{"id":3785,"date":"2025-07-15T20:00:00","date_gmt":"2025-07-15T20:00:00","guid":{"rendered":"https:\/\/atras-univ-saida.dz\/en\/?p=3785"},"modified":"2026-03-15T17:50:39","modified_gmt":"2026-03-15T17:50:39","slug":"article-40-issue-02-vol-6-july-2025","status":"publish","type":"post","link":"https:\/\/atras-univ-saida.dz\/en\/?p=3785","title":{"rendered":"Article 40 Issue 02 vol 6 July 2025"},"content":{"rendered":"\n

Title: Socio-cultural representation of clothes in Izz al-D\u012bnJal\u0101wij\u012b\u2019snovel: (Snakes\u2019 Embrace)<\/strong>
\u0627\u0644\u062a\u0651\u0645\u062b\u064a\u0644 \u0627\u0644\u0633\u0648\u0633\u064a\u0648 \u062b\u0642\u0627\u0641\u064a \u0644\u0644\u0628\u0627\u0633 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 )\u0639\u0646\u0627\u0642 \u0627\u0644\u0623\u0641\u0627\u0639\u064a (\u0644\u0640(\u0644\u0639\u0632 \u0627\u0644\u062f\u0651\u064a\u0646 \u062c\u0644\u0627\u0648\u062c\u064a)<\/strong><\/h2><\/div><\/div>\n\n\n\n

Belgroun Fatima Zahra<\/strong><\/strong><\/strong>
Ahmed Ben Bella University, Oran, Algeria
belgroun.fatima@edu.univ-oran1.dz<\/a>
0000-0002-5094-5833<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

Abstract<\/strong><\/p><\/div><\/div>\n\n\n\n

Colonial imperialist power operated in ways that marginalized indigenous cultures under the pretext of political and civilizational superiority. Counter-narratives emerged as a potent form of resistance, interrogating and challenging Western hegemony through the narrative reclamation of history. In this vein, Izz al-D\u012bn Jal\u0101wij\u012b\u2019s novel stands as a salient example of contemporary Algerian literature that re-narrates history and folk culture through a postcolonial lens. The study examines the representation of clothing within the novel, positioning it as a complex symbol of socio-cultural identity and resistance. This narrative strategy not only subverts the colonial narrative but also critiques its central assumptions by re-centering local cultural symbols and practices. The analytical conclusion posits that the sartorial narrative within Izz al-D\u012bn Jal\u0101wij\u012b\u2019s work serves as a strategic mechanism to displace the colonial “Other” and challenge the imposed narratives of cultural inferiority.<\/p><\/div><\/div>\n\n\n\n

Keywords:<\/strong> Izz al-D\u012bn Jal\u0101wij\u012b, narrative, novel, Snakes\u2019 Embrace, socio-cultural, representation
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How to Cite this Paper :<\/strong><\/strong><\/p><\/div><\/div>\n\n\n\n

\u0628\u0644\u0642\u0631\u0648\u0646 \u0641\u0627\u0637\u0645\u0629 \u0632\u0647\u0631\u0629.(2025) . \u0623\u0627\u0644\u062a\u0651\u0645\u062b\u064a\u0644\u0627\u0644\u0633\u0648\u0633\u064a\u0648 \u062b\u0642\u0627\u0641\u064a \u0644\u0644\u0628\u0627\u0633 \u0641\u064a \u0631\u0648\u0627\u064a\u0629 )\u0639\u0646\u0627\u0642 \u0627\u0644\u0623\u0641\u0627\u0639\u064a (\u0644\u0640(\u0644\u0639\u0632 \u0627\u0644\u062f\u0651\u064a\u0646 \u062c\u0644\u0627\u0648\u062c\u064a).\u0645\u062c\u0644\u0629 \u0623\u0637\u0631\u0627\u0633\u060c 6<\/em>(2)\u060c 609-619.<\/bdo><\/p><\/div><\/div>\n\n\n\n

DOI: 
<\/a>https:\/\/doi.org\/10.70091\/Atras\/vol06no02.40<\/a><\/strong><\/p><\/div><\/div>\n\n\n\n

References<\/strong>:<\/p><\/div><\/div>\n\n\n\n

\u0627\u062f\u0631\u064a\u0633 \u0627\u0644\u062e\u0636\u0631\u0627\u0648\u064a (2012). \u0627\u0644\u0631\u0648\u0627\u064a\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0648\u0623\u0633\u0626\u0644\u0629 \u0645\u0627 \u0628\u0639\u062f \u0627\u0644\u0627\u0633\u062a\u0639\u0645\u0627\u0631. \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0631\u0624\u064a\u0629.
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\u0628\u064a\u0644 \u0623\u0634\u0643\u0631\u0648\u0641\u064a\u062a\u060c \u0648\u0622\u062e\u0631\u0648\u0646\u060c (2006). \u0627\u0644\u0631\u0651\u062f \u0628\u0627\u0644\u0643\u062a\u0627\u0628\u0629: \u0627\u0644\u0646\u0638\u0631\u064a\u0629 \u0648\u0627\u0644\u062a\u0637\u0628\u064a\u0642 \u0641\u064a \u0622\u062f\u0627\u0628 \u0627\u0644\u0645\u0633\u062a\u0639\u0645\u0631\u0627\u062a \u0627\u0644\u0642\u062f\u064a\u0645\u0629. \u062a\u0631: \u0634\u0647\u0631\u062a \u0627\u0644\u0639\u0627\u0644\u0645\u060c \u0627\u0644\u0645\u0646\u0638\u0645\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \u0644\u0644\u062a\u0631\u062c\u0645\u0629\u060c \u0628\u064a\u0631\u0648\u062a.
\u062a\u0632\u064a\u0641\u0637\u0627\u0646\u062a\u062f\u0648\u0631\u0648\u0641 (1992). \u0645\u0642\u0648\u0644\u0627\u062a \u0627\u0644\u0633\u0631\u062f \u0627\u0644\u0623\u062f\u0628\u064a\u060c \u0636\u0645\u0646 \u0643\u062a\u0627\u0628 \u0637\u0631\u0627\u0626\u0642 \u062a\u062d\u0644\u064a\u0644 \u0627\u0644\u0633\u0631\u062f \u0627\u0644\u0623\u062f\u0628\u064a. \u062a\u0631 \u0627\u0644\u062d\u0633\u064a\u0646 \u0633\u062d\u0628\u0627\u0646 \u0648\u0641\u0624\u0627\u062f \u0635\u0641\u0627\u060c \u0645\u0646\u0634\u0648\u0631\u0627\u062a \u0627\u062a\u062d\u0627\u062f \u0627\u0644\u0643\u062a\u0628.
\u062f\u0648\u0632\u064a \u0631\u064a\u0646\u0647\u0627\u062a (1971). \u0627\u0644\u0645\u0639\u062c\u0645 \u0627\u0644\u0645\u0641\u0635\u0644 \u0628\u0623\u0633\u0645\u0627\u0621 \u0627\u0644\u0645\u0644\u0627\u0628\u0633 \u0639\u0646\u062f \u0627\u0644\u0639\u0631\u0628\u060c \u062a\u0631: \u0623\u0643\u0631\u0645 \u0641\u0627\u0636\u0644. \u062f\u0637\u060c \u0648\u0632\u0627\u0631\u0629 \u0627\u0644\u0627\u0639\u0644\u0627\u0645.
\u0635\u0627\u0644\u062d \u0623\u062d\u0645\u062f \u0627\u0644\u0639\u0644\u064a\u060c (2003). \u0627\u0644\u0645\u0646\u0633\u0648\u062c\u0627\u062a \u0648\u0627\u0644\u0623\u0644\u0628\u0633\u0629 \u0627\u0644\u0639\u0631\u0628\u064a\u0629 \ufed3\ufef2 \u0627\u0644\u0639\u0647\u0648\u062f \u0627\u0644\u0625\u0633\u0644\u0627\u0645\u064a\u0629 \u0627\u0644\u0623\u0648\u0644\u0649\u060c \u06371. \u0634\u0631\u0643\u0629 \u0627\u0644\u0645\u0637\u0628\u0648\u0639\u0627\u062a \u0644\u0644\u062a\u0648\u0632\u064a\u0639 \u0648\u0627\u0644\u0646\u0634\u0631.
\u0637\u0627\u0631\u0642 \u0628\u0648\u062d\u0627\u0644\u0629 (2021). \u0623\u0633\u0633 \u0627\u0644\u0646\u0642\u062f \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0648\u062a\u0637\u0628\u064a\u0642\u0627\u062a\u0647 \u0641\u064a \u0627\u0644\u0646\u0651\u0642\u062f \u0627\u0644\u0639\u0631\u0628\u064a \u0627\u0644\u0645\u0639\u0627\u0635\u0631\u060c \u06371. \u062f\u0627\u0631 \u0645\u064a\u0645 \u0644\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0639\u0632 \u0627\u0644\u062f\u064a\u0646 \u062c\u0644\u0627\u0648\u062c\u064a (2020). \u0639\u0646\u0627\u0642 \u0627\u0644\u0623\u0641\u0627\u0639\u064a\u060c \u06371. \u062f\u0627\u0631 \u0627\u0644\u0645\u0646\u062a\u0647\u0649.
\u0639\u064a\u0627\u062f \u0623\u0628\u0644\u0627\u0644 (2010). \u0623\u0646\u062b\u0631\u0648\u0628\u0648\u0644\u0648\u062c\u064a\u0627 \u0627\u0644\u0623\u062f\u0628 \u062f\u0631\u0627\u0633\u0629 \u0623\u0646\u062b\u0631\u0648\u0628\u0648\u0644\u0648\u062c\u064a\u0629 \u0644\u0644\u0633\u0631\u062f \u0627\u0644\u0639\u0631\u0628\u064a\u060c \u06371. \u0631\u0648\u0627\u0641\u062f.
\u0627\u0644\u063a\u0630\u0627\u0645\u064a\u0639\u0628\u062f \u0627\u0644\u0644\u0647 (2005). \u0627\u0644\u062b\u0642\u0627\u0641\u0629 \u0627\u0644\u062a\u0644\u0641\u0632\u064a\u0648\u0646\u064a\u0629\u060c \u0633\u0642\u0648\u0637 \u0627\u0644\u0646\u062e\u0628\u0629 \u0648\u0628\u0631\u0648\u0632 \u0627\u0644\u0634\u0639\u0628\u064a \u06372. \u0627\u0644\u0645\u0631\u0643\u0632 \u0627\u0644\u062b\u0642\u0627\u0641\u064a \u0627\u0644\u0639\u0631\u0628\u064a.
\u063a\u0644\u0627\u0645 \u0639\u0644\u064a \u062d\u062f\u0627\u062f \u0639\u0627\u062f\u0644 (2001). \u062b\u0642\u0627\u0641\u0629 \u0627\u0644\u0639\u0631\u064a \u0623\u0648 \u0639\u0631\u064a \u0627\u0644\u062b\u0642\u0627\u0641\u0629\u060c \u062a\u0631: \u0639\u0628\u062f \u0627\u0644\u0631\u062d\u0645\u0646 \u0627\u0644\u0639\u0644\u0648\u064a\u060c \u06371. \u062f\u0627\u0631 \u0627\u0644\u0647\u0627\u062f\u064a \u0644\u0644\u0637\u0628\u0627\u0639\u0629 \u0648\u0627\u0644\u0646\u0634\u0631 \u0648\u0627\u0644\u062a\u0648\u0632\u064a\u0639.
\u0644\u0637\u064a\u0641\u0629 \u0628\u0644\u062e\u064a\u0631\u060c\u0623\u062d\u0645\u062f \u062a\u0648\u0641\u064a\u0642 (2016) -\u062c\u0645\u0627\u0644\u064a\u0627\u062a \u0627\u0644\u062a\u062e\u064a\u064a\u0644 \u0627\u0644\u0633\u0631\u062f\u064a-\u060c \u06371. \u0645\u0637\u0628\u0639\u0629 \u0627\u0644\u0628\u064a\u0636\u0627\u0648\u064a.
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