Narrative Collusion and Allegiance Justifying: A Cultural Critical Approach to The Dictator’s Last Night Novel by Yasmina Khadra
DOI:
https://doi.org/10.70091/Atras/vol05no2.17Keywords:
Allegiance, collusion, Cultural Critical Approach, Dictator’s Last Night, Revolution, Yasmina KhadraAbstract
Yasmina Khadra’s novels adeptly navigate complex themes such as terrorism and revolution, employing a gripping narrative style that skillfully constructs a purposeful, creative storyline. This narrative technique is designed to accentuate the emotional dynamics and psychological transformations experienced by all participants throughout the depicted events. Commonly, Khadra interweaves a romantic subplot within his narratives, artfully blending reality with fiction. His novel, The Dictator’s Last Night, vividly recounts the confrontation faced by Libyan Leader Muammar Gaddafi shortly before his demise. In this portrayal, Khadra draws a subtle yet profound parallel between revolution, portrayed as a fringe act of defiance, and authority, seen as a central, dominant force. This juxtaposition reveals Khadra’s critical stance on revolutions; he views them as inherently unnatural acts that disrupt the transcendent balance of established centrism, regardless of the justification provided by their leaders. By delving into the depths of Gaddafi’s ordeal and the dispositions of the rebels, Khadra exposes the complex layers of loyalty and violent opposition, illustrating how the revolution strayed from its noble intentions towards a path marred by gruesome vengeance and malevolent retribution.
Downloads
Published
Issue
Section
License
Copyright (c) 2024 ATRAS journal

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Licensing Framework
ATRAS utilizes the Creative Commons Attribution-NoCommercial 4.0 International License, which permits others to remix, tweak, and build upon the work non-commercially, as long as the original work is properly cited. All the journal’s content is under Creative Commons Attribution-NonCommercial 4.0 International (CC BY-NC 4-0).
Importantly, the intellectual property rights of the submitted papers remain with the contributors. ATRAS, published by Saida University, Dr Moulay Tahar, Algeria, does not collaborate with any private publishing companies to promote its publications. This policy is in place to prevent deceptive publishing practices. Furthermore, ATRAS strictly prohibits the commercial use or marketing of its published material.
Authors retain the right to reproduce and distribute their articles in any format, without prior authorization, with the proper acknowledgement of the first publication.
Authors are encouraged to self-archive their articles online (in institutional repositories, personal websites, etc.). Any such posting must include an appropriate citation and a link to the journal’s website.
Copyright Holder
Researchers who publish their manuscripts in ATRAS agree to the following:
Copyright and Licensing:
Author (s) retain unrestricted copyrights and publishing rights of their works, which are made available under the Creative Commons Attribution-NonCommercial CC BY-NC 4.0 (CC BY-NC 4.0), permitting others to:
SHARE: Copy and redistribute the materials in any format and medium.
ADAPT: Remix, transform, and build upon the material.
The licensor cannot revoke these freedoms as long as he follows the license terms, which are:
ATTRIBUTION: Proper credit must be given, with a link to the license, and any modifications noted. This should not imply endorsement by the licensor.
NONCOMMERCIAL: The material cannot be used for commercial purposes.
Additional Agreements: Researchers can enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal’s published versions of the work (e.g., post it in an institutional repository or publish it in a book) with acknowledgement of its initial publication in ATRAS.
Online Sharing: Authors are permitted and encouraged to share their works online (e.g., in institutional repositories or on their websites) prior to and during the submission process, promoting productive exchanges and increasing citations.