{"id":3780,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3780"},"modified":"2026-03-15T17:39:19","modified_gmt":"2026-03-15T17:39:19","slug":"article-37-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3780","title":{"rendered":"Article 37 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: Algerian Female Contemporary Modern Novel between Regression and Openness: (CUT( by) Insaf Goumri) as s Choice<\/strong>
\u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0646\u0633\u0648\u064a\u0629 \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a\u0629 \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629 \u0628\u064a\u0646 \u0627\u0644\u0627\u0646\u0643\u0641\u0627\u0621 \u0648\u0627\u0644\u0627\u0646\u0641\u062a\u0627\u062d \u0631\u0648\u0627\u064a\u0629<\/strong> \u00ab\u0643\u0627\u062a\u00bb \u0644\u0640 “\u00ab\u0625\u0646\u0635\u0627\u0641 \u0642\u0648\u0645\u0631\u064a\u00bb \u0627\u062e\u062a\u064a\u0627\u0631\u0627<\/strong><\/h2><\/div><\/div>\n\n\n\n

\u0623\u0645\u064a\u0646\u0629 \u0628\u0644\u0647\u0627\u0634\u0645\u064a<\/strong><\/strong><\/strong>
<\/sup>\u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062c\u0627\u0645\u0639\u064a \u0635\u0627\u0644\u062d\u064a \u0623\u062d\u0645\u062f \u0628\u0627\u0644\u0646\u0639\u0627\u0645\u0629 \u2013\u0627\u0644\u062c\u0632\u0627\u0626\u0631<\/strong><\/strong>
walhassiya@gmail.com<\/strong><\/a>
\u0633\u0644\u064a\u0645\u0629 \u0628\u0648\u0631\u062d\u0644\u0629<\/strong><\/strong><\/strong>
\u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062c\u0627\u0645\u0639\u064a \u0635\u0627\u0644\u062d\u064a \u0623\u062d\u0645\u062f \u0628\u0627\u0644\u0646\u0639\u0627\u0645\u0629 \u2013\u0627\u0644\u062c\u0632\u0627\u0626\u0631
salimabourahla1@gmail.com<\/strong><\/a><\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

This research paper explores the dual manifestations of introspection and openness to the other in contemporary Algerian fiction, with a focus on Cut<\/em> by Insaf Goumri. The study aims to trace the shifting narrative tendencies between self-withdrawal and openness, as articulated in two analytical sections that reflect the author\u2019s literary experience. The novel skillfully blends intellectual depth, emotional sensitivity, and authenticity in depicting the narrating self, using diverse narrative spaces to illuminate key aspects of both inward reflection and outward engagement with the novel\u2019s characters. Goumri\u2019s strategic use of Algerian dialect in several instances enriches the text with cultural resonance and emotional nuance, effectively bridging the narrative and the reader\u2019s experience. This paper raises the following questions: How are introspection and openness represented in this novel? And in what ways do these narrative features manifest throughout the text?<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Algerian novel, Cut, Insaf Goumri, introspection, openness
<\/p><\/div><\/div>\n\n\n

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\"\"<\/a><\/figure>\n<\/div>\n\n\n

How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

\u0628\u0644\u0647\u0627\u0634\u0645\u064a \u0623\u0645\u064a\u0646\u0629 \u0648 \u0628\u0648\u0631\u062d\u0644\u0629 \u0633\u0644\u064a\u0645\u0629\u00a0\u00a0 .(2025) \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0646\u0633\u0648\u064a\u0629 \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a\u0629 \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629 \u0628\u064a\u0646 \u0627\u0644\u0627\u0646\u0643\u0641\u0627\u0621 \u0648\u0627\u0644\u0627\u0646\u0641\u062a\u0627\u062d: \u0631\u0648\u0627\u064a\u0629 \u00ab\u0643\u0627\u062a\u00bb \u0644\u0640 “\u00ab\u0625\u0646\u0635\u0627\u0641 \u0642\u0648\u0645\u0631\u064a\u00bb \u0627\u062e\u062a\u064a\u0627\u0631\u0627.\u00a0 \u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 6<\/em>(2)\u060c \u00a0562-587<\/bdo><\/p><\/div><\/div>\n\n\n\n

DOI: 
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.37<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

\u0622\u0645\u0646\u0629 \u0628\u0644\u0639\u0644\u064a. (2006). \u0627\u0644\u0645\u062a\u062e\u064a\u0644 \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a\u0629 \u0628\u064a\u0646 \u0627\u0644\u0645\u062a\u062e\u064a\u0644 \u0625\u0644\u0649 \u0627\u0644\u0645\u062e\u062a\u0644\u0641. \u0627\u0644\u062c\u0632\u0627\u0626\u0631: \u062f\u0627\u0631 \u0627\u0644\u0623\u0645\u0644.
\u0622\u0645\u0646\u0629 \u064a\u0648\u0633\u0641. (\u062f.\u062a). \u062a\u0642\u0646\u064a\u0627\u062a \u0627\u0644\u0633\u0631\u062f \u0641\u064a \u0627\u0644\u0646\u0638\u0631\u064a\u0629 \u0648\u0627\u0644\u062a\u0637\u0628\u064a\u0642. \u0628\u064a\u0631\u0648\u062a: \u0627\u0644\u0645\u0624\u0633\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u062f\u0631\u0627\u0633\u0627\u062a \u0648\u0627\u0644\u0646\u0634\u0631.
\u0623\u0628\u0648 \u0627\u0644\u0637\u064a\u0628 \u0627\u0644\u0645\u062a\u0646\u0628\u064a. (1965). \u0627\u0644\u062f\u064a\u0648\u0627\u0646\u060c \u0634\u0631\u062d \u0627\u0644\u0648\u0627\u062d\u062f\u064a. \u0628\u063a\u062f\u0627\u062f: \u0645\u0637\u0628\u0639\u0629 \u0627\u0644\u0645\u062b\u0646\u0649.
\u0623\u0628\u0648 \u0645\u062d\u0645\u062f \u0639\u0628\u062f \u0627\u0644\u0644\u0647 \u0628\u0646 \u0645\u0633\u0644\u0645 \u0628\u0646 \u0642\u062a\u064a\u0628\u0629 \u0627\u0644\u062f\u064a\u0646\u0648\u0631\u064a. (1397). \u063a\u0631\u064a\u0628 \u0627\u0644\u062d\u062f\u064a\u062b<\/u><\/em>. \u0628\u063a\u062f\u0627\u062f: \u0645\u0637\u0628\u0639\u0629 \u0627\u0644\u0639\u0627\u0646\u064a.
\u0625\u0628\u0631\u0627\u0647\u064a\u0645 \u062e\u0644\u064a\u0644. (2010). \u0628\u0646\u064a\u0629 \u0627\u0644\u0646\u0635 \u0627\u0644\u0631\u0648\u0627\u0626\u064a( \u062f\u0631\u0627\u0633\u0629). \u0628\u064a\u0631\u0648\u062a: \u0627\u0644\u062f\u0627\u0631 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u0639\u0644\u0648\u0645 \u0646\u0627\u0634\u0631\u0648\u0646.
\u0625\u0646\u0635\u0627\u0641 \u0642\u0648\u0645\u0631\u064a. (2019). \u0631\u0648\u0627\u064a\u0629 \u0643\u0627\u062a: \u0627\u0644\u0646\u062f\u0627\u0621 \u0627\u0644\u0623\u062e\u064a\u0631 \u0644\u0644\u0645\u0633\u0627\u0641\u0631\u064a\u0646 \u0627\u0644\u0645\u062a\u0648\u062c\u0647\u064a\u0646 \u0625\u0644\u0649 \u0628\u0644\u062f \u0627\u0644\u0646\u0633\u064a\u0627\u0646. \u0627\u0644\u062c\u0632\u0627\u0626\u0631: \u062f\u0627\u0631 \u0627\u0644\u0645\u062b\u0642\u0641 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0627\u0644\u0628\u064a\u0627\u0646. (14 \u0623\u063a\u0633\u0637\u0633\u060c 2013). \u0627\u0644\u0628\u064a\u0627\u0646<\/em>. https:\/\/www.albayan.ae\/editors-choice\/asfar\/2013-08-14-1.1941415<\/a>
\u0627\u0644\u0635\u0627\u062f\u0642 \u0642\u064a\u0633\u0648\u0645\u0629. (1994). \u0637\u0631\u0627\u0626\u0642 \u062a\u062d\u0644\u064a\u0644 \u0627\u0644\u0642\u0635\u0629. \u0633\u0648\u0631\u064a\u0629: \u062f\u0627\u0631 \u0627\u0644\u062c\u0646\u0648\u0628 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u062c\u0628\u0644\u060c \u0645\u062d\u0645\u062f \u062d\u0633\u0646 \u062d\u0633\u0646. (2010). \u0627\u0644\u0645\u0639\u062c\u0645 \u0627\u0644\u0627\u0634\u062a\u0642\u0627\u0642\u064a \u0627\u0644\u0645\u0624\u0635\u0644 \u0644\u0623\u0644\u0641\u0627\u0638 \u0627\u0644\u0642\u0631\u0622\u0646 \u0627\u0644\u0643\u0631\u064a\u0645. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u0645\u0643\u062a\u0628\u0629 \u0627\u0644\u0622\u062f\u0627\u0628.
\u062c\u0645\u0627\u0644 \u0634\u062d\u064a\u062f. (2011). \u0627\u0644\u0630\u0627\u0643\u0631\u0629 \u0641\u064a \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u0629. \u0627\u0644\u0623\u0631\u062f\u0646: \u062f\u0627\u0631 \u0627\u0644\u0641\u0627\u0631\u0633 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u062d\u0633\u0646 \u0628\u062d\u0631\u0627\u0648\u064a. (1990). \u0628\u0646\u064a\u0629 \u0627\u0644\u0634\u0643\u0644 \u0627\u0644\u0631\u0648\u0627\u0626\u064a. \u0628\u064a\u0631\u0648\u062a: \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a.
\u062d\u0633\u064a\u0646\u060c \u062d\u0646\u064a. (2019). \u0631\u062d\u0644\u0629 \u0627\u0644\u0646\u062c\u0627\u062d. \u062c\u0631\u064a\u062f\u0629 \u0627\u0644\u0627\u062a\u062d\u0627\u062f<\/em>\u060c 23 \u064a\u0648\u0646\u064a\u0648\u060c 07.
\u062e\u0648\u0644\u0629 \u0637\u0627\u0644\u0628 \u0627\u0644\u0625\u0628\u0631\u0627\u0647\u064a\u0645\u064a. (2007). \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a\u0648\u0646 \u0648\u0627\u0644\u0645\u0633\u0623\u0644\u0629 \u0627\u0644\u0644\u063a\u0648\u064a\u0629. \u0627\u0644\u062c\u0632\u0627\u0626\u0631: \u062f\u0627\u0631 \u0627\u0644\u0645\u062d\u0643\u0645\u0629.
\u0631\u0634\u064a\u062f \u0628\u0648\u062c\u062f\u0631\u0629. (2002). \u062d\u0648\u0627\u0631 \u0645\u0639 \u0631\u0634\u064a\u062f \u0628\u0648\u062c\u062f\u0631\u0629<\/em>. \u0645\u062c\u0644\u0629 \u0627\u0644\u0627\u062e\u062a\u0644\u0627\u0641<\/em>\u060c 28.
\u0634\u0627\u062f\u064a \u0646\u0627\u0635\u064a\u0641. (2009). \u0641\u0636\u0627\u0626\u062d \u0627\u0644\u0641\u0627\u064a\u0633\u0628\u0648\u0643. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u062f\u0627\u0631 \u0627\u0644\u0643\u062a\u0627\u0628 \u0627\u0644\u0639\u0631\u0628\u064a.
\u0634\u0643\u0631\u064a \u0639\u0632\u064a\u0632 \u0627\u0644\u0645\u0627\u0636\u064a. (2008). \u0623\u0646\u0645\u0627\u0637 \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u062c\u062f\u064a\u062f\u0629. \u0627\u0644\u0643\u0648\u064a\u062a: \u0639\u0627\u0644\u0645 \u0627\u0644\u0645\u0639\u0631\u0641\u0629.
\u0633\u0645\u064a\u0631\u0629 \u0645\u0631\u0632\u0648\u0642\u064a\u060c \u0648 \u0634\u0627\u0643\u0631 \u062c\u0645\u064a\u0644. (1985). \u0645\u062f\u062e\u0644 \u0625\u0644\u0649 \u0646\u0638\u0631\u064a\u0629 \u0627\u0644\u0642\u0635\u0629. \u062a\u0648\u0646\u0633: \u062f\u064a\u0648\u0627\u0646 \u0627\u0644\u0645\u0637\u0628\u0648\u0639\u0627\u062a \u0627\u0644\u062c\u0627\u0645\u0639\u064a\u0629 – \u0627\u0644\u062f\u0627\u0631 \u0627\u0644\u062a\u0648\u0646\u0633\u064a\u0629.
\u0637\u0644\u0627\u0644 \u0639\u0628\u062f \u0627\u0644\u0643\u0631\u064a\u0645 \u0627\u0644\u0639\u0631\u0628. 6 \u0633\u0628\u062a\u0645\u0628\u0631\u060c 2023). \u0627\u0644\u062c\u0631\u064a\u062f\u0629<\/em>. https:\/\/www.aljarida.com\/article\/36776<\/a>
\u0639\u0628\u062f \u0627\u0644\u062d\u0644\u064a\u0645 \u0639\u0628\u0627\u0633. (2013). \u0641\u0636\u0627\u0621\u0627\u062a \u0646\u0633\u0648\u064a\u0629: \u0645\u0645\u0627\u0631\u0633\u0627\u062a \u0641\u064a \u0627\u0644\u0623\u062f\u0628 \u0648\u0627\u0644\u0646\u0642\u062f. \u0633\u0648\u0631\u064a\u0629: \u062f\u0627\u0631 \u0648\u0627\u0626\u0644 \u0644\u0644\u0646\u0634\u0631.
\u0639\u0628\u062f \u0627\u0644\u062d\u0645\u064a\u062f \u0647\u064a\u0645\u0629(\u062f.\u062a). \u0639\u0644\u0627\u0645\u0627\u062a \u0641\u064a \u0627\u0644\u0625\u0628\u062f\u0627\u0639 \u0627\u0644\u062c\u0632\u0627\u0626\u0631\u064a: \u062f\u0631\u0627\u0633\u0627\u062a \u0646\u0642\u062f\u064a\u0629. \u0633\u0637\u064a\u0641: \u0631\u0627\u0628\u0637\u0629 \u0623\u0647\u0644 \u0627\u0644\u0642\u0644\u0645.
\u0639\u0628\u062f \u0627\u0644\u0639\u0627\u0644\u064a \u0628\u0648\u0637\u064a\u0628. (1999). \u0645\u0633\u062a\u0648\u064a\u0627\u062a \u0627\u0644\u0646\u0635 \u0627\u0644\u0631\u0648\u0627\u0626\u064a\u060c \u0645\u0642\u0627\u0631\u0628\u0629 \u0646\u0635\u064a\u0629 \u0646\u0638\u0631\u064a\u0629. \u062f\u0645\u0634\u0642: \u0645\u0637\u0628\u0639\u0629 \u0627\u0644\u0623\u0645\u064a\u0646\u0629.
\u0639\u0628\u062f \u0627\u0644\u0645\u0646\u0639\u0645 \u062d\u0646\u064a\u0641\u064a. (2000). \u0645\u0639\u062c\u0645 \u0627\u0644\u0634\u0627\u0645\u0644 \u0627\u0644\u0641\u0644\u0633\u0641\u064a. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u0645\u0643\u062a\u0628\u0629 \u0645\u062f\u0628\u0648\u0644\u064a.
\u0639\u062b\u0645\u0627\u0646 \u0628\u062f\u0631. (1986). \u0628\u0646\u0627\u0621 \u0627\u0644\u0634\u062e\u0635\u064a\u0629 \u0641\u064a \u0631\u0648\u0627\u064a\u0627\u062a \u0646\u062c\u064a\u0628 \u0645\u062d\u0641\u0648\u0638. \u0628\u064a\u0631\u0648\u062a: \u062f\u0627\u0631 \u0627\u0644\u062d\u062f\u0627\u062b\u0629 \u0644\u0644\u0637\u0628\u0627\u0639\u0629 \u0648\u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0645\u0627\u0647\u0631 \u0645\u0647\u062f\u064a \u0647\u0644\u0627\u0644. (2006). \u0631\u0624\u0649 \u0628\u0644\u0627\u063a\u064a\u0629 \u0641\u064a \u0627\u0644\u0646\u0642\u062f \u0648\u0627\u0644\u0623\u0633\u0644\u0648\u0628\u064a\u0629. \u062f\u0645\u0634\u0642: \u0627\u0644\u0645\u0643\u062a\u0628 \u0627\u0644\u062c\u0627\u0645\u0639\u064a \u0627\u0644\u062d\u062f\u064a\u062b.
\u0645\u062d\u0645\u062f \u0633\u064a\u062f \u062d\u0644\u0627\u0629\u060c \u0648 \u0631\u062c\u0627\u0621 \u0639\u0628\u062f \u0627\u0644\u0639\u0627\u0637\u064a \u0627\u0644\u0639\u0634\u0627\u0648\u064a. (2011). \u0627\u0644\u0639\u0644\u0627\u0642\u0627\u062a \u0627\u0644\u0627\u062c\u062a\u0645\u0627\u0639\u064a\u0629 \u0644\u0644\u0634\u0628\u0627\u0646. \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u062f\u0627\u0631 \u0627\u0644\u0645\u0639\u0631\u0641\u0629 \u0627\u0644\u062c\u0627\u0645\u0639\u064a\u0629 \u0644\u0644\u0637\u0628\u0639 \u0648\u0627\u0644\u0646\u0634\u0631.
\u0645\u062d\u0645\u062f \u0645\u0631\u062a\u0636\u0649 \u0627\u0644\u062d\u0633\u064a\u0646\u064a \u0627\u0644\u0632\u0628\u064a\u062f\u064a. (1994). \u062a\u0627\u062c \u0627\u0644\u0639\u0631\u0648\u0633 \u0645\u0646 \u062c\u0648\u0627\u0647\u0631 \u0627\u0644\u0642\u0627\u0645\u0648\u0633 (\u062a\u062d\u0642\u064a\u0642: \u0639\u0628\u062f \u0627\u0644\u0633\u0644\u0627\u0645 \u0645\u062d\u0645\u062f \u0647\u0627\u0631\u0648\u0646). \u0627\u0644\u0643\u0648\u064a\u062a: \u0627\u0644\u062b\u0631\u0627\u0621 \u0627\u0644\u0639\u0631\u0628\u064a.
\u0645\u062d\u0645\u0648\u062f \u0639\u0628\u062f \u0627\u0644\u0631\u062d\u064a\u0645 \u063a\u0644\u0627\u0628. (2013). \u0627\u0644\u0627\u0646\u0641\u062a\u0627\u062d \u0627\u0644\u0639\u0642\u0644\u064a \u062f\u0644\u064a\u0644 \u0639\u0644\u0649 \u0642\u0648\u0629 \u0627\u0644\u0634\u062e\u0635\u064a\u0629 (\u062d\u0648\u0627\u0631: \u0645\u0631\u0648\u0629 \u0645\u062d\u0645\u0648\u062f \u0625\u0644\u064a\u0627\u0633). \u0627\u0644\u0642\u0627\u0647\u0631\u0629: \u0645\u062c\u0644\u0629 \u0627\u0644\u064a\u0648\u0645 \u0627\u0644\u0633\u0627\u0628\u0639<\/em>.
\u064a\u0627\u0633\u064a\u0646 \u0627\u0644\u0646\u0635\u064a\u0631. (2010). \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0648\u0627\u0644\u0645\u0643\u0627\u0646: \u062f\u0631\u0627\u0633\u0629 \u0627\u0644\u0645\u0643\u0627\u0646 \u0627\u0644\u0631\u0648\u0627\u0626\u064a. \u062f\u0645\u0634\u0642: \u062f\u0627\u0631 \u0646\u064a\u062a\u0648\u0649.
\u0648\u0644\u064a\u0627\u0645 \u0627\u0644\u0639\u0648\u0637\u0629. (2017). \u0627\u0644\u0631\u063a\u0628\u0629 \u0627\u0644\u0633\u064a\u0627\u0633\u064a\u0629 \u0641\u064a \u0641\u0644\u0633\u0641\u0629 \u062c\u064a\u0644 \u062f\u0648\u0644\u0648\u0632. \u0644\u0628\u0646\u0627\u0646: \u062f\u0627\u0631 \u0635\u0627\u062f\u0631.
<\/bdo><\/p><\/div><\/div>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Copyright for all articles published in ATRAS <\/strong>belongs to the author. The authors also grant permission to the publisher to publish, reproduce, distribute, and transmit the articles. ATRAS <\/strong>publishes accepted papers under the Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) License. Authors submitting papers for publication in ATRAS <\/strong>agree to apply the CC BY-NC 4.0 license to their work. For non-commercial purposes, anyone may copy, redistribute material, remix, transform, and construct material in any media or format, provided that the terms of the license are observed and the original source is properly cited.<\/p><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

Algerian novel, Cut, Insaf Goumri, introspection, openness<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[846],"tags":[1199,1198,1197,1200,1201],"class_list":["post-3780","post","type-post","status-publish","format-standard","hentry","category-vol-06-n02-2025","tag-algerian-novel","tag-cut","tag-insaf-goumri","tag-introspection","tag-openness"],"gutentor_comment":0,"yoast_head":"\nArticle 37 Issue 02 vol 6 July 2025 - ATRAS journal<\/title>\n<meta name=\"description\" content=\"Algerian novel, Cut, Insaf Goumri, introspection, openness\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/atras-univ-saida.dz\/en\/?p=3780\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Article 37 Issue 02 vol 6 July 2025\" \/>\n<meta property=\"og:description\" content=\"Algerian novel, Cut, Insaf Goumri, introspection, openness\" \/>\n<meta property=\"og:url\" content=\"https:\/\/atras-univ-saida.dz\/en\/?p=3780\" \/>\n<meta property=\"og:site_name\" content=\"ATRAS journal\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/p\/ATRAS-journal-100083161450894\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-07-15T20:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-15T17:39:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/atras-univ-saida.dz\/en\/wp-content\/uploads\/2024\/06\/image-2.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"278\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"atras\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Article 37 Issue 02 vol 6 July 2025\" \/>\n<meta name=\"twitter:description\" content=\"Algerian novel, Cut, Insaf Goumri, introspection, openness\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"atras\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780\"},\"author\":{\"name\":\"atras\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#\\\/schema\\\/person\\\/ad5e6fcff0b37638480b00e92868cd64\"},\"headline\":\"Article 37 Issue 02 vol 6 July 2025\",\"datePublished\":\"2025-07-15T20:00:00+00:00\",\"dateModified\":\"2026-03-15T17:39:19+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780\"},\"wordCount\":308,\"publisher\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/image-2.png\",\"keywords\":[\"Algerian novel\",\"Cut\",\"Insaf Goumri\",\"introspection\",\"openness\"],\"articleSection\":[\"Vol 06 N02 2025\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780\",\"url\":\"https:\\\/\\\/atras-univ-saida.dz\\\/en\\\/?p=3780\",\"name\":\"Article 37 Issue 02 vol 6 July 2025 - 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