The Silent Scream: Repressive Silence and Subversive Voice in The Vegetarian
DOI:
https://doi.org/10.70091/Atras/vol07no01.26Keywords:
Autonomy, ideological subjugation, quiet rebellion, societal constraintsAbstract
This study undertakes a critical examination of Han Kang’s The Vegetarian (2007), interpreting Yeong-hye’s silent yet powerful dissent as a radical confrontation with the ideological and repressive structures that regulate identity and bodily autonomy. Through the theoretical lens of Louis Althusser’s concepts of the Ideological State Apparatuses and Repressive State Apparatuses, the research investigates how institutions such as family, marriage, psychiatry, and cultural tradition function to uphold dominant ideologies and enforce conformity. Yeong-hye’s refusal to consume meat is not merely a dietary choice but a symbolic rupture from patriarchal expectations, heteronormative control, and institutional surveillance. Her passive resistance challenges the coercive systems that seek to discipline her body and silence her agency. The novel reveals how ideological and patriarchal forces confine identity, gender roles, and autonomy. Yeong-hye’s act of refusal shows that even quiet defiance can resist such control. By applying Althusserian theory, the study provides a nuanced understanding of how personal rebellion, especially from a gendered body, becomes a site of political significance. The work invites further exploration into how literature reimagines autonomy and challenges the ideological limits imposed on the individual.
References
Adhikari, T.N., & Pokharel, B.P. (2025). Postmodern consumerism and construction of self in Han Kang’s The Vegetarian. The Outlook: Journal of English Studies. 16 (1), https://doi.org/10.3126/ojes.v16i1.81535
Ahn, H. (2024). Empowerment and exploitation: Sexual dynamics in Han Kang’s The vegetarian. Tulsa Studies in Women’s Literature, 43(2), 277–293. https://doi.org/10.1353/tsw.2024.a952302
Althusser, L. (2018). On the reproduction of capitalism: Ideology and ideological state apparatuses. In V. B. Leitch (Ed.), The Norton anthology of theory and criticism (3rd ed., pp. 1282–1311). W. W. Norton & Company.
Anand, J. (2019). Constricting life: Constructing/deconstructing violence in Han Kang’s The vegetarian. Caesura: Journal of Philological & Humanistic Studies, 6(1).
Bica, P. (2023). The vegetarian by Han Kang: A postmodern allegory for women’s fight for power and freedom. Revista de Investigación del Departamento de Humanidades y Ciencias Sociales, 23, 47–57. https://doi.org/10.54789/rihumso.23.12.23.3
Chandran, R., & Pai, G. (2017). The flowering of human consciousness: An ecofeminist reading of Han Kang’s The vegetarian and The fruit of my woman. International Journal of English and Literature, 7(4), 21–28.
Devi, A., & Meera, B. (2023). Edible resistance: A feminine rebellion through culinary representation in The vegetarian by Han Kang. The Dawn Journal, 12(1), 1570–1575. https://doi.org/10.56602/TDJ/12.1.1570-1575
Kang, H. (2015). The vegetarian (D. Smith, Trans.). Portobello Books.
Lai, Y. P. (2023). Blooming against meat: Silence, starvation, and arboreal subjectivity in Han Kang’s The vegetarian. Critique: Studies in Contemporary Fiction, 64(5), 831–842. https://doi.org/10.1080/00111619.2022.2106819
Macsiniuc, C. (2017). Normalizing the anorexic body, violence and madness in The vegetarian by Han Kang. Meridian Critic, 29(2), 103–118.
Martin, J. L. (2015). What is ideology? Sociologia, Problemas e Práticas, 77, 9–31. http://journals.openedition.org/spp/1782
Munir, T., & Liaqat, Q. (2024). Power, patriarchy and the post-human subject: A Foucauldian discourse analysis of Han Kang’s The vegetarian. Literature & Aesthetics, 34(3), 97–110.
Sanjana, A. M., & Mariam, A. A. (2024). Review of The vegetarian by Han Kang. ILN Journal: Indian Literary Narratives, 1(1), 62–65. https://doi.org/10.70396/ilnjournal.v1n1.b.01
Downloads
Published
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Licensing Framework
ATRAS utilizes the Creative Commons Attribution-NoCommercial 4.0 International License, which permits others to remix, tweak, and build upon the work non-commercially, as long as the original work is properly cited. All the journal’s content is under Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4-0).
Importantly, the intellectual property rights of the submitted papers remain with the contributors. ATRAS, published by Saida University, Dr Moulay Tahar, Algeria, does not collaborate with any private publishing companies to promote its publications. This policy is in place to prevent deceptive publishing practices. Furthermore, ATRAS strictly prohibits the commercial use or marketing of its published material.
Authors retain the right to reproduce and distribute their articles in any format, without prior authorization, with the proper acknowledgement of the first publication.
Authors are encouraged to self-archive their articles online (in institutional repositories, personal websites, etc.). Any such posting must include an appropriate citation and a link to the journal’s website.
Copyright Holder
Researchers who publish their manuscripts in ATRAS agree to the following:
Copyright and Licensing:
Author (s) retain unrestricted copyrights and publishing rights of their works, which are made available under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 (CC BY-NC 4.0), permitting others to:
SHARE: Copy and redistribute the materials in any format and medium.
ADAPT: Remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as he follows the license terms, which are:
ATTRIBUTION: Proper credit must be given, with a link to the license, and any modifications noted. This should not imply endorsement by the licensor.
NONCOMMERCIAL: The material cannot be used for commercial purposes.
Additional Agreements: Researchers can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published versions of the work (e.g., post it in an institutional repository or publish it in a book) with acknowledgement of its initial publication in ATRAS.
Online Sharing: Authors are permitted and encouraged to share their works online (e.g., in institutional repositories or on their websites) prior to and during the submission process, promoting productive exchanges and increasing citations.