{"id":3765,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3765"},"modified":"2026-03-08T17:30:10","modified_gmt":"2026-03-08T17:30:10","slug":"article-33-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3765","title":{"rendered":"Article 33 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: Mobilit\u00e9 et Transculturalit\u00e9 des Arts vivants en Afrique du nord\u00a0:le cas de la Rahva<\/em><\/strong><\/h2><\/div><\/div>\n\n\n\n

Ahcene HARGAS<\/strong>
Laboratoire interdisciplinaire des \u00e9tudes culturelles (LinCs)- Universit\u00e9 de Strasbourg, France
argashacene@yahoo.fr<\/a>
0009-0001-0728-1285<\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

This article questions the practices of the performing arts, based on their mobility within the transcultural dynamic in which the “transfer of cultural and poetic knowledge” of the North African oral tradition operates. Our analysis focuses on the modes of enunciation and representation, referring to certain playwrights, among whom we exceptionally highlight Kateb Yacine, Abdelkader Alloula, or Tayeb Saddeki (in spoken Arabic) and Abdella Mohia (in Kabyle) for the originality of their adaptation and creation works, as well as the “combinatory system of convenience” (Galand-Pernet Paulette, 1998, pp. 159 \u2013 220) from which the applied (or observed) dramaturgy arises during the creation processes. Knowing that conveniences are multiple and are distinguished by the tacit relationships between emitters and receivers of the same linguistic group, we have agreed, from the perspective of a “comparative and partial approach,” to engage with their “poetics”.in the singular, given the recurring transcultural similarities observed in the dynamics of the Rahva, both in the field of “otherness” and in syncretisms. This work thus enlightens us about the sociopoetic function of the Rahva, the sociological and anthropological conditions of its emergence, its mobility and transcultural dynamics, as well as the syncretic aliases it faces.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Berber\/Maghreb world, transculturality, poetic conventions, syncretisms, oral tradition, rhetorical contest, hybrid forms
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Hargas, A. (2025). \u00a0\u00a0<\/strong>Mobilit\u00e9 et Transculturalit\u00e9 des Arts vivants en Afrique du nord\u00a0: le cas de la Rahva<\/em>. ATRAS Revue<\/em>, 6<\/em>(2), 507-519<\/p><\/div><\/div>\n\n\n\n

DOI: 
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.32<\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Berber\/Maghreb world, transculturality, poetic conventions, syncretisms, oral tradition, rhetorical contest, hybrid forms<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[1177,1183,1181,1178,1182,1180,1179],"class_list":["post-3765","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-berber-maghreb-world","tag-hybrid-forms","tag-oral-tradition","tag-poetic-conventions","tag-rhetorical-contest","tag-syncretisms","tag-transculturality"],"gutentor_comment":0,"yoast_head":"\nArticle 33 Issue 02 vol 6 July 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Berber\/Maghreb world, transculturality, poetic conventions, syncretisms, oral tradition, rhetorical contest, hybrid forms\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3765\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 33 Issue 02 vol 6 July 2025\" \/>\n<meta property=\"og:description\" content=\"Berber\/Maghreb world, transculturality, poetic conventions, syncretisms, oral tradition, rhetorical contest, hybrid forms\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3765\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-08T17:30:10+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"278\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 33 Issue 02 vol 6 July 2025\" \/>\n<meta name=\"twitter:description\" content=\"Berber\/Maghreb world, transculturality, poetic conventions, syncretisms, oral tradition, rhetorical contest, hybrid forms\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 33 Issue 02 vol 6 July 2025\",\"datePublished\":\"2025-07-15T20:00:00+00:00\",\"dateModified\":\"2026-03-08T17:30:10+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765\"},\"wordCount\":976,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/image-2.png\",\"keywords\":[\"Berber\\\/Maghreb world\",\"hybrid forms\",\"oral tradition\",\"poetic conventions\",\"rhetorical contest\",\"syncretisms\",\"transculturality\"],\"articleSection\":[\"Vol 06 N02 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3765\",\"name\":\"Article 33 Issue 02 vol 6 July 2025 - 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