaires et des discours normatifs. Le premier volet de l\u2019\u00e9tude explore l\u2019humour subversif \u00e0 travers les choix linguistiques et narratifs qui transgressent le cadre normatif. Le second se focalise sur l\u2019humour f\u00e9ministe port\u00e9 par le personnage de Zara, qui incarne une d\u00e9rision du syst\u00e8me phallocratique. Les r\u00e9sultats r\u00e9v\u00e8lent que l\u2019humour de Bessora s\u2019impose comme une force majeure et ludique, qui se distingue par sa capacit\u00e9 \u00e0 allier l\u00e9g\u00e8ret\u00e9 formelle et profondeur critique, m\u00ealant inventivit\u00e9 lexicale, absurdit\u00e9 assum\u00e9e et ironie corrosive pour faire entendre les voix minoritaires, d\u00e9construire les structures \u00e9tablies et red\u00e9finir les fronti\u00e8res litt\u00e9raires et sociales.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> d\u00e9construction, f\u00e9minisme, humour subversif, litt\u00e9rature f\u00e9minine africaine, identit\u00e9 raciale, intersectionnalit\u00e9
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Lamri; F., & Benzid, A.\u00a0 <\/strong>(2025). \u00a0<\/strong>L’humour au service de la subversion et la revendication f\u00e9ministe dans 53cm de Bessora. ATRAS Revue<\/em>, 6<\/em>(2), 467-477.<\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.30<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

Almeida, I., & Hamou, S.\u00a0 (2005). L\u2019\u00e9criture f\u00e9minine en Afrique noire francophone : Le temps du miroir.<\/em> Etudes litt\u00e9raires, presses de l’Universit\u00e9 Laval\u00a0
Bessora, S. (1999). 53 cm<\/em>. Paris\u00a0: Le Serpent \u00e0 Plumes.\u00a0
Butler, J. (2005). Trouble dans le genre (Gender Trouble) : Pour un f\u00e9minisme de la \u00a0 \u00a0 \u00a0 subversion<\/em>. Paris\u00a0: Edition de la D\u00e9couverte.\u00a0
Florenchie, A., Moreau-Lebert, M., & Segas, L. (2023). Humour et f\u00e9minisme… Vous comprenez\u202f?<\/em> Conce\u03c6tos<\/em>, n\u00b08, Universit\u00e9 Bordeaux Montaigne
Garnier, X. (2017), Jeune, belle, cultiv\u00e9e et\u2026 m\u00e9tisse. Les s\u00e9ductions afropolitaines de Bessora.\u00a0 <\/em>Dans Anne Castaing et Elodie Gaden (dir.), Ecrire et penser le genre en contexte postcolonial <\/em>(Vol. 35, pp. 121-152). <\/em>Bruxelles : P.I.E. Peter Lang
Joubert, L. (2002). L’humour du sexe. Le rire des filles<\/em>. Montr\u00e9al : Triptyque.\u00a0
Moura, JM.\u00a0 (2010). Le Sens litt\u00e9raire de l\u2019humour<\/em>. Paris : PUF.\u00a0
Mejri, S. (2023), Figement, d\u00e9figement et traduction. Probl\u00e9matique th\u00e9orique<\/em>. Fijaci\u00f3n,\u00a0\u00a0\u00a0\u00a0
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0desautomatizaci\u00f3n y traducci\u00f3n, Universidad de Alicante, (pp.79-97)
Naccache, N. (2018).\u00a0 De la d\u00e9colonisation du genre sur fond de po\u00e9(li)tiques postcoloniales\u00a0 \u00a0 \u00a0 \u00a0 <\/em>COnTEXTES [En ligne].\u00a0 URL : http:\/\/journals.openedition.org\/contextes\/6366 ; DOI : https:\/\/doi.org\/10.4000\/contextes.6366.
Stora, J. (1992). Le rire minoritaire<\/em>, In\u00a0Mutations.\u00a0Paris : Autrement.<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

d\u00e9construction, f\u00e9minisme, humour subversif, litt\u00e9rature f\u00e9minine africaine, identit\u00e9 raciale, intersectionnalit\u00e9<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[1161,1162,1163,1165,1166,1164],"class_list":["post-3753","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-deconstruction","tag-feminisme","tag-humour-subversif","tag-identite-raciale","tag-intersectionnalite","tag-litterature-feminine-africaine"],"gutentor_comment":0,"yoast_head":"\nArticle 30 Issue 02 vol 6 July 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"d\u00e9construction, f\u00e9minisme, humour subversif, litt\u00e9rature f\u00e9minine africaine, identit\u00e9 raciale, intersectionnalit\u00e9\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3753\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 30 Issue 02 vol 6 July 2025\" \/>\n<meta property=\"og:description\" content=\"d\u00e9construction, f\u00e9minisme, humour subversif, litt\u00e9rature f\u00e9minine africaine, identit\u00e9 raciale, intersectionnalit\u00e9\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3753\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-05T20:56:15+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"278\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 30 Issue 02 vol 6 July 2025\" \/>\n<meta name=\"twitter:description\" content=\"d\u00e9construction, f\u00e9minisme, humour subversif, litt\u00e9rature f\u00e9minine africaine, identit\u00e9 raciale, intersectionnalit\u00e9\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 30 Issue 02 vol 6 July 2025\",\"datePublished\":\"2025-07-15T20:00:00+00:00\",\"dateModified\":\"2026-03-05T20:56:15+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753\"},\"wordCount\":632,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/image-2.png\",\"keywords\":[\"d\u00e9construction\",\"f\u00e9minisme\",\"humour subversif\",\"identit\u00e9 raciale\",\"intersectionnalit\u00e9\",\"litt\u00e9rature f\u00e9minine africaine\"],\"articleSection\":[\"Vol 06 N02 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3753\",\"name\":\"Article 30 Issue 02 vol 6 July 2025 - 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