{"id":3766,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3766"},"modified":"2026-03-08T17:33:57","modified_gmt":"2026-03-08T17:33:57","slug":"article-34-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3766","title":{"rendered":"Article 34 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: <\/strong> The Dance of Landowners Thymos and the Inhabitition of Truth in the Uprising Pre-Al Aqsa Flood an Approach From an Interpretive Prespective<\/strong>
\u0631\u0642\u0635\u0629 \u0623\u0635\u062d\u0627\u0628 \u0627\u0644\u0623\u0631\u0636 \u0627\u0644\u062b\u0651\u064a\u0645\u0648\u0633 \u0648\u0633\u0643\u0646\u0649 \u0627\u0644\u062d\u0642\u064a\u0642\u0629 \u0641\u064a \u0627\u0646\u062a\u0641\u0627\u0636\u0629 \u0645\u0627 \u0642\u0628\u0644 \u0637\u064f\u0648\u0641\u0627\u0646 \u0627\u0644\u0623\u0642\u0635\u0649 \u2013 \u0645\u0642\u0627\u0631\u0628\u0629 \u0645\u0646 \u0645\u0646\u0638\u0648\u0631 \u062a\u0623\u0648\u064a\u0644\u064a<\/strong><\/h2><\/div><\/div>\n\n\n\n

Azani\u00a0 Larem<\/strong>
University of Mohamed Lamine Debaghine \u00a0 Setif2 \/ Algeria<\/strong>
l.azani@univ-setif2.dz<\/strong><\/a>\u00a0<\/strong>
https:\/\/orcid.org\/0009-0005-4821-2525<\/strong><\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

Both Arabic and foreign literature have addressed the Palestinian issue through poetry and prose. However, a distinctive artistic approach emerges in texts that transcend conventional literary forms and linguistic expression, instead utilizing\u00a0movement\u00a0as their primary medium. This shift renders such texts unique in their expressive form while maintaining thematic interconnectedness with the Palestinian cause. Among these,\u00a0The Dance of the People of the Land<\/em>\u00a0stands as a prominent example. This research aims to interpret the semiotics of the dance movements and demonstrate their resonance with the Palestinian issue. Key findings reveal that the performance: 1-Transcends superficial or reductive interpretations. 2-Moves beyond verbal expression to articulate meaning through kinetic language. 3-Embodies fundamental values central to the Palestinian struggle. These dimensions form the core analysis of this paper.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> \u00a0Al-Aqsa flood, Expression through movement, Palestinian issue,\u00a0Palestinian uprising, The Dance of the People of the Land<\/em>
<\/p><\/div><\/div>\n\n\n

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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

\u0627\u0644\u0639\u0627\u0631\u0645 \u0639\u0632\u0651\u0627\u0646\u064a\u060c (2025).\u00a0 \u0631\u0642\u0635\u0629 \u0623\u0635\u062d\u0627\u0628 \u0627\u0644\u0623\u0631\u0636 \u0627\u0644\u062b\u0651\u064a\u0645\u0648\u0633 \u0648\u0633\u0643\u0646\u0649 \u0627\u0644\u062d\u0642\u064a\u0642\u0629 \u0641\u064a \u0627\u0646\u062a\u0641\u0627\u0636\u0629 \u0645\u0627 \u0642\u0628\u0644 \u0637\u064f\u0648\u0641\u0627\u0646 \u0627\u0644\u0623\u0642\u0635\u0649 \u2013 \u0645\u0642\u0627\u0631\u0628\u0629 \u0645\u0646 \u0645\u0646\u0638\u0648\u0631 \u062a\u0623\u0648\u064a\u0644\u064a. \u0645\u062c\u0644\u0629 \u0627\u0644\u0623\u0637\u0631\u0627\u0633\u060c 6<\/em>(2)\u060c\u00a0 520-532.<\/bdo><\/p><\/div><\/div>\n\n\n\n

DOI:\u00a0
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.34<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

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\u063a\u0627\u0632\u064a, \u062d. (2003). “\u0627\u0644\u0627\u0633\u062a\u064a\u0637\u0627\u0646 \u0627\u0644\u064a\u0647\u0648\u062f\u064a \u0641\u064a \u0641\u0644\u0633\u0637\u064a\u0646 \u0645\u0646 \u0627\u0644\u0627\u0633\u062a\u0639\u0645\u0627\u0631 \u0625\u0644\u0649 \u0627\u0644\u0627\u0645\u0628\u0631\u064a\u0627\u0644\u064a\u0629.\u00a0 \u062f.\u0637. \u0627\u062a\u062d\u0627\u062f \u0643\u062a\u0627\u0628 \u0627\u0644\u0639\u0631\u0628. \u062f\u0645\u0634\u0642\u060c \u0633\u0648\u0631\u064a\u0627.
\u0641\u0648\u0643\u0648\u064a\u0627\u0645\u0627, \u0641. (1993). \u0646\u0647\u0627\u064a\u0629 \u0627\u0644\u062a\u0627\u0631\u064a\u062e \u0648\u0627\u0644\u0625\u0646\u0633\u0627\u0646 \u0627\u0644\u0623\u062e\u064a\u0631\u060c \u062a\u0631: \u0641\u0624\u0627\u062f \u0634\u0627\u0647\u064a\u0646 \u0648\u0622\u062e\u0631\u0627\u0646.\u00a0 \u062f.\u0637. \u0645\u0631\u0643\u0632 \u0627\u0644\u0625\u0646\u0645\u0627\u0621 \u0627\u0644\u0642\u0648\u0645\u064a . \u0628\u064a\u0631\u0648\u062a\u060c \u0644\u0628\u0646\u0627\u0646.
\u0645\u062d\u0645\u0648\u062f, \u0645. (2015). “\u0627\u0633\u0631\u0627\u0626\u064a\u0644 \u0627\u0644\u0646\u0627\u0632\u064a\u0629 \u0648\u0644\u063a\u0629 \u0627\u0644\u0645\u062d\u0631\u0642\u0629”.\u00a0 . \u062f.\u0637. \u0645\u0643\u062a\u0628\u0629 \u0645\u0635\u0631.. \u0627\u0644\u0642\u0627\u0647\u0631\u0629\u060c \u0645\u0635\u0631
\u0627\u0644\u0634\u0627\u0628\u064a, \u0623. \u0627. (1997). “\u062f\u064a\u0648\u0627\u0646 \u0623\u0628\u0648 \u0627\u0644\u0642\u0627\u0633\u0645 \u0627\u0644\u0634\u0627\u0628\u064a”.\u00a0 \u062f.\u0637. \u062f\u0627\u0631 \u0627\u0644\u0639\u0648\u062f\u0629. \u0628\u064a\u0631\u0648\u062a\u060c \u0644\u0628\u0646\u0627\u0646.
\u0627\u0644\u0645\u0633\u064a\u0631\u064a, \u0645. \u0639. (2000). “\u0627\u0644\u0627\u0646\u062a\u0641\u0627\u0636\u0629 \u0627\u0644\u0641\u0644\u0633\u0637\u064a\u0646\u064a\u0629 \u0648\u0627\u0644\u0623\u0632\u0645\u0629 \u0627\u0644\u0635\u0647\u064a\u0648\u0646\u064a\u0629 \u2013 \u062f\u0631\u0627\u0633\u0629 \u0641\u064a \u0627\u0644\u0625\u062f\u0631\u0627\u0643 \u0648\u0627\u0644\u0643\u0631\u0627\u0645\u0629”.\u00a0 \u062f.\u0637. \u0627\u0644\u0647\u064a\u0626\u0629 \u0627\u0644\u0645\u0635\u0631\u064a\u0629 \u0627\u0644\u0639\u0627\u0645\u0629 \u0644\u0644\u0643\u062a\u0627\u0628. \u0627\u0644\u0642\u0627\u0647\u0631\u0629. \u0645\u0635\u0631.
\u0627\u0644\u0645\u064a\u0633\u064a\u0631\u064a, \u0639. \u0627. (2001). “\u0627\u0644\u064a\u062f \u0627\u0644\u062e\u0641\u064a\u0629 \u062f\u0631\u0627\u0633\u0629 \u0641\u064a \u0627\u0644\u062d\u0631\u0643\u0627\u062a \u0627\u0644\u064a\u0647\u0648\u062f\u064a\u0629 \u0627\u0644\u0647\u062f\u0627\u0645\u0629 \u0648\u0627\u0644\u0633\u0631\u064a\u0629”. \u06372: \u062f\u0627\u0631 \u0627\u0644\u0634\u0631\u0648\u0642. \u0627\u0644\u0642\u0627\u0647\u0631\u0629. \u0645\u0635\u0631.
\u0628\u0627\u0648\u0645\u0627\u0646, \u064a.,\u0648\u062f\u0648\u0646\u0633\u0643\u064a\u0633 \u0622\u062e\u0631. (2018).\u0627\u0644\u0634\u0631 \u0627\u0644\u0633\u0627\u0626\u0644 \u0648\u0627\u0644\u0639\u064a\u0634 \u0645\u0639 \u0627\u0644\u0644\u0627\u0628\u062f\u064a\u0644\u060c \u062a\u0631: \u062d\u062c\u0627\u062c \u0623\u0628\u0648 \u062c\u0628\u0631”.\u00a0 \u06371\u060c: \u0627\u0644\u0634\u0628\u0643\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u0623\u0628\u062d\u0627\u062b \u0648\u0627\u0644\u0646\u0634\u0631. \u0628\u064a\u0631\u0648\u062a\u060c \u0644\u0628\u0646\u0627\u0646.
\u0627\u0644\u0645\u0648\u0627\u0642\u0639 \u0627\u0644\u0625\u0644\u0643\u062a\u0631\u0648\u0646\u064a\u0629 :<\/strong>
\u0627\u0644\u062a\u0644\u0641\u0632\u064a\u0648\u0646 \u0627\u0644\u0639\u0631\u0628\u064a\u060c \u0641\u0644\u0633\u0637\u064a\u0646\u064a \u0631\u0642\u0635 \u0639\u0644\u0649 \u0627\u0644\u062f\u0628\u0643\u0629 \u062e\u0644\u0627\u0644 \u0627\u0644\u0627\u0634\u062a\u0628\u0627\u0643\u0627\u062a \u064a\u0630\u0643\u0631 \u0628\u0640 “\u0631\u0642\u0635\u0629 \u0627\u0644\u062d\u0631\u064a\u0629” \u0644\u0644\u0647\u0646\u0648\u062f \u0627\u0644\u062d\u0645\u0631\u060chttps:\/\/www.youtube.com\/watch?v=e2-pEiepnTk. (2023,\u00a0
\u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0645\u0635\u0631\u060c \u0623\u0635\u0628\u062d\u062a \u0623\u064a\u0642\u0648\u0646\u0629 \u0644\u0644\u062a\u0639\u0628\u064a\u0631 \u0639\u0646 \u0627\u0644\u062a\u0636\u0627\u0645\u0646 \u0645\u0639 \u063a\u0632\u0629 \u0631\u0642\u0635\u0629 \u0634\u0627\u0628 \u0641\u0644\u0633\u0637\u064a\u0646\u064a \u062a\u062c\u062a\u0627\u062d \u0645\u0648\u0627\u0642\u0639 \u0627\u0644\u062a\u0648\u0627\u0635\u0644 \u0627\u0644\u0627\u062c\u062a\u0645\u0627\u0639\u064a \u060c https:\/\/www.youtube.com\/watch?v=UuJLgBGdacY. (2023,\u00a0
\u062a\u0644\u0641\u0632\u064a\u0648\u0646 \u0627\u0644\u0639\u0631\u0628\u064a\u060c \u0627\u0644\u0628\u0644\u0627\u064a\u0644\u064a \u064a\u0624\u062f\u064a \u0631\u0642\u0635\u0629 “\u0623\u0635\u062d\u0627\u0628 \u0627\u0644\u0623\u0631\u0636” \u0627\u062d\u062a\u0641\u0627\u0644\u0627 \u0628\u0647\u062f\u0641\u0647 \u0648\u062a\u0636\u0627\u0645\u0646\u0627 \u0645\u0639 \u0641\u0644\u0633\u0637\u064a\u0646\u060c https:\/\/www.youtube.com\/watch?v=OqqU4sa1Ps0. (2023).
\u062c\u0633\u0648\u0631\u060c\u0631\u0642\u0635\u0629 \u0623\u0635\u062d\u0627\u0628 \u0627\u0644\u0623\u0631\u0636 … \u0631\u0642\u0635\u0629 \u0627\u0644\u0645\u0648\u062a \u0623\u0648 \u0627\u0644\u062d\u064a\u0627\u0629\u060c https:\/\/www.youtube.com\/watch?v=ACDhmWot1TI. (2023,\u00a0
-\u0634\u0631\u0648\u062f\u0647 \u0645\u062d\u0645\u062f\u060c \u0627\u0644\u0623\u063a\u0646\u064a\u0629 \u0627\u0644\u0633\u0648\u064a\u062f\u064a\u0629 \u0644\u0641\u0644\u0633\u0637\u064a\u0646 \u0645\u062a\u0631\u062c\u0645\u0629 \u0643\u0627\u0645\u0644\u0629\u060chttps:\/\/www.youtube.com\/watch?v=viyaUo_Q63Q. 2023,\u00a0<\/bdo><\/p><\/div><\/div>\n\n\n\n

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Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Al-Aqsa flood, Expression through movement, Palestinian issue, Palestinian uprising, The Dance of the People of the Land<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[1184,1185,910,1186,1187],"class_list":["post-3766","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-al-aqsa-flood","tag-expression-through-movement","tag-palestinian-issue","tag-palestinian-uprising","tag-the-dance-of-the-people-of-the-land"],"gutentor_comment":0,"yoast_head":"\nArticle 34 Issue 02 vol 6 July 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Al-Aqsa flood, Expression through movement, Palestinian issue, Palestinian uprising, The Dance of the People of the Land\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3766\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 34 Issue 02 vol 6 July 2025\" \/>\n<meta property=\"og:description\" content=\"Al-Aqsa flood, Expression through movement, Palestinian issue, Palestinian uprising, The Dance of the People of the Land\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3766\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-08T17:33:57+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"278\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 34 Issue 02 vol 6 July 2025\" \/>\n<meta name=\"twitter:description\" content=\"Al-Aqsa flood, Expression through movement, Palestinian issue, Palestinian uprising, The Dance of the People of the Land\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 34 Issue 02 vol 6 July 2025\",\"datePublished\":\"2025-07-15T20:00:00+00:00\",\"dateModified\":\"2026-03-08T17:33:57+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766\"},\"wordCount\":346,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/image-2.png\",\"keywords\":[\"Al-Aqsa flood\",\"Expression through movement\",\"Palestinian issue\",\"Palestinian uprising\",\"The Dance of the People of the Land\"],\"articleSection\":[\"Vol 06 N02 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3766\",\"name\":\"Article 34 Issue 02 vol 6 July 2025 - 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